A Series of Unfortunate Events: The Musical – “Dinner Scene”

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After the Baudelaires prepared the pasta Puttanesca dish, Count Olaf goes into the kitchen to tell them to bring roast beef. The children remind him that he didn’t request it. But Olaf’s pissed and lifts Sunny up to “discipline” them, or a word which here means in this context, “threaten or intimidate.” Yet, he eventually puts her down and accepts to eat their “disgusting sauce” anyway. After dinner, he orders the kids to clean up and “go to their beds.” However, given his inability to keep his mouth shut when he should, Klaus reminds Olaf that he only gave them one bed and can’t use their fortune to buy another until Violet turns 18. Olaf smacks Klaus in the face so hard he falls on the floor. In the books, while the troupe laughs and applauds at him, the children languidly wash the dishes before going to bed, quietly weeping due to the situation they’re in.

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I think a good song for the occasion is “Joseph’s Dreams” from Joseph and the Amazing Technicolor Dreamcoat. The original version entails Joseph talking about his dreams in which his prestige rises above his brothers’ that make him sound rather arrogant and stuck up. Sure he can’t help it, but like Klaus, he might want to keep his mouth shut. Because his dream talk just pisses them off so much that his older brothers resolve to get rid of him. In this version, the Baudelaires decide to see Mr. Poe about the matter.

 

“Dinner Scene”

Count Olaf:
Orphans, bring the roast beef dinner.

Klaus:
We didn’t make roast beef
Try this pasta Puttanesca dish
We had made instead

Violet:
You didn’t even specify the dish
You wanted us to make
We only thought this recipe
Would be easy to pull through
We worked so hard, we tried our best
To cook you up this meal
So perhaps it’s best you eat this up
And don’t give us a squeal

Count Olaf:
As your dad, don’t trifle me
Serve the roast beef now
Else I drop your baby sister
From high up in the air

Klaus:
Puttanesca’s all we made
Please be satisfied
Now put our sister Sunny down
Since she’s now begun to cry

Count Olaf:
Fine, serve your lousy pasta dish
Along with that disgusting sauce
But clean the kitchen afterwards
Then it’s straight up to your beds

Klaus:
You only provided us with one bed!

Count Olaf:
Then why don’t you buy one

Klaus:
You know we don’t have any money!

Count Olaf:
But you do, of course
You inherited a fortune
Your folks have left behind

Klaus:
That money’s not to be used
Till Violet turns eighteen

Violet:
Oh, God, he’s struck Klaus across the face!

Troupe:
That’ll sure show this ungrateful brat
Who should know better than talk back
This boy deserves all he gets!

The Bald Man:
You better be polite or Count Olaf will
Rearrange your pretty face

Hook-Handed Man:
If I know you, Olaf, you’ll figure
How to get their cash

Violet:
Count Olaf is a monster
There is one thing we must do
First thing, tomorrow morning
We must go see
Mr. Poe

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A Series of Unfortunate Events: The Musical – “Master of the House”

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In addition to being one of the most infamous literary villains in recent times, Count Olaf has a theater troupe of nefarious henchmen. There’s the Hook-Handed man who’s featured prominently in the books with his hooks at the end of his upper appendages. God only knows how he lost them. Then you have the Bald Man with the Long Nose who plays a key role in the books and can be downright nasty. In the show, he’s more of a dumb muscle who likes to paint. After that is the Person of Indeterminate Gender whose very fat in the books, mostly speaks in grunts, and is seen as one of the scariest members to Klaus. In the Netflix show, they’re kind of dim but can occasionally say some insightful things about gender roles. Next, the two White-Faced Women who usually don’t have much characterization. But whether they resemble geishas or old grannies, you never see one without the other. And finally, we have the Wart-Faced Man who shows up in The Bad Beginning but we don’t know what happened to him since.

