A Series of Unfortunate Events: The Musical – “S.O.R.E.”

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So the Baudelaires meet the Quagmires for dinner where the former will go meet Coach Genghis at the school grounds and the latter will sneak out of Nero’s recital and watch what’s Count Olaf is up to. That evening, when the Baudelaires show up, Count Olaf gives them luminous paint and tells them to paint a circular track. Once they’re finished, he makes them run laps all through the night. So they run around the track over and over again to the point they lose count and don’t leave until morning. Obviously, they’re exhausted but can’t sleep since they have to get to class and Nero’s office.

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My choice of song here is “Y.M.C.A.” by the Village People, which is often played at sporting events with crowds using the arms to spell out the letters. And it remains popular as a disco classic with letters appearing as Space Shuttle Wakeup call on mission STS-106. In the original version, the face value meaning extols the virtue of the Young Men’s Christian Association. But given that the gay culture from where the Village People sprang, the song is implicitly understood as celebrating the YMCA’s reputation as a cruising and hookup spot, particularly for the younger men to whom it’s addressed. Still, Victor Willis said he never wrote this song as a gay anthem but more of a reflection of black youth fun at the YMCA such as basketball and swimming. Then again, he’s often expressed fondness for the double entendre. In this version, I have Count Olaf telling the Baudelaires what to do and reveling in their misery he’s putting them through.

 

“S.O.R.E.”

Sung by Count Olaf (as Coach Genghis)

Orphans, go and pick up some slack
I said, orphans, use this to go paint a track
I sai-d, orphans, make sure it’s large and round
There’s no need to be so lazy

Orphans, now go out run your laps
I said, orphans, now your legs better be fast
You got to run there, and will do what I say
And you’ll stay here till I say so

It’s fun to run in for S.O.R.E.
It’s fun to run in for S.O.R.E.

Keep your feet moving fast at all of the time
And you will run laps for all night

It’s fun to run in for S.O.R.E.
It’s fun to run in for S.O.R.E.

You will run constant laps, you won’t gripe about cramps
And don’t you dare ask about naps

Orphans, are you listening to me?
I said, orphans, won’t you pick up the speed?
I said, orphans, you keep moving your feet
Now you got to know this one thing

Orphans, go and pick up the pace
I said, orphans, don’t you be an utter disgrace
And just run laps as for S.O.R.E.
Don’t you complain you’re queasy

It’s fun to run in for S.O.R.E.
It’s fun to run in for S.O.R.E.

Keep your feet moving fast at all of the time
And you will run laps for all night

It’s fun to run in for S.O.R.E.
It’s fun to run in for S.O.R.E.

You will run constant laps, you won’t gripe about cramps
And don’t you dare ask about naps

Orphans, won’t you pick up your shoes?
I said, get up, don’t be down with the blues
And don’t pass out if you feel faint
Cause you got to get a move on

Faster, I’ll make you do this all night
I won’t dismiss you until the dawn’s early light
Cause there’s no choice being in S.O.R.E
Since you won’t have it so easy

It’s fun to run in for S.O.R.E.
It’s fun to run in for S.O.R.E.

Keep your feet moving fast at all of the time
And you will run laps for all night
S.O.R.E. you’ll be running in for S.O.R.E

Orphans, orphans, there’s no need to be down
Orphans, orphans, pick yourself off the ground
S.O.R.E., it’s fun to run in for S.O.R.E.

Orphans, orphans, are you listening to me?
Orphans, orphans, won’t you pick up the speed?
S.O.R.E., just run for S.O.R.E.

Orphans, orphans, go and pick up the pace
Orphans, orphans, don’t you be an utter disgrace
S.O.R.E. and just run in for S.O.R.E.

Orphans, orphans, won’t you pick up your shoes?
Orphans, orphans, get up, don’t be down with the blues, S.O.R.E.

A Series of Unfortunate Events: The Musical – “Vice Principal Nero”

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The next morning, the Baudelaires visit Vice Principal Nero’s office. There, the kids notify him about their suspicions that Count Olaf has entered the school. However, as expected Nero dismisses each suggestion and takes their cutlery privileges away from them (since they entered his office without an appointment). And then Coach Genghis shows up to suggest that he may be Count Olaf. The kids insist he take off his running shoes, socks, and turban to prove it. But the guised Count Olaf refuses, complaining that his feet smell and the turban is consistent with his religious practice. The Baudelaires are dismissed and sent to the cafeteria to eat scrambled eggs with their hands. At least the Quagmires are willing to share their silverware. Still, later that day Carmelita gives the Baudelaires a message that they’re to meet with Coach Genghis that evening. That can’t be good.