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I think a good introduction to them would be in a song like “Master of the House” from Les Miserables. The original version features the innkeeper Thenardier singing of how much of a sleazy bastard he is. In the movie, you may see him having a good old time stealing money and valuables from his patrons. In this version, I have Count Olaf welcoming and entertaining his henchmen as the Baudelaires make dinner. Yet, I gave Mrs. Thenardier’s lines to the Hook-Handed Man since he’s Count Olaf’s most prominent featured crony in the series.

 

“Master of the House” (ASOUE Version)

Sung by Count Olaf and his Troup

Count Olaf:

Welcome, my friends, sit yourself down
To the best house of the best actor in town
As for the rest, all of ’em crooks:
Rooking their guests and cooking the books
Seldom do you see
Honest men like me
A gent of good intent
Who’s content to be

Master of the house, doling out the charm
Ready with a handshake and an open palm
Tells a saucy tale, makes a little stir
Fellow guests appreciate a bon-viveur
Glad to do a friend a favor
Doesn’t cost me to be nice
But nothing gets you nothing
Everything has got a little price!

Master of the house, keeper of the troupe
Ready to relieve kids of their cash or two
Take them in their care making them do chores
Having them make dinner that only we will gorge
Everybody loves an actor
Everybody’s bosom friend
I do whatever pleases
Jesus! Won’t I bleed ’em in the end!

Count Olaf & Troupe:
Master of the house, quick to catch yer eye
Never wants a trust fund to pass him by
Handsome to a fault, genius on the stage
Comforter, philosopher, and lifelong mate!
Everybody’s boon companion
Everybody’s chaperone

Count Olaf:
But lock up your valises
Jesus! Won’t I skin you to the bone!

Enter Monsieur, we have a scheme
Perhaps we can talk it over roast beef
Don’t mind the kids, they’re cooking now
What we talk won’t interest them anyhow
Care for some fine wine
As we sit and dine
And nothing’s overlooked
Till I’m satisfied

Food beyond compare. Food beyond belief
I’m sure the kids are busy cooking the roast beef
Hope they won’t take long, surely we’re all starved
Scheming on an empty stomach can only go so far
Theater friends are more than welcome
Downstairs bathroom’s on the right
Yes, the toilet’s dirty
But you should check the nearby dive’s!

Never mind the rats, never mind the mice
I’m sure the Baudelaires will make this place look nice
Here’s a little glass, take a little wine
I have enough to pass out after dinner time
When it comes to entertaining
There are a lot of tricks I know
Got to see these three kids chopping wood
Jesus! It’s just as hilarious as it goes!

Count Olaf & Troupe:
Master of the house, quick to catch yer eye
Never wants a trust fund to pass him by
Handsome to a fault, genius on the stage
Comforter, philosopher, and lifelong mate!
Everybody’s boon companion
Gives ’em everything he’s got

Count Olaf:
Dirty bunch of geezers
Jesus! What a sorry little lot!

Hook Handed Man:
I used to dream that I’d be filthy rich
But God Almighty, have you seen what’s happened since?

Master of the house? Isn’t worth my spit!
`Comforter, philosopher’ and lifelong shit!
Cunning little brain, regular Voltaire
Thinks he’s quite a genius but there’s not much there
What a cruel trick of nature landed me with such a louse
God knows how I’ve lasted working for this bastard in the house!

Count Olaf & Troupe:
Master of the house!

Hook Handed Man:
Master and a half!

Count Olaf & Troupe:
Comforter, philosopher

Hook Handed Man:
Ah, don’t make me laugh!

Count Olaf & Troupe:
Handsome to a fault, genius on the stage

Hook Handed Man:
Hypocrite and con man and inebriate!

Count Olaf & Troupe:
Everybody bless the actor!
Everybody bless his friends!

Count Olaf:
Everybody raise a glass

Hook Handed Man:
Raise it up the master’s arse

All:
Everybody raise a glass to the Master of the House!

A Series of Unfortunate Events: The Musical – “Poor, Poor Orphans”

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Under Count Olaf’s guardianship, the Baudelaire children were forced to do a series of endless and difficult chores. However, one day Olaf asks the kids to make a dinner for him and his theater troupe despite that they don’t know how to cook. So they go to their neighbor, Justice Strauss’s place and make use of her vast library. The find a recipe for pasta puttanesca, buy the ingredients, and cook it to serve as a meal. But will Olaf and his troupe be pleased with their efforts? Only time will tell.

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For this song I chose the “Poor, Poor Joseph” song from Joseph and His Amazing Technicolor Dreamcoat. It’s an upbeat song that in the original version depicts Joseph’s jealous older brothers abducting him and throwing him in a well. Before selling him off to slavery where he ends up in Egypt. On the bright side, it leads to a hilarious cowboy number where his brothers try to explain the situation to their father Jacob. Compared to that, the ASOUE version is strangely light-hearted since it pertains to making dinner. Even if it’s for one of the most despicable villains in literature.

 

“Poor, Poor Orphans”

Lemony Snicket:

One day, early morn,
The Count left the poor kids a note

Told them to cook a meal
For ten in his theater troupe

Had to be ready by seven and serve it
Clean it up and stay out of Olaf’s way

Violet:
How do we accomplish this?
We don’t even know how to cook

Klaus:
We just need a cookbook
Which we really have to find
Except Count Olaf has no books of any kind

Violet:
We need one now! Else dinner won’t be made.

Lemony Snicket:
Poor, poor orphans, what’cha gonna do?
Things look bad for you, hey, what’cha gonna do?
Poor, poor orphans, what’cha gonna do?
Things look bad for you, hey, what’cha gonna do?

Justice Strauss:
Hi, kids, how you’ve been?
Is there anything you need?
Just hear to check on you
See how you’re handling your new life

Violet:
Olaf’s bringing home some friends
Wants us to make a meal we can’t

Justice Strauss:
Well, come to my house,
I’ll give you what you need
Borrow my cookbook and pay for groceries
Feel free to come by anytime

Klaus:
Thanks, for saving our asses just in time

Lemony Snicket:
There they spent the day
Preparing the Puttanesca sauce
Served it on pasta
Along with instant pudding for dessert
They meal was made by the designated time
Hopefully, Count Olaf won’t bitch and whine

Here he now comes with his freakish troupe
What a sordid group, hey, how low can he stoop?
Poor, poor children, will he be impressed?
Situation’s grave, though afraid what will be next?

A Series of Unfortunate Events: The Musical – “If I Were a Rich Man”

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It’s no question that Count Olaf is a greedy and selfish man who cares only for obtaining wealth and power as well as will go to great lengths to get what he wants. But why he goes after Baudelaire fortune when he could’ve just robbed a bank is never explained, yet he pursues them with dogged obsession. Nonetheless, once these three precocious orphans end up in his care, he wastes no time making their lives miserable by making them do a list of endless and difficult chores for his entertainment. Tall, rail thin, with a unibrow, wheezy voice, gleaming eyes, horrendously bad hygiene, and an eye on his left ankle, he is a treacherous criminal mastermind who can make the Baudelaires’ lives hell despite how they constantly thwart his plans. Still, while he may seem quite overdramatic in his portrayals by Jim Carrey and Neil Patrick Harris, do not underestimate him. Because despite being not as bright and cultured as the Baudelaires, Count Olaf is a very intelligent man who can stay ahead of the authorities and know what they’ll do in order to hunt him. In fact, he can fool even the most intelligent person around him, including their subsequent guardians. And as the series goes on, he only gets much worse.

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A good song for him in The Bad Beginning would be “If I Were a Rich Man” from Fiddler on the Roof. In the original version, protagonist Tevye sings of how his life would be like if he was rich and complains to God about why he’s stuck to being a poor milkman with 5 daughters. However, Tevye just wants a better life where he wouldn’t have to work hard he tries to be a good Jew. Sure his aspirations are unrealistic and he knows it. But we’ve all been there. In the ASOUE version,  I have Count Olaf wish more sinister ides on how he’d spend the lavish Baudelaire fortune.