Vice Principal Nero with Baudelaires

The song I selected in this part is “Gee, Officer Krupke” from West Side Story. In the original, the Jets members make fun of a police officer by saying how they’re victims of the system instead of assholes and juvenile delinquents. It’s a humorous number where the guys play a bunch of authority figures and mock how these people perceive them. It’s a fun moment before the next night where there’s a gang fight and everything starts going to shit. In this version, I have the Baudelaires call out their suspicions to Vice Principal Nero.

 

“Vice Principal Nero”

Klaus:
Dear kindly Mr. Nero
Ya gotta understand
Not trying to cite fearo
That’s getting outta hand
We think that Count Olaf
Has entered on school land
Golly, Moses, please don’t piss us off

Violet:
Vice Principal Nero, we’re very upset;
We think your computer system has
Greatly failed you yet
If you don’t believe us
Perhaps inspect
Or give a thorough background check!

Klaus:
Background check!

Violet and Klaus:
Background check, background check
Do a background check
Give out a thorough background check

Vice Principal Nero:
You kids are just overreacting
Came here without an appointment?
No cutlery for you today!

Klaus:
Dear kindly, Mr. Nero
Olaf’s a master of disguise
He might be under our noses
And we wouldn’t be wise
He could be anybody
He could possibly be me
Leapin’ lizards—please God can’t you see?

Violet:
Right!
Vice Principal Nero, I got to be frank
We think that some Olaf’s disguised
As a notorious crank!
He may even see you as a musical god
But we three see him as a great fraud

Klaus:
He’s a fraud!

Violet and Klaus:
He’s a fraud, he’s a fraud
He’s a great big fraud
Like he’s a great enormous fraud

Vice Principal Nero:
That’s hilarious!
The only thing under my nose
Is my own mouth, kids
Which is now telling you to get the hell out
Else, should I check the boys’ basketball team?

Count Olaf (as Coach Genghis):
Hell, maybe I can be Count Olaf

Violet:
You?

Klaus:
Who you?

Violet:
Then if you are Count Olaf
Please remove your disguise
Take your shoes and socks off
To reveal your tattooed eye
And please unwrap your turban
To show your monobrow
Come on, Genghis, go ahead strip down!

Count Olaf:
No!
Vice Principal Nero, I shouldn’t be here
For I cannot fulfill the requests of the
Three Baudelaires
I’ve got a foot fungus that makes them stink
And I wear this turban cause I’m Sikh!

Klaus:
He’s a Sikh!

Violet and Klaus:
He’s a Sikh, he’s a Sikh
He’s a Sikh, Sikh, Sikh
Like he’s genuinely a Sikh!

Vice Principal Nero:
Well, these kids are natural comedians
Have you thought of stand-up?
Cause that’s a funny song and
Dance routine

Count Olaf:
Hey, don’t touch my turban!

Violet:
Oh, my bad. We’re really sorry!

Coach Genghis:
Dear kindly, Mr. Nero
Please accept these rose
I enjoyed last night’s sonata
That made me tap my toes
You sound like a great genius
Love how you compose
Jesus, Mary, how could they not know?

Klaus:
Eek!
Vice Principal Nero, just listen to me
Coach Genghis many not be the man
He claims to be
It ain’t just a question of misunderstood;
Deep down inside him, he’s no good!

Violet:
He’s no good!

Violet and Klaus:
He’s no good, he’s no good
He’s no earthly good
Like he’s definitely no damn good!

Vice Principal Nero:
The trouble is you’re crazy
Do you honestly believe?
That our new gym teacher
Is not the man he seems
You suspect he’s quite shady
But you don’t have any proof!

Jesus, I got troubles can’t you see?
Baudelaire children,
Why don’t you just leave
Cause I don’t want to deal with
Your mental disease

Violet and Klaus:
Vice Principal Nero,
What are we to do?
Vice Principal Nero —
Fuck you!

A Series of Unfortunate Events: The Musical – “Concert Night”

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Now with Count Olaf in their lives, the Baudelaires are obviously worried. They know he has a plan. But they’re aware that it’s pointless to tell Nero about him, especially since he takes a liking to the new gym teacher. That night, they discuss the situation with the Quagmires at Nero’s trainwreck violin recital. As their friends, Duncan and Isadora agree to help the Baudelaires. Yet, they see the whole situation as a fun mystery game, making the Baudelaires apprehensive about their involvement. After all, they’ve had Uncle Monty and Aunt Josephine die on them. And it’s unlikely the Quagmires understand how serious jumping in can be. Because whoever has tried helping the Baudelaires typically doesn’t meet a great fate. And the Quagmires may not be an exception. Anyway, the Baudelaires decide to see Nero the next day though they know he’s a jerk and an idiot at that.