 

“If I Were a Rich Man” (ASOUE Version)

Sung by Count Olaf

Dear God, three rich orphans are in my care.
I realize, of course, that it’s no shame to be in debt.
But it’s no great honor either!
So, what would have been so terrible if I had these brats’ fortune?

If I were a rich man,
Ya ha deedle deedle, bubba bubba deedle deedle dum.
All day long I’d biddy biddy bum.
If I were a wealthy man.
I wouldn’t have to work hard.
Ya ha deedle deedle, bubba bubba deedle deedle dum.
If I were a biddy biddy rich,
Yidle-diddle-didle-didle man.

I’d build a big tall house with rooms by the dozen,
Right in the middle of the town.
A fine tin roof with real wooden floors below.
There would be one long staircase just going up,
And one even longer coming down,
And one more leading nowhere, just for show.

I’d fill my yard with shrubs and busts made in my likeness
For everyone in town to see.
And each one would make me look like a marvel
While seen as a great work or masterpiece
As if to say “Here lives a wealthy man.”

If I were a rich man,
Ya ha deedle deedle, bubba bubba deedle deedle dum.
All day long I’d biddy biddy bum.
If I were a wealthy man.
I wouldn’t have to work hard.
Ya ha deedle deedle, bubba bubba deedle deedle dum.
If I were a biddy biddy rich,
Yidle-diddle-didle-didle man.

I’ll wear some fine clothes when I leave from the theater
With a hot girl at each arm.
Enjoying nightlife to my heart’s delight.
I will be putting on airs and strutting like a peacock.
Oy, what a happy mood I’d be.
Screaming at the servants, day and night.

The most important men in town would come to fawn on me!
They would ask me to advise them,
Like a Sullivan the Wise.
“If you please, Count Olaf…”
“Pardon me, Count Olaf…”
Posing problems that would cross a lawyer’s eyes!
And it won’t make one bit of difference if I answer right or wrong.
When you’re rich, they think you really know!

If I were rich, I’d have the time that I lack
To trash any critics of my plays.
And maybe scheme a plot that would kill them all.
And I’d throw grand parties with wine for my backers, several hours in a day.
That would be the sweetest thing of all.

If I were a rich man,
Ya ha deedle deedle, bubba bubba deedle deedle dum.
All day long I’d biddy biddy bum.
If I were a wealthy man.
I wouldn’t have to work hard.
Ya ha deedle deedle, bubba bubba deedle deedle dum.
Now I need to come up with a plan,
To get these brats’ money in my hands.
And prevent them spoiling my scams? So I’d be a wealthy man…

A Series of Unfortunate Events: The Musical – “Consider Yourself”

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A Series of Unfortunate Events often get its name due to all the sadness, misfortune, misery, and woe the Baudelaire children put up with in their lives since their parents died in a fire. But most of the terrible things happen to them are thanks to the actions of one man, Count Olaf. Soon after losing their parents and home, they’re sent to live with this guy as their guardian. Since their parents’ will stipulated that the kids be sent to their closest geographically living relative and Count Olaf is their third or fourth cousin 3-4 times removed. Then again, that could be a lie. I really don’t know how Mr. Poe chooses Baudelaire guardians in the books. On paper, he’s an actor with his own theater troupe. But despite having a noble title, his house is a dump, decorated with eye pictures on the walls, and has a tower the kids aren’t allowed to enter. They find Olaf himself as an unpleasant man, easily angered, and refers to the kids as “orphans” or “brats.” He only provides them with one room with one bed and makes them do pointless and difficult chores for his entertainment. And he gets worse from there.

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Perhaps a good song for their first encounter could be “Consider Yourself” straight out of the 1960s musical Oliver!, which is based on the Charles Dickens novel Oliver Twist. In the original version, the Artful Dodger befriends Oliver and welcomes him into their gang of petty criminals that’s headed by a creepy man named Fagin. Sure Oliver isn’t up for a great experience with these guys. But at least it beats the workhouse in Victorian England. And the song seems quite upbeat since Oliver has no idea what he signed up for. This ASOUE version is much grimmer though we don’t get the full scope of Count Olaf’s villainy just yet.

 

“Consider Yourself” (ASOUE Version)

Sung by Count Olaf and the Baudelaire Orphans

Count Olaf:
Consider yourself at home
Consider yourself one of the household staff
I’ve made a long list of chores
Here’s your toothbrushes to clean the floor
Consider yourself, well in
Consider yourself a part of the furniture
There isn’t a lot to spare
Who cares?..I’ve got a bedroom upstairs!

There’s a chance you’ll see
When you clean
Some larger rats
Really nasty gnats
And mouse
While I’ll use your fortune
As a way
To foot the bill
While I have you clean my house!
Consider yourself my charge
I don’t want to have no fuss,
For after some consideration, I can state
Consider yourself
Pretty fucked.

Consider yourself…

Violet:
At home?

Count Olaf:
Consider yourself…

Klaus:
One of the cleaning staff

Count Olaf:
I’ve made a long list

Violet and Klaus:
Of chores

Count Olaf:
It’s clear…you’re…

Violet and Klaus:
Going to clean the floor

Count Olaf:
Consider yourself…

Sunny:
(subtitled baby talk) Well screwed!

Count Olaf:
Consider yourself…

Violet:
Part of the furniture

Count Olaf:
There isn’t a lot to spare

Klaus:
Who cares?
We’ve got to get out of here

Count Olaf:
Don’t ever try to be la-di-da or uppity-
Put or shut up, that’s all

Violet:
Though I can be rather handy with a rolling pin
When the landlord comes to call!

Count Olaf:
Consider yourself
My charge.
I don’t want to have no fuss

ALL:
For after some consideration we can state

Count Olaf:
Consider yourself

Baudelaires:
No!

ALL:
Pretty fucked!

Violet:
Consider ourselves at home…
Mr. Poe’s gotten it all so wrong
Consider ourselves done in…
There’s only one bed to spare

Klaus:
There’s a chance at hand
Olaf’s bad
Such a nasty man
And this shithole—
Of a house
Wish we’d live nearby
Justice Strauss
With all her books
All shelved up in her clean house!

Violet:
Consider ourselves enslaved.
He’ll always give us fuss
For after some consideration, we can state…
Consider ourselves…
Really fucked!

Violet:
Consider yourself

Sunny:
(Subtitled babble) At home.

Klaus:
He’s taken to us

Sunny:
(Subtitled babble) Like slaves

Violet:
Consider yourself

Klaus:
Done in.
He’s making us do these chores.
He wants us to go outside chopping wood
Despite that this is only June
And to repair a broken window he could’ve fixed
Oh, my God, he’s such a loon!

Violet:
Consider ourselves his slaves
We don’t want to have no fuss
For after some consideration we can state
Consider ourselves
Really fucked.

Klaus:
For after some consideration we can state
Consider ourselves…
Really fucked!

If this house should be
Right into our old neighborhood
They’d condemn it
To a lot
And he makes us to maintain
This God awful hellhole place
With the smallest brush he’s got.

Violet:
Consider ourselves at home.
Consider ourselves living with parasites.
This room only has us one bed.
And it’s infested with fleas instead.
Consider ourselves done in.
Consider ourselves with the bad furniture.
There isn’t much to spare.
Who cares?
Whatever we’ve got we share.

If it should chance to be
We should see some harder days,
With Count Olaf,
In this house
Always a chance we’ll see
Somebody to help us out.
Let’s just hope it’s Justice Strauss.

Consider ourselves his slaves.
We don’t want to have no fuss
For after some consideration we can state
Consider yourself…
Really fucked!!