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I used “Grovel, Grovel,” from Joseph and the Amazing Technicolor Dreamcoat since it’s a continuation of “The Brothers Come to Egypt.” In the original version, Joseph’s brothers beg him to give them some food since they’ve been starving in their native Canaan. Yet, Joseph has a trick on his sleeve since he wants to know whether his brothers have learned from what they did to him. In this version, I have the Quagmires express eagerness to help the Baudelaires while the latter worries whether they understand what they’ve signed up for.

 

“Concert Night”

Violet:
I know well who Coach Genghis is
I only played his game
Telling Nero’s a waste of time
Since he’d think we’re all insane

Klaus:
We need to know about Olaf’s plan
If he’s got guys with him now

Duncan:
Can you describe each of them
So they can all be found

Isadora:
Duncan and I really want to help you
Five beats out three

Duncan:
We need to go visit Nero
Get him to see

Violet:
We’ll go visit him tomorrow morning
We just really need to get him
At least to suspect
To make Olaf take off his turban
And kick off his keds

Duncan and Isadora:
Seems like you gave us a fun mystery
With us, you won’t have Count Olaf flee

Violet:
This is not a fun adventure
He’s a bad guy

Klaus:
Terrible things have really happened
To our key allies
Olaf is a very dangerous man
You have an enormous fortune
That is not good
He may really try to exploit you
I know he would

Duncan and Isadora:
Please don’t mind us, we’re on your case
Don’t you worry, he’ll be out of our base

Violet:
Do you know what you’re doing?
Not sure you do
He’ll surely try to hurt us
And move on to you

Klaus:
Just ask Monty or Aunt Josie

Violet:
We do not want you in danger
For you’re our friends
I know you really want to help us
But it could be your end

Duncan and Isadora:
Don’t you worry, we will be fine
We’ll get Olaf, and he will do time.

If you need us, give us a call
We will be there to help you and all

Lemony Snicket:
But while they had a wonderful night
Baudelaires turned out to be right

If you’ve followed our series from the first
You should know things are about to get a whole lot worse

Cause we all know that Count Olaf’s here
And he’s got some design
Which he’ll soon get into gear

Count Olaf:
Oh, Bravo, Nero!

A Series of Unfortunate Events: The Musical – “Coach Genghis Intro”

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While the Baudelaires’ life at Prufrock Preparatory School isn’t great per se, but at least they’re trying to make the best of things. For one, they have Duncan and Isadora Quagmire as friends. They’re also working on to make the Orphans Shack more like a home. They make tap shoes to drive off the crabs while inside and use salt to ward off the fungus. Of course, they’re probably stealing stuff from the school for these improvements. But it’s not like they had any choice to live in the shit house (no, not that kind of shithouse. Though I believe the Baudelaires probably use one of those, too. Yet, Lemony doesn’t talk about how they went to the bathroom.)  But just as everything seems bearable, Count Olaf shows up. This time, he’s disguised as the new gym teacher Coach Genghis wearing a track suit, athletic shoes, and a turban. In the TV show, he even speaks in a Southern accent. Anyway, he’s looking for orphans to be in the in his fitness regime called Special Orphan Running Exercises or S.O.R.E. And somehow the Baudelaires seem to fit the bill. Also, he’s stroking Vice Principal Nero’s ego.

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For his intro, I went with “The Brothers Come to Egypt” from Joseph and the Amazing Technicolor Dreamcoat. In the original version, the brothers go to Egypt for better food and provisions since there’s a famine in Israel. There, they meet Joseph who they don’t recognize. But he’s less than enthusiastic since they threw him in a well and sold him to slaver. In this version, I have the Baudelaires and Quagmires meet Count Olaf as Coach Genghis.

 

“Coach Genghis Intro”

Lemony Snicket:
Just as the Baudelaires began settling in
Nero showed up with a new coach for gym

Violet and Klaus:
We’ve added fixes to the Orphan’s Shack
With tap shoes
And some salt
It’s not all that bad
Yes, we occasionally had to go steal
But at least the Quagmires are here

Vice Principal:
I’d want all you orphans to meet

Count Olaf (as Coach Genghis):
I’m Coach Genghis your new gym teach

Duncan:
Hello, Coach

Isadora:
Welcome here

Violet:
Make yourself at home

Klaus:
Jesus Christ, Violet-
Hey, pull up a chair.

Count Olaf:
I came down to look at your legs
So I can try you out for my reg
The Baudelaires have
What I need
But the twins’ knees look pretty weak

Nero:
Perhaps, you’d join me tonight
At the auditorium
As I play my violin
For my evening fun

Count Olaf:
I would love to see your recital tonight
For screeching cats are always a delight

A Series of Unfortunate Events: The Musical – “I Am Pretty”

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Perhaps one of the worst things the Baudelaires have to endure is the monumental insufferable red-headed brat Carmelita Spats. Though she thinks she’s the cutest, prettiest, and nicest girl in the whole school, she’s a mean, arrogant, snobby, and selfish girl who cares for nobody but herself. She demands people to respect and revere her despite doing nothing to earn such treatment. Nonetheless, she thinks she’s the center of the universe while the world revolves around her. Her spoiled personality makes her show no respect for her elders and those around her. Not to mention, she makes Harry Potter’s Draco Malfoy look like a Boy Scout in comparison. In A Series of Unfortunate Events, Carmelita bullies the Baudelaires for being orphans and calling them, “cakesniffers.” Hell, she even got most of the students to yell, “Cakesniffing orphans in the Orphan Shack!” Yet, out of the Baudelaire children subject to her torment, Violet has it the worst. Mostly because they’re in the same class. And Carmelita sat behind her where she’d lean forward, poke her back, and whisper “orphan” in her ear. This would cause Violet to lose concentration and forget to write some detail of Mr. Remora’s story. Fortunately she had Duncan pass her notes. Still, doesn’t help that Nero sends her to give message to the Baudelaires and insists they give her earrings for tips.

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The song I picked for the ghastly and unpleasant Carmelita Spats is “I Feel Pretty” from West Side Story. The original version depicts how great the Puerto Rican Maria feels after falling for Tony despite how he’s affiliated with a rival gang against her brother. However, in this version, I have Carmelita reveal her delusional and enormous ego by singing of how great she is. While Violet is sulking due to the little bitch’s constant bullying in Mr. Remora’s class.

 

“I Am Pretty”

Sung by Carmelita Spats and Violet Baudelaire

Carmelita:
I am pretty,
Oh, so pretty,
I am pretty and witty and bright!
And it’s shitty
That some don’t even think I’m right.

I am charming,
Oh, so charming
It’s alarming how charming I am!
And so pretty
That I hardly can believe I’m real.

See the pretty girl in that mirror there:
Who can that attractive girl be?
Such a pretty face,
Such a pretty dress,
Such a pretty smile,
Such a pretty me!

I am stunning
And entrancing,
You cakesniffers aren’t good for my curls,
For I am
The prettiest girl in the world!

Violet:
My God, it’s that bitch Carmelita
She’s seated in behind me in class
She’ll torment me every few minutes
She’ll lean in, whisper “orphan,” and poke my back

She thinks she’s all that
She’s really a pain
She makes my life hell
She drives me insane

When she pokes my back
I can’t concentrate
I can’t keep my notes
While I lose my place

Hey, Remora, sir,
Need a seat here
Put me far away
From Carmelita

Spiteful and rude,
Selfish and stuck up
Sadistic and cruel
For God’s sake, she sucks!

Carmelita:
I am pretty,
Oh, so pretty
That the city should give me its key.
A committee
Should be organized to honor me.

Students:
La la la la . . .

Carmelita:
I’m a sweetie
I am sunny,
I feel kindly and funny and fine,
And so pretty,
Miss America can just resign!

Students:
La la la la . . .

Carmelita:
See the pretty girl in that mirror there.

Violet:
Oh, my God please!

Carmelita:
Who can that attractive girl be?

Violet:
Please, Jesus Christ!

Carmelita:
Such a pretty face,
Such a pretty dress,
Such a pretty smile,
Such a pretty me!

Violet:
What a fucking bitch!

Carmelita:
I am stunning
And entrancing,
You cakesniffers aren’t good for my curls,
For I am
The prettiest girl in the world!

A Series of Unfortunate Events: The Musical – “Shut Up, Class!”

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A typical day at Prufrock Preparatory School is quite a grind. As far as we know, students spend most of their day in a classroom with a teacher who lectures a pointless boring lesson. If you’re in the same classroom as Violet and Duncan, your teacher is the compulsive banana eating Mr. Remora whose concept of education consists of telling kids 3-4 sentence stories about his life which they have to copy down and are tested on. You also have to worry about Carmelita Spats acting up. If you’re in the same classroom as Klaus and Isadora, your teacher is the metric system obsessed Mrs. Bass who makes her students measure random objects that she brings to school each day. But none of them have it as bad as Sunny who spends her day at Vice Principal Nero’s office as his secretary because Nero didn’t know where else to put her. She’s obviously unqualified since she’s a baby who has to answer the phone, take dictation, and use a typewriter, all of which she totally fails at. Oh, and she has to make her own staples. And if you think they can look forward to the weekend, students can forget it. Though in the TV show they do have a sports team and its mascot is a dead horse.

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A song I chose for the Baudelaires’ first day in class or administrative work is “Sit Down, John!” from 1776. In the original version, John Adams is asking the Continental Congress to vote for independence from Great Britain. But the delegates don’t want to since it’s so freaking hot outside as well as that they’re in a building with no air conditioning and wearing woolen coats and powdered wigs. In this version, I have the teachers telling the kids to settle down in class since I find noisy classrooms particularly unpleasant. And I have Vice Principal Nero telling Sunny to type fast and answer the phone properly, which she’s incapable of doing since she’s a baby.

 

“Shut Up, Class!”

Lemony Snicket:
I have come to the conclusion that one useless man is called a disgrace, that two are called a law firm, and that three or more become a Congress! And by God, Violet and Klaus Baudelaire had useless teachers at Prufrock Prep, indeed, which you’d call a law firm. Violet’s teacher was the chain banana eating Mr. Remora whose concept of education consisted of telling kids 3 or 4 sentence they must copy down and are tested on. Klaus’s teacher was Mrs. Bass who’s obsessed with the metric system and whose lesson plans consisted of making students measure items random items she brings to school each day. Though their days were nothing compared to what Sunny had to deal with in Vice Principal Nero’s office, especially since she had to answer the phone and work a typewriter. Worse, they don’t even have weekends. Good God!

Mr. Remora:
Shut up, class
Shut up, class
For God’s sake, class
Shut up!

Mrs. Bass:
Shut up, class
Shut up, class
For God’s sake, class
Shut up!

Student:
Someone ought to open up a window!

Students:
It’s ninety degrees
Have mercy, teach, please
It’s hot as hell in Prufrock Preparatory School

Student:
Someone ought to open up a window!

Vice Principal:
I say type fast!
Type fast!
Answer the phone properly!

Student:
Someone ought to open up a window!

Vice Principal Nero:
I say type fast!

Mr. Remora:
Shut up, class!

Vice Principal Nero:
Answer the phone properly!

Student:
Someone ought to open up a window!

Students:
No! No! No!
Too many flies
Too many flies
But it’s hot as hell in Prufrock Preparatory School

Are you going to open up a window?

Can’t we compromise here?

Vice Principal Nero:
Type fast!

Students:
No, too many flies here!

Vice Principal Nero:
Type fast!

Mrs. Bass:
Oh for God’s sake, class, shut up!

Klaus:
Good God! I was really looking forward to class today.

Isadora:
You’ll be bored to tears by lunch time.

Carmelita:
Sir, you’re a bore
We’ve heard this before
Now, for God’s sake, Mr. Remora
Fuck you!

Vice Principal Nero:
I say type fast!

Sunny:
No!

Vice Principal Nero:
Type fast!

Sunny:
No!

Vice Principal Nero:
Answer the phone properly!

Students:
Someone ought to open up a window!

Vice Principal Nero:
I say type fast!

Mr. Remora and Mrs. Bass:
Shut up, class!

Vice Principal Nero:
Answer the phone properly!

Klaus:
Will someone shut these guys up?

Isadora:
Never! Never!

A Series of Unfortunate Events: The Musical – “He Plays the Violin”

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At Prufrock Preparatory School, the most senior official we know about is Vice Principal Nero who you don’t want as an administrator. How he became head of that school I have no idea. But he’s basically what Donald Trump could be if he ran a boarding school and took up a hobby. He’s delusional and narcissistic about playing the violin which he does abysmally horrible. Doesn’t help at all that he makes the students sit in the auditorium for his recitals every evening. Students who fail to do so have to buy bags of candy for him and watch him eat it. Yet, he’s unable to see how bad he is or doesn’t care that his students don’t like his recitals when they have better things to do. Like homework, for instance. He treats the Baudelaires and Quagmires like shit, mocking them by repeating what they say in a high pitched nasal voice. Oh, and he adores Carmelita Spats despite she’s an insufferable brat and sends her on errands. Not to mention, his punishments are ridiculously harsh like taking silverware for showing up in his office without an appointment or tying hands behind students’ backs for being late to class.

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A good song to describe his recitals would be “He Plays the Violin,” from 1776. The original version has Martha Jefferson sing about her husband Thomas whose accomplishments are just too long to list even then. I mean the guy basically wrote The Declaration of Independence. However, in this version, I have Duncan and Isadora Quagmire describe how terrible Vice Principal Nero’s violin talents are just abysmal and how they hate watching him for 6 hours every night.

 

“He Plays the Violin” (ASOUE Version)

Duncan:
Oh he always speaks his passions
He always speaks his views
Whereas other folks keep quiet,
Vice Principal Nero fumes
In truth I can recall
Ringing ears at the auditorium
Even now

Isadora:
He plays the violin
To all of the students’ chagrin
And he blows, oh he blows
But we go, yes we go
That it’s hi-hi-hi-diddle diddle
With screeches from Nero’s fiddle
My strings are awry
Hi-hi-hi-hi
I want to die

Duncan:
I hear his violin
And I get that feeling within
My ears bleed, oh they bleed
While he strains on the stage
And it’s hi-hi-hi-diddle diddle
For six hours straight with that fiddle
My strings are awry
Hi-hi-hi-hi
I just want to die

Isadora:
We only go to see
So we won’t buy candy
If we miss, he’ll be pissed
But he would, yes he would

For it was hi-hi-hi-hi-diddle diddle
While he makes us hear his fucking fiddle
And ever ’twill be
Hi-hi-hi-hi
Through eternity

He plays the violin.

A Series of Unfortunate Events: The Musical – “Orphan Shack and Quagmires”

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To make a molehill out of a mountain, the Orphan shack is horrendous. It’s just a tin shack with hay bale beds, crabs teeming on the floor, fungus dripping from the ceiling, and horrendous lime green inner walls with hearts. Oh, and I’m not sure if it even has a bathroom with plumbing. But since they can’t live in the dorms, the Baudelaires are sent to live a terrible and humiliating existence. This makes them targets of bullies, particularly from the monumental red-headed alpha bitch Carmelita Spats who cajoles everyone in the cafeteria to chant, “Cakesniffing orphans in the Orphan Shack.” However, things aren’t all that bad on the Baudelaires’ first day. Since they meet two of the Quagmire Triplets, Duncan and Isadora whose parents also died in a fire along with a brother named Quigley. Nonetheless, the they all become fast friends and spend the afternoon in the library. Also, they can always find ways to improve living in the Orphan Shack.

Carmelita Spats in the Cafeteria

The song I selected here is “Piddle, Twiddle, and Resolve” from 1776. In the original, American Founding Father and “obnoxious and disliked” curmudgeon John Adams lets out his frustrations over the Continental Congress in his efforts to persuade his fellow delegates to vote for independence from Great Britain. He complains how Congress hasn’t done anything in the last year as well as argues with his wife Abigail over saltpeter and pins, which he gives in. In this version, I have the Baudelaires look over the Orphan Shack and meet the Quagmires on their first day.

 

“Orphan Shack and Quagmires”

Klaus:
Dear God! We have to live in this tin shack? For a whole semester? This travesty?

Though I’d love to have a dormitory at Prufrock Preparatory School
The Orphans Shack accommodations are ridiculously cruel
There are no fresh fruit or a library
Beds are only bales of straw
The ceiling’s dripping fungus
Crabs are teeming on the floor

The pink hearts on the lime green walls
Good God, the look just makes me bawl

Violet:
At least we’re not working in that shitty lumbermill
Or have Count Olaf chasing us for our great big dollar bills
Perhaps I’ll invent some contraption
To ward off these wretched crabs
You can read up on ridding the fungus
Sunny can bite the paint

Klaus:
But first we must make sure what’s in it
Before she sinks her teeth

Violet:
Yes, we must take notes, study, and work hard
At least we don’t have Count Olaf
Take notes, study, and work hard
We can make it here in foul, fetid, fuming, foggy, filthy
Prufrock Preparatory School

Student:
Someone ought to open up a window!

Klaus:
Good God!

Seems like it’s time we need to go to the cafeteria
If we’re late they’ll take our cups and glasses out
I miss being in a real classroom
Can’t believe it’s been that long
There’s a massive lasagna waiting for us to take
Holy shit, that redheaded bitch has gotten in our way

Carmelita:
Don’t even think of eating at this track
If you’re living in the Orphans’ Shack
Cakesniffing orphans in the Orphans’ Shack
Nobody will eat with you in foul, fetid, fuming, foggy, filthy
Prufrock Prepatory School

Duncan:
Why don’t you shut your fucking mouth?
Please.

Violet:
Thank you. We’re the Baudelaires. I’m Violet. That’s my brother Klaus and sister Sunny.

Duncan:
I’m Duncan Quagmire. This is my sister Isadora. So living in the Orphan’s Shack. So that’s why we got upgraded to a broom closet.

My passion is in journalism
Hers is poetry
Loud noises really scare the crabs
Though try to get some sleep

Isadora:
If you want to hear my poetry
I mostly write in couplet verse
I can read you an example, from my notebook if you prefer
Though watch out for Carmelita

She’s just the worst. As in “I would rather eat a bowl of vampire bats than spend an hour with Carmelita Spats.” How was that?

Klaus:
That was excellent.

Sunny (Translated babble):
Ain’t that the truth.

Isadora:
Thank you very much.

Duncan:
I can lend you books from the library.

Sunny (translated babble):
Show us sometime.

Violet:
We can tap dance while we’re in the shack. Nice to have twins around.

Isadora:
Uh, we’re not twins.

Duncan:
We’re triplets for we had a brother, Quigley born on the same day
Died in a fire with our parents
So he’s not here today
Once we’re eighteen we will inherit a fortune of sapphire gems
Though we’ve been the students’ target till you three moved in
Let’s finish our lunch fast we can to get library time in!

Carmelita:
Look at all those cakesniffers!
Cakesniffing orphans in the Orphans’ Shack!

Students:
Cakesniffing orphans in the Orphans’ Shack!

Duncan:
Less we see of her the better.

Klaus:
So where’s the library?

Isadora:
We’re close to it.

Duncan:
But we can only stay till five.

Violet:
Maybe things won’t be that bad.

Klaus:
Least we have friends and a wonderful library.

All:

Till then
Till then
This time
Was, is, and ever shall be

Ours
Ours
Ours
Ours
Ours

Violet:
Hope things stay this way.

Klaus:
And not in disarray.

A Series of Unfortunate Events: The Musical – “Ten School Commandments”

unfortunate-arriving-at-school

After exposing Shirley as Count Olaf and Foreman Flacutono as the Bald Man with the Long Nose as well as getting fired from the Luck Smells Lumbermill, Mr. Poe sends the Baudelaires to boarding school. But unfortunately for them, they’re not going to Hogwarts. Instead, they’re enrolled in Prufrock Preparatory School which on the surface resembles the kind of place the Addams family would send their kids since the buildings resemble tombstones on a brown lawn in the middle of nowhere like it was designed by a “depressed architect” according to Lemony Snicket. Then again, Prufrock Prep probably the place the Addams family would’ve sent their kids if it boasted any form of excellence which it doesn’t. In fact, Prufrock exemplifies all the horrible and negative aspects of school. It’s pedantic with awful cafeteria food, bullying, and a motto denoting one’s inevitable mortality. Has biased and strict teachers playing favorites, giving tons of stressful homework and exams, teaching boring and useless lessons. And its administrator is a delusional and sadistic man with the maturity of a bratty seven-year-old. Yet, would punish students for the slightest infractions with glee. It’s said the school is likely meant to symbolize a place preparing students to die, “killing” their free will and independent thought and teaching them to become mindless workers who’d respect and submit to authority. On a positive note, the dormitories are apparently nice. But we won’t be seeing them because the Baudelaires are assigned to the horrendous “Orphan Shack” since they don’t have a parent or guardian to obtain permission.

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For the Baudelaires’ introduction to Prufrock Preparatory School, I used “Ten Duel Commandments” from Hamilton. In the original version, Alexander Hamilton and Aaron Burr recite the Code Duello before gearing up to pose as seconds in one between John Laurens and Major General Charles Lee, which took place after the 1778 Battle of Monmouth. However, in real life, while this duel really took place and Hamilton was Laurens’s second (since they were best friends), but Burr wasn’t involved in the duel in any way. This would be first of 3 duels featured in the musical that are connected to Hamilton’s life.  In this version, I had Vice Principal Nero explaining the terms on how the Baudelaires could expect their life at Prufrock Prep.

 

“Ten School Commandments”

Faculty:
One, two, three, four
Five, six, seven, eight, nine…
It’s the Ten School Commandments

Faculty and Staff:
It’s the Ten School Commandments
Number one!

Vice Principal Nero:
To live in the school dormitory
A student must need parental permission

Faculty and Staff:
Number two!

Vice Principal Nero:
If they don’t, they live in the tin “Orphan’s Shack”
A tin shack with haybale beds, crabs, and orange fungus

Faculty and Staff:
Number three!

Vice Principal Nero:
Don’t go to the cafeteria late
Else you’ll be drinking
Your beverages from a plate
Which you’ll consume like a dog at feeding time
So come on time, and you’ll be fine

Faculty and Staff:
Number four!

Vice Principal Nero:
Everyone must attend my violin performances
Which last six hours a night in the auditorium
Miss one of these then you must buy me a large candy bag
And you’ll have to watch me eat it even if you gag

Faculty and Staff:
Five!

Vice Principal Nero:
We don’t enroll children under six
So Sunny will work in my office to assist

Faculty and Staff:
Number six!

Vice Principal Nero:
Always come to class on time
Else you’d have to eat like a dog as your hands are tied

Faculty and Staff:
Seven!

Vice Principal Nero:
Come to my office without an appointment and you will be forced to eat without silverware

Faculty and Staff:
Number eight!

Vice Principal Nero:
You don’t get to negotiate
Talk back to elders, you won’t get to set the record straight

Klaus:
Violet

Violet:
Klaus

Klaus:
Can we agree that this guy’s dumb and immature?

Violet:
Sure
But Nero has no answer for his words, Klaus

Klaus:
With his rules? We both know that’s absurd.

Violet:
Hang on, so Sunny has to work for Nero since she’s too young for school?

Klaus:
Though there’s no Olaf

Faculty and Staff:
Number nine!

Vice Principal Nero:
If Count Olaf comes on campus
Our security system will hand his ass
Then count

Faculty:
One two three four

Faculty and Staff:
Five six seven eight nine
Number
Ten places!
Fire!

A Series of Unfortunate Events: The Musical – “Hey Buzz Saw”

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Violet finds the answer just in time. Because early the next morning, Flacutono has commanded Klaus to get on with causing an “accident.” Meaning tying Charles to a log and putting him through a buzz saw. After walking in at the nick of time with her sister, Violet struggles to figure out the words to control and later unhypnotize her brother. She first yells at Klaus to call attention to him. Once Flacutono commands Klaus with “you lucky boy,” the oldest Baudelaire realizes the catchword, and seizes upon it. What follows is a shouting match between Violet and Flacutono using “lucky” and telling Klaus to either push in or pull out the log with Charles on it. Then Dr. Orwell and Shirley show up. The evil optometrist tells Klaus not to listen to his sister, reducing Violet and Sunny pleading their brother. But then Violet remembers the last time her brother snapped back and says the word, “inordinate.” What follows is a chaotic scene with Sunny engaging in a swordfight with Dr. Orwell using her teeth, Violet being seized by Count Olaf and Flacutono, and Klaus having to use gum to move the log from the buzz saw which saves Charles’s life. Then Sir comes in and Dr. Orwell accidentally steps in the buzz saw’s path.

rhys-darby

The song I chose for this scene is The Beatles’ “Hey Bulldog” from the Yellow Submarine album and film, which I think exemplifies the desperate circumstances and chaos surrounding the Baudelaires at this point. Yet, the original version is about how some people don’t think anyone understands them despite that there are other people around experiencing the same problems and want to talk. The second verse is about how people who aren’t understood by society are driven to extreme thoughts and actions like school shooters. In this version, I had the Baudelaires respond more to extreme actions than conduct them, unless you count Sunny engaging in a swordfight with her teeth against Dr. Orwell.

 

“Hey Buzz Saw”

Bald Man with Long Nose (as Foreman Flacutono):
Lucky!
Push the log again

Violet:
Lucky!
Might want to refrain
It’s not an accident if Klaus is hypnotized
What makes you think you’d orchestrate this gruesome exercise?

Bald Man with Long Nose:
Lucky!
Put log in and stat

Violet:
Lucky!
Better get it out
What kind of magic words must I have to say?
So Klaus’s trance can suddenly fade away?

You can talk to me
You can talk to me
You can talk to me, if you know me you can talk to me

Bald Man with Long Nose: Lucky! Log in!
Violet: Lucky! Log out!
Bald Man with Long Nose: Lucky! In!
Violet: Lucky! Out!
Bald Man with Long Nose: Lucky! Log In!
Violet: Lucky! Log Out!

Dr. Orwell:
Lucky! (Yeah)
Please ignore your sis

Bald Man with Long Nose:
Lucky!
Put the log back in!

Dr. Orwell:
Soon the young Baudelaires will be in Shirley’s care
They’ll all be fired while we’ll have their fortune share

Violet:
You can talk to me
You can talk to me
You can talk to me, if you’re know me you can talk to me
Hey!

Sunny (translated babble): Don’t hurt Charles!

Violet:
Please no, Klaus! Please no, Klaus!
Please no, Klaus! Please no, Klaus!

Violet: Inordinate! Inordinate!

Klaus: What? What d’you say? Jesus Christ!
Bald Man with Long Nose: Not so fast! Wooaah ha ha ha!

Count Olaf (as Shirley): You’ve got him, that’s great! That’s right! That’s it, man, hoo!

Dr. Orwell: Ouch! Not so fast, baby face! Engarde! Ah ho! Ha ha ha ha ha ha!

Klaus: Got to use some gum to get the log. Let’s see if this does the trick.

Dr. Orwell: Say your prayers, baby! Maybe there will be an accident after all…..Oh, shit!

Sir: What the hell’s going on here?

All:
Oh, my God!
Oh, my God!