A Series of Unfortunate Events: The Musical – “When I Was a Lad”

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In A Series of Unfortunate Events, the Baudelaires encounter plenty of adults you might consider as idiots, a word which here means, “if they’re not affiliated with the villainous Count Olaf or guaranteed to die for being too good for this sinful earth, they’re most likely incompetent or unable to help the Baudelaires in any meaningful way.” But there is no adult in this series who’s as utterly useless and idiotic as Mulctuary Money Management’s most famous banker, Mr. Arthur Poe. In the ASOUE books, Mr. Poe is the guy who’s in charge of managing the vast Baudelaire fortune the kids are set to inherit when Violet turns 18. Yet, he’s also the guy who sends the Baudelaire orphans to their respective guardians and is the last guy you’d want associated with child services. Seriously, Mr. Poe doesn’t know the meaning of the word, “background check.” Still, throughout the series, he is blatantly ignorant, easily gullible when he shouldn’t be, and never listens to the Baudelaires. This despite that he should know better. Furthermore, he thinks the kids will be safe wherever they end up despite the Count Olaf always finds them. Sure he might mean well, but he always proves so unhelpful to the orphans that Lemony Snicket thinks a jar of mustard would be better equipped to keep them out of danger. And I don’t think I can disagree since he seems the most useless adult in the Snicketverse, which is no small feat considering the stiff competition.

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As for musical numbers, a great song to characterize him would be “When I Was a Lad” from the Gilbert and Sullivan operetta HMS Pinafore. In the play, this is the introductory song of First Lord of Admiralty Sir Joseph K. Porter who describes his rise through law and politics to become head of the Queen’s Navy. Despite that he has absolutely no experience with any sort of naval command or ship. Kind of like how Donald Trump has no experience in government but 60 million people voted him to be president and now we’re stuck with him in the White House. Anyway, what’s interesting about Admiral Porter is that he’s based on a real guy named W.H. Smith who became First Lord of Admiralty despite having no navy background whatsoever. The joke with Porter in this song was more about the massive corruption involved as he recounts his rise through law, politics, and eventually his current position almost entirely thanks to nepotism. Smith’s reputation never recovered because the 19th century Brits never let him live it down. Seriously, the Band of Royal Marines greeted him with this song during his visit to Portsmouth. And Benjamin Disraeli often privately referred to him as “Pinafore Smith.” Though my ASOUE version of this song gives Mr. Poe plenty of relevant experience, I do add a stinger on why you wouldn’t want to entrust him with your kids.

 

“When I Was a Lad” (ASOUE Version)

Sung by Mr. Poe

Mr. Poe:
When I was a lad I served a term
As office boy to this financial firm.
I cleaned the windows and I swept the floor,
And I polished up the handle of the big front door.

Chorus:
He polished up the handle of the big front door.

Mr. Poe:
I polished up that handle so carefullee
That now I am an executive at Mulctuary!

Chorus.
He polished up that handle so carefullee,
That now he is an executive at Mulctuary!

Mr. Poe:
As office boy I made such a mark
That they gave me the post of a junior clerk.
I served the statements with a smile so bland,
And I copied all the letters in a big round hand.

Chorus:
He copied all the letters in a big round hand.

Mr. Poe:
I copied all the letters in a hand so free,
That now I am an executive at Mulctuary!

Chorus:
He copied all the letters in a hand so free,
That now he is an executive at Mulctuary!

Mr. Poe:
In serving statements I made such a name
That an articled clerk I soon became;
I wore clean collars and a brand-new suit
For the pass examination at the Institute.

Chorus:
For the pass examination at the Institute.

Mr. Poe:
That pass examination did so well for me,
That now I am an executive at Mulctuary!

Chorus:
That pass examination did so well for he,
That now he is an executive at Mulctuary!

Mr. Poe:
Of financial knowledge I acquired such a grip
That they took me into the management.
And that junior management, I began,
As executor of various wealthy families.

Chorus:
As executor of various wealthy families.

Mr. Poe:
The Baudelaires and Quagmires most famously,
That now I am an executive at Mulctuary!

Chorus:
The Baudelaires and Quagmires most famously,
That now I am an executive at Mulctuary!

Mr. Poe:
I grew so rich that I was sent
Promoted to senior management.
I always heeded at my bank’s call,
And I never thought of thinking for myself at all.

Chorus:
He never thought of thinking for himself at all.

Mr. Poe:
I thought so little, they rewarded me
By making me an executive at Mulctuary!

Chorus:
He thought so little, they rewarded he
By making him an executive at Mulctuary!

Mr. Poe:
Now young clerks all, whoever you may be,
If you want to rise to the top of the tree,
If your soul isn’t fettered to an office stool,
Be careful to be guided by this golden rule.

Chorus:
Be careful to be guided by this golden rule.

Mr. Poe:
Stick close to your desks and never see your kids,
And you all may be executives at Mulctuary!

Chorus:
Stick close to your desks and never see your kids,
And you all may be executives at Mulctuary!

A Series of Unfortunate Events: The Musical – “Deacon Blues”

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Of course, A Series of Unfortunate Events wouldn’t be the memorable young adult series we know and love without its remarkable narrator Lemony Snicket. In real life, he’s merely a pseudonym for the books’ real author, Daniel Handler who also uses it to write children’s books. But in the ASOUE books and the prequel series All the Wrong Questions, he’s also a character. Though in public, it’s said that Handler is publicly alleged to be Snicket’s “legal literary and social representative.” In A Series of Unfortunate Events, he’s a wanted fugitive who’s charged himself with chronicling the lives of the Baudelaire orphans. He’s a very depressed man who’s mourning for his deceased love Beatrice whom he dedicates every book to along with his previous life being framed for a series of crimes he didn’t commit. His outlook on life is darkly humorous. In his narration, he can be brutally honest and sometimes savage. His constantly definition of words and sometimes condescending and patronizing way of speaking is likely a parody and satire of how kids’ books are dumbed down and treat readers like idiots. In the books, you never see his face in his About the Author blurb photograph. Though you can see him in full view on the TV show as portrayed by Patrick Warburton.

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As an introductory song for him, I thought Steely Dan’s “Deacon Blues” would be more appropriate. It’s a jazzy but sad tune about an aspiring jazz musician struggling to make it big characterized by the late Walter Becker as a “loser” as the subject was meant to reflect, “… a broken dream of a broken man living a broken life.” In A Series of Unfortunate Events, Lemony Snicket is certainly a broken man living a broken life. He’s a wanted man who has to constantly go on the lam for crimes he didn’t do. While he still carries a torch for the love of his life who he could’ve and should’ve married. But she ended up with another man and later died. Perhaps he sees researching and writing about the Baudelaires as a way to redeem himself or perhaps honor the memory of an ex-girlfriend he never really got over. Nonetheless, this is a song that’s perfect for a man like Lemony Snicket.

 

“Deacon Blues” (ASOUE Version)

Sung by Lemony Snicket

This is the tale by the expanding man
That shape is my shade
There where I used to stand
It seems like only yesterday
I gazed through the glass
At ramblers, wild gamblers
That’s all in the past

You call me a fool
You say it’s a crazy scheme
This task is sad
But I’m already on the team
So useless to ask me why
Throw a kiss and say goodbye
I’ll find out this time
I’m ready to cross that fine line

Chronicle the Baudelaires
I’ll find just what I need
Conduct research all day long
And cry myself to sleep
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

My back to the wall
A victim of laughing chance
This is for me
The essence of failed romance
Sharing the things I know and love
With those of my kind
Libations
Sensations
That stagger the mind

I play my accordion
Through each depressing scene
Fantasize about Beatrice
Of what our lives could’ve been
I leave when the sun goes down
Avoiding every cop in town
I’m now on my own
I’ll drive these kids’ story home

Chronicle the Baudelaires
I’ll find just what I need
Conduct research all day long
And cry myself to sleep
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues

This is the tale by the expanding man
I take one last drag
As I go on the lam
I cry when I write these books
Sue me if I get it wrong
There’s so much to see
You’ll probably not see me

I chronicle the Baudelaires
I’ll find just what I need
Conduct research all day long
And cry myself to sleep
They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues