The Secret and Scandalous Live of Disney Voice Actors – Volume I: Part 5 Alice in Wonderland and Peter Pan

              While Cinderella was getting the fast-track in production during the late 1940s, Alice in Wonderland and Peter Pan were also being made at the time as well. Both were in development during the 1930s only to be shelved due to the box office failures of Pinocchio and Fantasia as well as World War II cutting off the foreign market. That Bank of America’s Joseph Rosenberg issued an ultimatum ordering Walt Disney to stick to shorts and finish features already in production and no new feature films until they had been released and earned back their costs. Only to resume production after the war was done and both starred the same voice actress as the female lead. Yet, upon their release, both films spun in different directions (although both have acquired large fanbases). Peter Pan opened to generally positive reviews and good box office returns in 1953. But even though it has its fans, it also has its detractors who see it as much creepier and problematic than they remember as kids. Not to mention, its depiction of racist Native American stereotypes adds to another level of cringe and really shows the film’s age.

Alice in Wonderland, on the other hand, was heavily hyped in a Christmas Day TV announcement in 1950 but fell $1 million short of it’s production budget at the box office upon its release in 1951. It was also critically panned, especially from the British press. British film and literary critics accused Disney of “Americanizing” a great work of English literature. This didn’t surprise him and he claimed that this movie was made for families, not critics. Alice in Wonderland wouldn’t be re-released theatrically in Walt’s lifetime although it appeared on television on occasion. In fact, the movie didn’t become popular until the 1970s with sold-out screenings in venues on college campuses starting in 1971. This led to Disney re-releasing the film in 1974 all thanks to an audience of drugged-up hippies. And when watching the film, it seems that Alice in Wonderland seems like it could’ve been made at that time. That you’d end up staring at its 1951 release date thinking that the people at Disney+ messed up in their description. Today, it’s regarded as one of Disney’s best animated films and is frequently featured in the Disney lineup. In this post, you’ll meet voice actors Bill Thompson and Queenie Leonard, ghost singers Marni Nixon and Bill Lee, actor and caricature artist Don Barclay, as well as the voices behind the March Hare, Alice’s Sister (and Mrs. Darling), the Rose, Peter Pan, and Captain Hook.

41. Jerry Colonna

Dates: 1904-1986

Early Life and Career: Born Gerardo Luigi Colonna in Boston, Massachusetts. Parents were Italian immigrants. Started his career as a trombonists in orchestras and dance bands in and around his hometown during the 1920s. In the 1930s, Colonna played in the CBS house orchestra and the Columbia Symphony Orchestra, developing a reputation for tomfoolery and pranks. His off-stage antics became so calamitous that CBS nearly fired him on more than one occasion. However, Fred Allen soon gave Colonna guest shots and a decade later, he joined the John Scott Trotter Band on Bing Crosby’s Kraft Music Hall. Was one of 3 musical discoveries on that show along with the legendary Victor Borge and Spike Jones. Took part in Bob Hope’s USO tours during World War II and joined ASCAP in 1956.

Movies and Cartoons: Make Mine Music (1946) and Alice in Wonderland (1951)

Characters: March Hare

Also Known For: Was a musician, actor, comedian, singer, songwriter, and trombonist. Played the zaniest of Bob Hope’s sidekicks in his radio shows and films of the 1940s and 1950s. Also played a wide range of nit-witted characters. Trademark was his pop-eyed facial expressions, handlebar mustache, and loud singing. Was a major inspiration for many Warner Bros. cartoons during the 1940s and 1950s. Film appearances include Road to Singapore, Road to Rio, Road to Hong Kong, Garden of the Moon, and Star-Spangled Rhythm. Hosted his own TV show that lasted a single season. Other TV appearances include The Colgate Comedy Hour, Time for Beany, Super Circus, Shirley Temple’s Storybook, Climax!, McHale’s Navy, and The Monkees. Also appeared in one of the oldest surviving kinescope recordings of a live television broadcast in 1947.

Personal Life: Married Florence Purcell in 1930 whom he met on a blind date and adopted a son named Robert. Marriage lasted until his death. Son had a theater career lasting for 60 years mostly in Rhode Island and published a biography on his father’s life. Brother of Louis Colonna. Great-uncle to stand-up comedian Sarah Colonna.

Later Life: Suffered a stroke after his Monkees guest spot that forced him to retire save for some brief appearances on some Bob Hope specials. In 1979, Colonna suffered a heart attack that forced him to spend the last seven years of his life at the Motion Picture and Television Hospital. Wife stayed by his side at the end. Died of kidney failure in 1986 at 82. Wife died 8 years later in the same hospital.

Trivia: Was mentioned in Jack Kerouac’s On the Road. Was portrayed by Jeff MacKay on a JAG episode.

42. Bill Thompson

Dates: 1913-1971

Early Life and Career: Born in Terre Haute, Indiana to vaudevillian parents. Began his career in Chicago radio where he originated the meek, mushed-mouth character Mr. Wimple in The Breakfast Club. In 1936, he joined the cast of Fibber McGee and Molly where he brought his Wallace Wimple character and played a variety of roles comprising of Horatio K. Boomer, Nick Depopulis, Vodka, Uncle Dennis, and the Old Timer. In 1943, Thompson joined the US Navy and returned to radio and began voicing Droopy for MGM. Was the original voice for Scrooge McDuck.

Movies and Cartoons: Alice in Wonderland (1951), Peter Pan (1953), Ben and Me (1953), Lady and the Tramp (1955), Sleeping Beauty (1959), Scrooge McDuck and Money (1967), The Aristocats (1970), as well as did voices on The Magical World of Disney from 1957-1969 and several shorts.

Characters: White Rabbit, Captain Dodo, Smee, Pirates, Governor Keith, Human Tour Guide, Miscellaneous Men, Jock, Bull, Policeman at Zoo, Dachsie, Joe, Jim’s Friend #1, King Hubert, Scrooge McDuck, and Uncle Waldo as well as Ranger J. Audubon Woodlore, Oldtimer, Professor Owl, and Ajax Employment Agency Proprietor

Also Known For: Was a radio personality and voice actor whose career spanned from the 1930s until his death. Voiced Droopy in MGM cartoons from 1943-1958.  Also appeared in The Flintstones, The Hanna-Barbera New Cartoon Series, To Tell the Truth, and The Yogi Bear Show.

Personal Life: Married Margaret Clifford in 1950 and they remained together until his death. Father-in-law was cartoonist Clifford McBride.

Later Life: In 1957, Thompson joined the Los Angeles branch of Union Oil as an executive working in community relations and occasionally reprised his radio characters as well as did some voice work. In 1971, he died of sudden septic shock at 58.

Trivia: Received a star on the Hollywood Walk of Fame in 1960.

43. Heather Angel

Dates: 1909-1986

Early Life and Career: Born in Oxford, England. Father was a chemistry professor at Oxford University. Mother was a daughter of Italian immigrants. Dad was killed in the Silvertown Explosion in 1917 and was posthumously awarded the Edward Medal. Family moved to London. Began her stage career at the Old Vic in 1926 and later appeared with touring companies. Made Broadway debut in 1937 at the Golden Theatre. Made first film in 1931.

Movies and Cartoons: Alice in Wonderland (1951) and Peter Pan (1953)

Characters: Alice’s Sister and Mrs. Darling

Also Known For: Film appearances include The Houd of the Baskervilles, The Mystery of Edwin Drood, The Three Musketeers, The Informer, The Last of the Mohicans (1936), Pride and Prejudice (1940), That Hamilton Woman, Kitty Foyle, Suspicion, Time to Kill, Lifeboat, and the Bulldog Drummond series. TV  appearances include Peyton Place and Family Affair.

Personal Life: Married twice. First to actor Ralph Forbes in 1934 that lasted less than 10 years before their divorce. Second to film and television director Robert B. Sinclair in 1944. Marriage produced a son in 1947 and lasted until his death in 1970 when he was murdered by an intruder breaking into the couple’s home and right in front of her.

Later Life: Died of cancer in Los Angeles in 1986 at 77. Cremated at Santa Barbara Cemetery.

Trivia: Has a star on the Hollywood Walk of Fame at 6301 Hollywood Boulevard. Friends with British actor Henry Wilcoxon. Tested for the role of Melanie Wilkes in Gone with the Wind. Subject of a Sonic Youth song in 1998.

44. Queenie Leonard

Dates: 1905-2002

Early Life and Career: Born Pearl Walker in Manchester, England. Began performing on stage with her father at 14. First film in 1931. By the time she went to Hollywood in 1941, Leonard already had amassed stage and screen experience. Also appeared in cabaret on both sides of the Atlantic Ocean as well as starred in a one-woman show.

Movies and Cartoons: Alice in Wonderland (1951), One Hundred and One Dalmatians (1961), and Mary Poppins (1964)

Characters: Bird in Tree, Snooty Iris, Princess the Cow, and Depositor

Also Known For: Made more than 30 Hollywood films. Movies include Moonlight Sonata, Limelight, Ladies in Retirement, Eagle Squadron, The Lodger, The Uninvited, And Then There Were None, Life with Father, The Black Arrow, Lorna Doone (1951), Les Miserables (1952), My Fair Lady, and Doctor Doolittle. Also appeared in TV sitcoms.

Personal Life: Married twice. First husband was film designer Lawrence P. Williams from 1936 to their 1947 divorce. Second husband was actor Tom Conway from 1958 to their 1963 divorce. Was legally blind for part of her life.

Later Life: Retired from acting in 1968. Died of natural causes at her Los Angeles apartment at 96. Buried at Westwood Village Memorial Park Cemetery in the burial plot, “The Garden of Roses.”

Trivia: None.

45. Doris Lloyd

Dates: 1891-1968

Early Life and Career: Born in Liverpool, England. Made her stage debut at 23 with the Liverpool Repertory Company. Appeared a number of times on the West End as well as appeared on Broadway from 1916 to 1926 as well as performed with the Ziegfeld Follies and touring companies. Made first film in 1920. Went to the United States to visit a sister but decided to stay there permanently. Made her first US film in 1925. With the exception of a brief Broadway return in 1927, Lloyd decided to devote her career to films and television.

Movies and Cartoons: Alice in Wonderland (1951) and Mary Poppins (1964)

Characters: The Rose and Depositor

Also Known For: British actress who appeared in 150 films over a 42-year-career. Film appearances include Oliver Twist, Disraeli, The Time Machine, Frankenstein Meets the Wolf Man, The Sound of Music, Waterloo Bridge, Tarzan the Ape Man, A Farewell to Arms, A Study in Scarlet, Voltaire, Madame du Barry, Becky Sharp, Mutiny on the Bounty (1935), Mary of Scotland, Bulldog Drummond Escapes, They Made Me a Criminal, The Old Maid, The Private Lives of Elizabeth and Essex, Intermezzo, The Letter, The Great Lie, Dr. Jekyll and Mr. Hyde (1941), The Wolf Man, The Ghost of Frankenstein, Mission to Moscow, The Lodger, The White Cliffs of Dover, Kitty, Tarzan and the Leopard Woman, Sister Kenny, The Secret Life of Walter Mitty (1947),  Adam’s Rib, A Man Called Peter, and Midnight Lace. TV appearances include Alfred Hitchcock Presents and The Alfred Hitchcock Hour.

Personal Life: Never married.

Later Life: Retired in 1967. Died in Santa Barbara, California at 76. Buried in Glendale’s Forest Lawn Memorial Park Cemetery.

Trivia: None.

46. Bill Lee

Dates: 1916-1980

Early Life and Career: Born in Johnson, Nebraska but grew up in Des Moines, Iowa. Although his initial focus was on the trombone, Lee decided to concentrate on his voice after singing in several college vocal groups. Served as an ensign in the US Navy during World War II before moving to Hollywood upon discharge. Bulk of Lee’s income consisted of singing commercials for radio and TV, which he felt “silly” but appreciated the paychecks he got from them.

Movies and Cartoons: Alice in Wonderland (1951), Peter Pan (1953), Lady and the Tramp (1955), One Hundred and One Dalmatians (1961), Mary Poppins (1964), The Jungle Book (1967), and The Many Adventures of Winnie the Pooh (1977) as well as a variety of cartoon shorts with the Mellomen.

Characters: Card Painter, Dog, Ram, and Singing Elephant as well as did singing voices for Pirates, Roger, and Shere Khan. Sang as Bert and Mr. Banks in the Mary Poppins Disneyland album as well as appeared as Goofy in the 1965 Children’s Riddles and Songs. Also voiced Melvin the Moose at the Country Bear Jamboree in the Disney Parks.

Also Known For: Member of the Mellomen and playback singer who provided singing voices for actors in many films. These include Seven Brides for Seven Brothers, Zorro, South Pacific, Snow White and the Three Stooges, Gay Purr-ee, The Sound of Music, and Thoroughly Modern Millie. Did singing for Bat Masterson and Charlotte’s Web. TV work includes The Alvin Show, Tom and Jerry, Hey There, It’s Yogi Bear!, and Horton Hears a Who! Sang the lead role for the concept album Seven Dreams in 1953.

Personal Life: Was married and had a daughter named Diana Lee who followed in her father’s footsteps.

Later Life: Died of a brain tumor in Los Angeles in 1980 at 64.

Trivia: None

47. Don Barclay

Dates: 1892-1975

Early Life and Career: Born Donn Van Tassel Barclay in Ashland, Oregon. Started his career as a cartoonist for the San Francisco Examiner before going into comedy and burlesque. Was a Keystone Kop from 1914-1915. Featured with the Ziegfeld Follies and a series of short films called Mermaid Comedies in the 1920s.

Movies and Cartoons: Alice in Wonderland (1951), Mary Poppins (1964), and Bedknobs and Broomsticks (1971)

Characters: Card Soldiers, Mr. Binnacle, and Portobello Road Passerby

Also Known For: Films include Frisco Kid, The Murder of Dr. Harrigan, Man Hunt, Outlaw Express, The Oklahoma Kid, Honky Tonk, The Flying Irishman, Bedtime Story, South of Tahiti, Larceny, Inc., This Gun for Hire, My Sister Eileen, The Falcon’s Brother, The More the Merrier,  Thank You Lucky Stars, My Darling Clementine, and The Sainted Sisters. Often did caricatures and paintings of celebrities on movie sets. Became so successful that he eventually left acting to become a full-time artist. His output was prolific, turning out hundreds of caricatures of celebrities for establishments all over the country. For a time preceding World War II, Barclay spent time with General Claire Lee Chenault’s 14th AAF  Flying Tigers unit where her illustrated every person in  the group. From October to November 1943, he did a one man USO show for the troops, touring every base in North Africa, Arabia, India, and China and drawing caricatures of the men as he went. When he returned to China in 1945, he’s said to have drawn over 10,000 caricatures of servicemen.

Personal Life: Never married.

Later Life: Retired in 1970 and bought a home in Palm Springs’ Desert Park Estates neighborhood. Died in 1975 at 82.

Trivia: Was a friend and occasional roommate of Cary Grant when the two were first starting out and later developed a 2-man comedy show in New York. Was considered a good luck charm by Walt Disney. Bob Hope collected a series of mugs based on his caricatures. Several of Barclay’s famous and noted caricatures are archived on the official Library of Congress. Two on the website’s Bob Hope page.

48. Marni Nixon

Dates: 1930-2016

Early Life and Career: Born Margaret Nixon McEathron in Altadena, California. Was a child film actress who also played the violin and began singing in choruses at an early age, including solos for the Roger Wagner Chorale. Went on to study singing and opera with the likes of Vera Schwarz, Carl Ebert, Boris Goldovsky and Sarah Caldwell. In 1947, she adopted “Marni Nixon” as a stage name and premiered at the Hollywood Bowl in Carmina Burana with the Los Angeles Philharmonic under conductor Leopold Stokowski. Film career began in 1948 when she sang the angelic voices heard by Ingrid Bergman in Joan of Arc. Did her first dubbing work for Margaret O’Brien in Big City that same year and later The Secret Garden in 1949.

Movies and Cartoons: Cinderella (1950), Alice in Wonderland (1951), Mary Poppins (1964), and Mulan (1998)

Characters: Singing Flowers and Geese. Was also Grandma Fa’s singing voice.

Also Known For: Nixon was a soprano and ghost singer best known for being the singing voice of lead actresses in musicals in films like The King and I, An Affair to Remember, West Side Story, My Fair Lady, Boy on Dolphin, Gypsy (but just the high notes), and Gentlemen Prefer Blondes (but only the high notes on that one). Sang on more than 50 soundtracks. Made appearances on films like Can-Can, The Sound of Music, The Bashful Bachelor, and I Think I Do. Also appeared on an episode of Law and Order: Special Victims Unit and To Tell the Truth. In addition, she appeared on off- and on- Broadway stage musicals and opera as well as went on tour with Liberace and Victor Borge. Also recorded albums under her own name starting in the 1980s. Hosted a children’s show for Seattle KOMO-TV called Boomerang during the late 1970s and early 1980s four which she won 4 Emmys.

Personal Life: Married 3 times. First to film composer Ernest Gold in 1950, to whom she had 3 children including singer-songwriter Andrew Gold. Divorced in 1969. Second to Lajos “Fritz” Fenster from 1971 to their 1975 divorce. Third to woodwind player Albert Block from 1983 to his death in 2015.

Later Life: From 1969-1971, Nixon taught at the California Institute of Arts in Montecito and joined the faculty of the Music Academy of the West in 1980 where she taught for many years. Published her autobiography, I Could Have Sung All Night in 2006. Survived breast cancer in 1985 and 2000. But died of the disease in New York in 2016 at 86.

Trivia: For her work on West Side Story (1961), Nixon asked but didn’t receive direct royalties for her contributions, but Leonard Bernstein only gave her ¼ of 1% of his personal royalties from it. Also made guest appearances at Bernstein’s Young People’s Concerts. Presented with the Singer Symposium’s Distinguished Artist Award in New York City in 2008. Also a member of the Sigma Alpha Iota Women’s Music Fraternity. Received the George Peabody Award for Outstanding Contributions to American Music in 2011.

49. Bobby Driscoll

Dates: 1937-1968

Early Life and Career: Born Robert Cletus Driscoll in Cedar Rapids, Iowa. Parents were an insulation salesman and a former schoolteacher. Family moved to Des Moines shortly after his birth where they remained until their move to California in 1943. Mainly because Driscoll’s father was suffering from work-related handling of asbestos. A barber’s actor son secured on audition for Driscoll for a role in the family drama The Lost Angel in 1943. While on studio tour at MGM, the 5-year-old Driscoll noticed a mock-up ship and asked with the water was. Impressed by the boy’s curiosity and intelligence, the director chose him out of 40 applicants.

Movies and Cartoons: Song of the South (1946), Melody Time (1948), the short Father’s Lion (1952) and Peter Pan (1953)

Characters: Johnny, Peter Pan, and Goofy Jr.

Also Known For: Famous child actor who appeared in films, radio, and television from 1943 to 1960. Films include The Fighting Sullivans, The Big Bonanza, From This Day Forward, Miss Susie Slagle’s, Three Wise Fools, So Dear to My Hear, The Window, and Treasure Island. Radio appearances include Family Theater, Hallmark Playhouse, Lux Radio Theatre, and Cavalcade of America. Did a stage production of Ah, Wilderness in 1954. TV show appearances include Lux Video Theatre, The Loretta Young Show, Climax!, Frontier Justice, The Millionaire, Trackdown, Rawhide, and The Brothers Brannigan. Later joined Andy Warhol’s Factory in Greenwich Village where he showed plenty of artistic promise as many of his works were considered outstanding. A few of his collages and cardboard mailers were exhibited at the Santa Monica Museum of Art in Los Angeles.

Personal Life: Married his girlfriend Marilyn Jean Rush in 1956 by eloping to Mexico. Although the two would rewed when they returned to Los Angeles. Had two daughters and a son, but the relationship didn’t last. They separated and divorced in 1960. Due to his drug addiction, Driscoll would have nothing to do with his kids for the rest of his life.

Later Life: Unfortunately, Driscoll’s life follows the narrative of the child star whose life went to shit and eventually ended in tragedy. After leaving Disney, Driscoll’s parents withdrew him from the Hollywood Professional School for child actors and sent him to the public Los Angeles University High School instead. Driscoll’s grades dropped and was bullied for his show business career. He also began to take drugs. At his request, his parents returned him to the Hollywood Professional School where he graduated in 1955. Unfortunately, Driscoll’s drug use increased. In 1956, he was arrested for marijuana possession. Later he was charged with disturbing the peace and assault with a deadly weapon after 2 hecklers made insulting remarks while he was washing a girlfriend’s car and he hit one with a pistol. Charges were dropped. In 1961, Driscoll was sentenced as a drug addict and imprisoned at the Narcotic Rehabilitation Center of the California Institution for Men in Chino, California. When he left Chino in 1962, he couldn’t find acting work. After his parole expired, Driscoll relocated to New York City in 1965, hoping to revive his career on Broadway but was unsuccessful. In 1968 at only 31, Driscoll was found dead lying in a cot with 2 empty beer cans and religious pamphlets scattered on the ground. Post-mortem determined that he died of heart failure caused by advanced atherosclerosis from his drug use. No identification was found on Driscoll’s body and photos around the neighborhood yielded no positive ID. Thus, his unclaimed body was buried in a pauper’s grave in New York City’s Potter’s field on Hart Island. In 1969, Driscoll’s mother sought the help of Disney Studios officials to contact him for a hoped-for reunion with his dying father. This resulted in a fingerprint match at the New York City Police Department who located Driscoll’s burial. Although his name appears on his dad’s gravestone at Eternal Hills Memorial Park in Oceanside, California, his remains are still on Hart Island. In 1971, in connection to Song of the South’s re-release, reporters researching Driscoll’s whereabouts first reported his death.

Trivia: Received a Juvenile Oscar for 2 of his performances in 1949. Received a star on the Hollywood Walk of Fame in 1960 at 1560 Vine Street. In 2009, singer-songwriter immortalized Driscoll’s life with a concept album Come Back to the Five and Dime Bobby Dee Bobby Dee. In September 2011, American singer-songwriter Tom Russell released “Farewell Never Neverland” on the album Mesabi, an elegy for Bobby Driscoll as Peter Pan.

50. Hans Conried

Dates:1917-1982

Early Life and Career: Born Hans Georg Conried Jr. in Baltimore, Maryland. Mother was descended from the Pilgrims. Father was an Austrian Jew from Vienna. Raised in Baltimore and New York City. Studied acting at Columbia University, which led him to a short career in supporting role in a broadcast of The Taming of the Shrew on KECA in Los Angeles in 1937. The next year, impressed with Conried’s versatility as a character player. At first, his early screen roles were incidental bits, usually comic but sometimes cowardly or downright shady. Stayed at MGM until 1941 before freelancing. First big role was in the 1942 Blondie’s Blessed Event, which established him as a comic figure in movies. Not to mention, his Germanic surname got him cast as enemy agents in many wartime films and he became a dialect specialist. Enlisted in the US Army in 1944 during World War II. Trained as a tank crewman at Fort Knox until the army decided he was too tall. Instead, he became a heavy mortar crewman and was sent to the Philippines as an engineer laborer until fellow actor Jack Kruschen obtained a release for service with the Armed Forces Radio Network. Even as a younger man, Conried was one of those actors who appeared much older than his actual age and was frequently cast as middle-aged or elderly pompous, scholarly types. His impeccable diction and imitable growl made him well suited to the roles he played. Whether portray the dim professor Kropotkin on the radio show and film My Friend Irma or as comic villains and mock sinister or cranky types like Captain Hook.

Movies and Cartoons: Peter Pan (1953), Ben and Me (1953), The Story of Anyburg U.S.A. (1957) as well as Walt Disney’s Wonderful World of Color.

Characters: George Darling, Captain Hook, Thomas Jefferson, Crook, and the Magic Mirror.

Also Known For: Was a member of the Mercury Theate Company. Appeared in 3 Dr. Seuss cartoon specials, including Horton Hears a Who!, Dr. Seuss on the Loose, and Halloween Is Grinch Night. Also was in the Dr. Seuss directed-fiasco The 5,000 Fingers of Dr. T which was a costly failure. Outside Disney and Dr. Seuss cartoons, Conried also voiced Snidely Whiplash, Professor Waldo P. Wigglesworth, Wally Walrus, Dr. Dred as well as others. Was narrator in the MGM Oscar-winning Tom and Jerry short, Johann Mouse. Was host of the live action TV show, Fractured Flickers. Film appearances include The Great Dictator, Joan of Paris, Saboteur, My Friend Irma, Passage to Marseille, Mrs. Parkington, The Barkleys of Broadway, On the Town, Summer Stock, The World in His Arms, The Senator Was Indiscreet, I’ll See You in My Dreams, The Affairs of Dobie Gillis, Siren of Bagdad, Bus Stop, 1001 Arabian Nights, The Magic Fountain, Robin and the 7 Hoods, The Patsy, The Phantom Tollbooth, The Brothers O’Toole, The Shaggy D.A., The Cat from Outer Space, and Scruffy. TV appearances include Make Room for Daddy, I Love Lucy, Omnibus, Tonight Show, Stump the Stars, Take a Good Look, Davy Crockett, The Californians, The Real McCoys, Mr. Ed, Dr. Kildare, Lost in Space, Daniel Boone, The Beverly Hillbillies, The Lucy Show, Gilligan’s Island, The Monkees, Have Gun – Will Travel, Kolchak, Laverne & Shirley, Hogan’s Heroes, The Love Boat, Match Game, Maverick, The Donna Reed Show, Fantasy Island, and Quark. Performed in Can-Can and Irene on Broadway.

Personal Life: Married Margaret Grant in 1942. Marriage produced 4 children and lasted until his death. Kids consisted of Hans Georg III, Edith Eva, Alexander Rudolf, and actress Trilby. Also had 2 grandchildren named Holly Victoria and Wyatt Spencer Gray.

Later Life: Had a long history of health problems. Suffered a stroke in 1974 and a mild heart attack in 1979. Remained active until his death in 1982 in Burbank, California, one day after suffering a major heart attack at 64. Body was donated to medical science.

Trivia: Auditioned for King Stefan in Sleeping Beauty but served as live action reference model for the character. Appearance was inspiration for Judge Claude Frollo in The Hunchback of Notre Dame. Dual roles as George Darling and Captain Hook is based on play tradition dating to its original theatrical days.

The Secret and Scandalous Lives of Disney Voice Actors – Volume I: Part 4 Cinderella

Although Disney released movies during the 1940s that became masterpieces like Pinocchio, Dumbo, Fantasia, and Bambi, only Dumbo was a box-office success. Although not to the degree as Snow White in the Seven Dwarfs back in 1937. Much of this had to do with World War II putting a damper on international markets and people in general having bigger things to worry about. And while Disney definitely did their part to help in the war effort, the studio wasn’t exactly in top financial shape during much of the decade. After the release of Bambi, they resorted to strategies such as releasing package films, collections of short cartoons grouped to make feature films. There are 6 of these including Saludos Amigos, The Three Caballeros, Make Mine Music, Fun and Fancy Free, Melody Time, and The Adventures of Ichabod and Mr. Toad. Disney also began to produce less-expensive live action films mixed with animation beginning with Song of the South in 1946. Although the movie made money, it’s been one of Disney’s most controversial films from the very beginning, particularly in regards on its heavily racist depictions of African Americans. And it’s mainly remembered today for all the wrong reasons as well as has been destined to sit in the Disney vault for all eternity. Although you can watch a version like that on YouTube. In addition, Disney re-released their feature films in 1944, started a nature documentary series in 1948 called True-Life Adventures that ran to 1960 and won 8 Academy Awards, and started the Walt Disney Music Company to help with profits from merchandising.

              While the 1940s Disney would be marked by great financial upheavals due to World War II and some box office failures, the 1950s would be a different story. Cinderella would be a reason why since it was a critical and commercial success that saved the studio after its wartime era pitfalls, making $8 million in its first year. It would be its first feature-length animated film in 8 years. While its planning had been years in the making since the 1930s. Still, by the time the film’s production hit into high gear, the House of Mouse was at least $3 million in debt and the Disney brothers were at odds. Walt wanted to restore the studio to financial health by returning to full-length animated films like the old days. While his brother Roy asked Walt to consider selling the studio and retire with the money they had. However, after weeks of arguing, Roy gave in and allowed a new feature animated film to be made. By then, the Disney studio had 3 projects in development such as Cinderella, Alice in Wonderland, and Peter Pan. Since Cinderella contained elements similar to Snow White, Disney greenlit the project. But production on that and Alice in Wonderland resumed on both so that both animation crews would effectively compete against each other to see which film would finish first. By 1948, Cinderella won out and got fast-tracked to become their first animated film since Bambi. Since they were on budget constraints, Disney shot Cinderella entirely live action with uncostumed actors on a soundstage so the footage can be used to check the plot, timing, and movement of the characters before animating it. The footage was then edited on frame-by-frame large Photostat sheets to duplicate. The animators found this too restrictive since they couldn’t imagine anything that the live actors couldn’t present since such experimentation might cost more money. Also, they were instructed from a certain directorial perspective to avoid difficult shots and angles. While the animal characters had no live action references whatsoever. With the exception of Walt Disney’s calico cat for Lucifer. Still, the success of Cinderella allowed Walt Disney to carry on producing films throughout the 1950s with its franchise profits giving him the cash to finance a slate of both animated and live-action film productions, establish his own distribution company, enter television production, and start building Disneyland as well as the developing the Florida Project which later became Walt Disney World. In this post, we’ll meet the voice actors behind Mr. Toad, Cinderella, Lady Tremaine (and Maleficent), the Ugly Stepsisters, the King and the Grand Duke, Lucifer (and Grandma Fa), as well as 3 from Alice in Wonderland (which I’ll talk about in the next post).

31. Eric Blore

Dates: 1887-1959

Early Life and Career: Born in Finchley Middlesex, England. Worked for an insurance company after leaving Mills School. Made his first stage appearance in 1908 at Burlington’s Spa Theater with The Girl from Kays. Went to Australia the same year where he appeared with a concert party called “The Merry Makers.” Back in England, Blore appeared in a series of musical comedies. Made his London debut in 1913 as well as wrote sketches for revue and variety. After a short detour to serve in the army, Blore started appearing in the West End during the early 1920s. In 1923, he first appeared on Broadway. After a brief return to London, he’d remain in the US for the next seven years. Although he’d make the occasional trip to London now and again. Most notable appearance was The Gay Divorce where he shared the stage with Fred Astaire. After his last show in London in 1933, Blore joined “the select company of English actors who were persuaded to journey to California” to appear in Hollywood films, along with C. Aubrey Smith and Ronald Colman.

Movies and Cartoons: The Adventures of Ichabod and Mr. Toad (1949)

Characters: J. Thaddeus Toad, Esq.

Also Known For: Character actor who specialized in playing English butlers, valets, and other superior domestic servants. Made more than 60 films. Appearances include The Gay Divorcee, Top Hat, Swing Time, The Soldier and the Lady, Shall We Dance, The Lady Eve, Road to Zanzibar, Sullivan’s Travels, Kitty, Abie’s Irish Rose, Romance on the High Seas, and Fancy Pants. Returned to Broadway in 1943 to appear in Ziegfeld Follies.

Personal Life: Married twice. First wife was Violet Winter whom he wed in 1917 but ended in her death in 1919. Most likely cause of Violet’s death would be Spanish Flu given the year. Second wife was a woman named Clara Macklin in 1926. Had a son named Eric Blore Jr. Marriage lasted until his death.

Later Life: Final stage appearance in 1945. Made his last film in 1955 and retired the next year after suffering a stroke. After taking ill in February 1959, he was moved from his Los Angeles home to the Motion Picture Country Hospital where he died of a heart attack at 71. He was survived by his widow Clara, son Eric Jr. and one grandchild.

Trivia: None

32. Ilene Woods

Dates: 1929-2010

Early Life and Career: Born in Portsmouth, New Hampshire to a mother who worked behind the scenes in films. Dreamed about becoming a schoolteacher but her mom wanted her to be a singer instead. By 1944, she had her own radio show. During World War II, she toured with Paul Whiteman and the Army Air Forces Orchestra. In 1948, two songwriter friends Mack David and Jerry Livingston called Woods to record “Bibbidi-Bobbidi-Boo”, “A Dream Is a Wish Your Heart Makes”, and “So This is Love.” These songs were later presented to Walt Disney for use in Cinderella. Disney heard the demos and asked Woods to star in the lead. She gladly accepted the role and was surprised that she won it over 300 women who auditioned.

Movies and Cartoons: Cinderella (1950)

Characters: Cinderella. Also voiced Snow White for the 1949 audiobook version of Snow White and the Seven Dwarfs.

Also Known For: She’s not really known for much else. She had some work in TV during the 1950s but it’s not much.

Personal Life: Married twice. First husband was to Steve Steck Jr. in 1946 when she was only 17. Marriage produced a daughter named Stephanie but ended in divorce in 1954. Second husband was Tonight Show drummer Ed Shaughnessy in 1963. Marriage produced two sons named James and Daniel and lasted until her death. Son James died from a 1984 car accident when he was just 18.

Later Life: Retired from show business in 1972 but continued to appear at occasional autograph shows. When Disney began releasing video cassettes of their animated films, Woods was one of at least 3 actresses to file lawsuits over performance royalties in 1990. In her last years, she suffered from Alzheimer’s disease at a facility in Canoga Park, Los Angeles. It was said that she didn’t remember that she played Cinderella. Yet when she died from complications at 81 in 2010, she requested the nurses to sing “A Dream Is a Wish Your Heart Makes.” There was no service. While her cremated remains were given to her family.

Trivia: Named a Disney Legend in 2003. Sang for Franklin Delano Roosevelt at his home in Hyde Park. Sang for President Harry S. Truman at the White House after singing for soldiers and sailors.

33. Eleanor Audley

Dates: 1905-1991

Early Life and Career: Born Eleanor Zellman in Newark, New Jersey before her family moved to Manhattan in 1917. Made her Broadway debut in 1926 at 21. Adapted the stage name “Eleanor Audley” sometime before 1940. Initially turned down the role of Maleficent due to battling tuberculosis at the time.

Movies and Cartoons: Cinderella (1950) and Sleeping Beauty (1959)

Characters: Lady Tremaine and Maleficent. Also provided the voice for spirit psychic medium, Madame Leota at both Disneyland and Disney World.

Also Known For: Character actress who appeared in several films and numerous radio and TV shows. Most notable live action film appearance is All That Heaven Allows. Radio programs include My Favorite Husband where she played Mrs. Cooper and Father Knows Best where she played the neighbor. Best known as Oliver Douglas’ mother on Green Acres. Other TV show appearances include I Love Lucy, Perry Mason, Dennis the Menace, Our Miss Brooks, Wagon Train, The Twilight Zone, The Untouchables, Make Room for Daddy, Have Gun – Will Travel, McHale’s Navy, The Man from U.N.C.L.E., The Real McCoys, Pete and Gladys, The Dick Van Dyke Show, Mr. Ed, The Beverly Hillbillies, Hallmark Playhouse, The Six Shooter, and My Three Sons.

Personal Life: Never married.

Later Life: Retired from acting in 1970 likely due to poor health. Died of respiratory failure in Los Angeles 1991 at 86. Buried at Mount Sinai Memorial Park Cemetery.

Trivia: Her character Madame Leota received her own tombstone in 2001. Epitaph reads: “Dear sweet Leota, beloved by all. In regions beyond now, but having a ball.” Also served as a physical model for both Lady Tremaine and Maleficent.

34. Rhoda Williams

Dates: 1930-2006

Early Life and Career: Born in Denver, Colorado. Learned to read at 3 so performing for radio became natural for her. Soon had her own weekly show on KMPC’s We Who Are Young. Graduated from Hollywood High School at 14 and later earned a theater arts degree from the UCLA at 18. In the meantime, she also took on acting projects to pay for her college education.

Movies and Cartoons: Cinderella (1950)

Characters: Drizella Tremaine

Also Known For: Was as Robert Young’s oldest daughter on the radio version of Father Knows Best. Appeared on films such as National Velvet and Meet John Doe. Provided alien voices on Star Trek IV and Star Trek V. Also did live television as well as specialized in dialects, most notably providing a voice over for Brigitte Bardot in the American version of The Night Heaven Fell.

Personal Life: Married David Van Meter in 1952. Marriage produced 4 kids consisting of Janis, Debra, Jon, and Steve and lasted until her death.

Later Life: In 1959, Williams served as PTA president for the Alexandria Avenue School in Los Angeles. In 1968, she began working her master’s degree at California State University, Northridge. During her studies, she began a second career as teacher of dialects and speech for the stage. Developed a “Medieval Theatre” filmstrip that Oleson Films distributed to high schools and colleges throughout the country. When she received her Master of Arts degree in 1972, she continued to teach at CSUN as well as taught voice and speech at Estelle Harman’s Actor’s Workshop in Hollywood. Was an active member of the Screen Actors Guild (SAG) and the American Federation of Television and Radio Artist since the 1930s and held numerous union-related offices. At the Los Angeles local, Williams was a Local and National Board member, Local Education Committee Chair. Co-Chair of the L.A. Women’s Committee. Western Region Chair of the National Women’s Committee and member of the joint AFTRA-SAG Merger Study Committee. Also edited the Los Angeles Local publication, DIALLOG. from 1974 to 1987. From 1978-1981, Williams was West Coast Coordinator for a CETA project to increase employment of performing arts professionals. From 1981-82, she was Assistant Executive Director of the Los Angeles Local of AFTRA. In addition, Williams was a Vice-President and Secretary of the Los Angeles Chapter of the Coalition of Labor Union Women (CLUW). She also served several years as an appointee to the State Wage Board for the Broadcasting Industry and was an AFTRA delegate to the Los Angeles County Federation of Labor, AFL-CIO. From 1977 to 1989, Williams coordinated and conducted the Communications Skills workshop at the Federation’s “Women in the Workforce” conferences for the California State Federation of Labor. Also taught communication skills AFL-CIO’s Western Section Summer School for Labor Union Women. From 1984 to 1992, Williams she was Secretary-Treasurer of the UCLA Theater Film and Television Alumni Association and was one of the organization’s charter members. Also served as secretary to the InterGuild Women’s Caucus, a women’s organization in the entertainment industry guilds and unions. Was a founding member of the Education Council of the Los Angeles Music Center, with special interest in the Music Center on Tour program and of Pacific Pioneer Broadcaster. Was a past member of the Glendale Arts Council as well as had honorary memberships REPS (Radio Enthusiasts of Puget Sound) and of SPERDVAC (The Society for the Preservation of Radio Drama. Variety and Comedy). Williams moved to Oregon in 1993 where she was elected to the Local Board of the Portland Local of AFTRA, where she was Treasurer and Alternate to the AFTRA National Board. She and her husband also edited SAG/AFTRA Portland newsletter for AFTRA and SAG. In Eugene, she’d perform at local community theaters as well. Died of cardiac arrest in her Eugene home in 2006 at 75. Was survived by her husband, her 4 children, 12 grandchildren, and 3 great-grandchildren.

Trivia: Received a Distinguished Service Award from the InterGuild Women’s Caucus.

35. Lucille Bliss

Dates: 1916-2012

Early Life and Career: Born in New York City to a Massachusetts dentist father and a German concert pianist who wanted her daughter to become an opera singer. Parents later divorced. In 1935, Bliss’ father’s death prompted Bliss and her mom to move to California where her mom became head of the music department for San Francisco College of Women.

Movies and Cartoons: Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953), One Hundred and One Dalmatians (1961), and How to Have an Accident at Work (1959) as well as narrated some stories for a Disney album.

Characters: Anastasia Tremaine, Lazy Daisies, Tulips, Mermaid, Tiger Lily, TV Commercial Singer, and Donald’s Son

Also Known For: Nicknamed the “Girl with a Thousand Voices,” Bliss voiced numerous cartoon characters from the 1950s to the 2000s. Voiced the title character of Crusader Rabbit, the first made for TV cartoon as well as Smurfette in the 1980s Smurfs and Ms. Bitters in the early 2000s on Invader Zim. Also voiced Yugoda in Avatar: The Last Airbender as well as Mrs. Fitzgibbons in The Secret of NIMH and the Pidgeon Lady in Robots. Not to mention, work on Hanna Barbera cartoons such as Tom and Jerry and The Flintstones. In addition to cartoons, Bliss also did voice work for video games. Outside cartoons, she was an active performer in radio with roles in Pat Novak, for Hire, Candy Matson, and The Charlie McCarthy Show. Live TV appearances include High Command and The Lineup.

Personal Life: Never married.

Later Life: Retired from acting in 2007. Died of natural causes in Costa Mesa, California in 2012 at 96. Buried at Hollywood Forever Cemetery.

Trivia: Produced and directed talent shows for the Embarcadero Armed Services YMCA in San Francisco. Honored by the Young Artist’s Foundation with its Former Child Star “Lifetime Achievement” Award in 2000.

36. Luis van Rooten

Dates: 1906-1966

Early Life and Career: Born Luis d’Antin van Rooten in Mexico City, Mexico. Father worked as a translator and clerk for the American embassy. Some sources claim he was killed in the Mexican Revolution. At 8, he immigrated to the US with his Belgian grandmother who claimed the boy as her son since he had no papers. Attended a Pennsylvania boarding school and received a B. A. from the University of Pennsylvania. Enjoyed a successful career as an architect in Cleveland, Ohio until his love of acting got the best of him. First gig was as narrator to a 1938 film called Industrial Ohio for SOHIO Let’s Explore Ohio series. Was said to have worked on as many as 50 shows a month because of his ability to do dialects and criminals. Once, he was bumped off as many as 10 crime shows a week. During World War II, van Rooten’s linguistic abilities made him an in-demand military radio announcer. Conducted broadcasts in Italian, Spanish. This led to film work, often in roles requiring accents or dialect skills.

Movies and Cartoons: Cinderella (1950)

Characters: The King and Grand Duke

Also Known For: Was one of radio and television’s most prolific character actors and narrators. Mostly known for villainous roles such as Nazi ringleader Heinrich Himmler in a couple of films. Appeared alongside actors like Alan Ladd, Charles Laughton, Veronica Lake, Edgar G. Robinson, and Kirk Douglas. Radio appearances include Mysterious Traveler, I Love a Mystery, Chandu the Magician, Bulldog Drummond, Valiant Lady and Radio City Playhouse where he once played 16 characters on an episode he wrote. TV appearances include Perry Mason and The Honeymooners. Was also a skilled artist and designer as well as wrote several humor books like Van Rooten’s Book of Improbable Saints, The Floriculturist’s Vade Mecum of Exotic and Recondite Plants, Shrubs and Grasses, and One Malignant Parasite, and Mots d’Heures: Gousses, Rames: The d’Antin Manuscript.

Personal Life: Married Catherine Gaylord Kelly and had 2 children.

Later Life: Retired from acting in 1968 and settled in Chatham, Massachusetts where he died in 1973 at 66.

Trivia: Designed his own retirement home in Chatham, Massachusetts.

37. June Foray

Dates: 1917-2017

Early Life and Career: Born June Lucille Forer in Springfield, Massachusetts. Father was a Jewish immigrant from Odessa in the Russian Empire. Mother was a Lithuanian Jew and French Canadian. Wanted to be a dancer as a child but had to drop out of dance class due to pneumonia. Made her first radio broadcast at 12 and was doing regular radio voice work by 15. Two years after graduating from Classical High School, Foray moved with her parents and her siblings to live in Los Angeles to be near her brother Morris, an engineer who fell on hard financial times. After joining the WBZA Players, Foray starred in her own radio series, Lady Make Believe in the late 1930s.

Movies and Cartoons: Cinderella (1950) Peter Pan (1953), Mulan (1998), the short Trick or Treat, as well as TV shows like Duck Tales and Disney’s Adventures of Gummi Bears.

Characters: Lucifer, Mermaid, Grandmother Fa, Witch Hazel, as well as Grammi Gummi and Magica du Spell

Also Known For: Voiced characters such as Rocky, the Flying Squirrel, Natasha Fatale, Nell Fenwick, Cindy Lou Who, Jokey Smurf, Granny from Lonney Tunes, Ursula from George of the Jungle, young Karen and the teacher in Frosty the Snowman (although only her singing parts remained for the former in the final cut), and others. Career encompassed movies, shorts, radio, television, records, video games, talking toys, podcasts, and more. Radio appearances include Lux Radio Theatre, The Jimmy Durante Show, Sears Radio Theater, Amos n’ Andy, CBS Radio Workshop, The Buster Brown Program, and Smile Time. Recorded a number of Children’s albums for Capitol Records. Also did voicework for Woody Woodpecker cartoons and Warner Bros. Provided the voice for the “Chatty Cathy” doll as well as the “Talky Tina” doll in a Twilight Zone episode. TV appearances include I Love Lucy, Bewitched, Get Smart, The Brady Bunch, Little House on the Prairie, The Twilight Zone, Mr. Magoo, Powerpuff Girls,  Scooby-Doo, Where Are You!, The Jetsons, The Flinstones, The Adventures of Rocky and Bullwinkle, Fractured Flickers, The Simpsons, Family Guy, Green Acres, Married…with Children, The Garfield Show, and The Duck Factory.

Personal Life: Married twice. First to Bernard Barondess in 1941 which ended in divorce. Second was writer Hobart Donovan in 1955, which lasted until his death 1976.

Later Life: Retired from acting in 2014. Was involved in a car accident in 2015 which contributed to her declining health. Died in a Los Angeles hospital in 2017 at 99.

Trivia: Was one of the early members of ASIFA-Hollywood, a society devoted to and encouraging animation. Credited with establishing the Annie Awards as well as the Academy Award for Best Animated Feature in 2001. Received the 1974 Inkpot Award. Also, has a star on the Hollywood Walk of Fame. Chuck Jones once said of her, “June Foray is not the female Mel Blanc. Mel Blanc was the male June Foray.” Once auditioned for the role of Betty Rubble. Received 2 Annies and a Daytime Emmy. In 1973, she organized a meat boycott in response to President Nixon’s freezing of meat and other prices and was included on his Enemies List.

38. Kathryn Beaumont

Dates: 1938-present

Early Life and Career: Born in London to a singer father and dancer mother. When World War II broke out, her parents were urged to send their baby daughter to safety on the SS Athenia but they refused. Although the authorities were very upset, they recoiled when the ship sank via U-Boat torpedo. Instead, after frequent bombing raids and witnessing a close friend’s death, Beaumont’s parents decided to move to Bangor, Wales before returning to London in 1945. First acting experience was in a school pantomime when she was small and later in a play. Made first film in 1944 which put her on a contract for MGM but only had minor roles in a couple of films. Later moved to Los Angeles where she auditioned for the role of Alice 3 times. Mother and tutor were present during filming and she worked 4 hour days and studied for 3.

Movies and Cartoons: Alice in Wonderland (1951) and Peter Pan (1953)

Characters: Alice and Wendy Darling

Also Known For: Was Kari’s Grandmother in the Kingdom Hearts series of video games.

Personal Life: Has been married to Allan Levine since 1985.

Later Life: After graduating from high school, Beaumont enrolled in the University of Southern California where she obtained an education degree. Taught elementary school in Los Angeles for 36 years. In addition, she’d reprise Alice and Wendy in other projects as late as 2016.

Trivia: Named Disney Legend in 1998. Was part of a drill team in high school and ran for student government.

39. Ed Wynn

Dates: 1886-1966

Early Life and Career: Born in Philadelphia, Pennsylvania to a Jewish family. Father was a Bohemian milliner. Mother came from Istanbul and was of Turkish and Romanian descent. Attended Central High School before dropping out and running away from home. Worked as a hat salesman and utility boy as well as adapted his middle name of “Edwin” to “Ed Wynn.” Began his vaudeville career in 1903 where he became a star on the Ziegfield Follies. Also wrote, directed, and produced many Broadway shows. Gained a reputation for his silly costumes and props as well as the giggly, wavering voice he developed in 1921. Became an active member of the Lambs Club in 1919. Hosted his own radio show called The Fire Chief during the 1930s and founded his own short-lived network called the Amalgamated Broadcasting System that last only 5 weeks and left him deep in debt, divorced, and suffering a nervous breakdown. Made his TV debut in 1936.

Movies and Cartoons: Alice in Wonderland (1951) and Mary Poppins (1964)

Characters: Mad Hatter and Uncle Albert

Also Known For: Best known for playing comedy characters but took on more dramatic roles later in life. Hosted The Ed Wynn Show, which won a Peabody and Emmy Award and was one of the first network comic-variety shows. Guests include Buster Keaton, Carmen Miranda, Lucille Ball, Desi Arnaz, Hattie McDaniel and The Three Stooges. Also served as a rotating host for NBC’s Four Star Revue from 1950-1952. Other TV appearances include Playhouse 90, Westinghouse Desilu Playhouse, Rawhide, Bonanza, and The Twilight Zone. Movies include The Great Man, The Diary of Anne Frank, Babes in Toyland, The Patsy, The Absent-Minded Professor, and The Greatest Story Ever Told.

Personal Life: Married 3 times. First was to fellow vaudeville performer Hilda Keenan in 1914, which produced a son named Keenan Wynn who later became a character actor. But she ended up divorcing him in 1937. Second was to Frieda Mierse in 1937 which ended with their 1939 divorce. Third was to Dorothy Elizabeth Nesbit in 1946 which ended with their 1955 divorce. Grandfather of Tracy Keenan Wynn and Ned Wynn and great-grandfather to Jessica Keenan Wynn.

Later Life: Died in Los Angeles of esophageal cancer in 1966 at 79. Buried in Glendale’s Forest Lawn Memorial Park. Bronze grave marker reads: “Dear God: Thanks… Ed Wynn:” Red Skelton said of him, “His death is the first time he ever made anyone sad.”

Trivia: Was offered the role of The Wizard for the 1939 Wizard of Oz but turned it down. Was also a Freemason. Nominated for Golden Globe, BAFTA, and Academy Award (ironically for playing the dentist in The Diary of Anne Frank). Inspired Alan Tudyk’s portrayal of King Candy in Wreck-It-Ralph. Named Disney legend in 2013.

40. Richard Haydn

Dates: 1905-1985

Early Life and Career: Born in Camberwell, London, England. After working as a music hall entertainer and overseer at a Jamaican plantation, he joined a touring British theater troupe before moving into TV and film.

Movies and Cartoons: Alice in Wonderland (1951)

Characters: The Caterpillar

Also Known For: British actor known for playing eccentric characters with much of his dialog delivered in an over-nasalized and over-enunciated manner. Film appearances include Ball of Fire, And Then There Were None, The Emperor’s Waltz, Forever Amber, The Merry Widow, Mutiny on the Bounty (1962), The Sound of Music, and Young Frankenstein. Also directed 3 films. Wrote The Journal of Edwin Carp whom he portrayed on radio in The Charlie McCarthy Show. Appeared twice on Broadway. TV appearances include Playhouse 90, Producers’ Showcase, General Electric Theater, The Twilight Zone, The Dick Van Dyke Show, Lux Playhouse, The Man from U.N.C.L.E., Laredo, Bewitched, Bonanza, and Lassie.

Personal Life: Never married though he was engaged to Marlene Dietrich’s daughter at some point. Was a reclusive man who loved gardening and shunned interviews.

Later Life: Died of a heart attack at his home in Pacific Palisades, California at 80. Body was found there and donated to the University of California, Los Angeles.

Trivia: Friend and next-door neighbor to David Niven.

The Secret and Scandalous Lives of Disney Voice Actors – Volume I: Part 3 Bambi

Adapted from a German novel from 1923, Bambi was a particularly difficult passion project for Disney that took 5 years to make. For one, the original Felix Salten novel, Bambi, a Life in the Woods wasn’t exactly a light-hearted kids’ book. In fact, it’s actually quite the opposite. Then there was the challenge of animating deer realistically. Not to mention, the other projects Disney was working on at the time so the production was put on hold until 1939. Yet as soon as work began in earnest, the Disney animators not only visited the Los Angeles Zoo, but the studio also set up a small zoo with animals like rabbits, ducks, owls, skunks and a pair of fawns they named Bambi and Faline. All so the animators can see how these animals moved firsthand. Although they used actress Jane Randolph and Ice Capades skater Donna Atwood as live-action reference models for Bambi and Thumper in the icy pond scene. The animators learned a lot about animals during Bambi’s production, giving them a broad spectrum of animation styles to use in future projects. And due to rising production costs amid financial difficulties, Disney had to cut 12 minutes of the film from the final animation. For a project of such ambition from Disney and a film of such beauty and artistry, you’d think Bambi would be a major hit. But due to World War II that closed off much of the European market, Bambi was a box office failure upon its 1942 release. Not only that, but it opened to mixed reviews from critics mainly due to lack of fantasy elements and objection towards a dramatic story about animals struggling to survive the woods and avoid the human threat. The New York Times claimed that, “In the search for perfection, Mr. Disney has come perilously close to tossing away his whole world of cartoon fantasy.” The New Republic’s Manny Farber wrote that “Bambi is interesting because it’s the first one that’s been entirely unpleasant…Mickey wouldn’t be caught dead in this.” Adding that “In an attempt to ape the trumped-up realism of flesh and blood movies, he has given up fantasy, which was pretty much the magic element.” Even Walt Disney’s own daughter Diane wasn’t too happy about the movie, complaining that Bambi’s mom didn’t need to die. Although Walt claimed that he was only following the book, Diane stuck to her guns saying that he had taken other liberties before and that Walt Disney could do whatever he wanted. Still, no matter how you look at it, it seems that the world wasn’t really ready for Bambi. Today, Bambi is seen as a masterpiece. In this post, we’ll meet two more of the actors behind two of the Dumbo crows, sound guy Jimmy MacDonald and actors J. Pat O’Malley and Billy Bletcher, as well as the voices behind Bambi, Faline, Young Adult Thumper, Mr. Mole, and Friend Owl.

21. James Baskett

Dates: 1904-1948

Early Life and Career: Born James Franklin Baskett in Indianapolis, Indiana. Father owned a barber shop. Studied pharmacology as a young man but gave it up to pursue acting. Moved to New York City where he joined Bill “Bojangles” Robinson. Appeared with Louis Armstrong on Broadway in the 1929 black musical revue Hot Chocolates and in several all-black New York films. Later he moved to Hollywood where he mostly found himself in supporting roles and bit parts. In 1945, he auditioned for a bit part as one of the animals in Song of the South. However, Walt Disney was impressed with Baskett’s talent and hired him on the spot to play Uncle Remus. This was one of the first Hollywood portrayals of a black actor as a non-comic character in a leading role in a film meant for general audiences.

Movies and Cartoons: Dumbo (1941) and Song of the South (1946)

Characters: Fats Crow, Brer Fox, Brer Rabbit in one sequence, and Uncle Remus

Also Known For: Was an actor who often played African American stereotypes because racism and mainly because they were mostly the only roles they could find. Played Gabby Gibson in the Amos n’ Andy radio show from 1944 to 1948. Anyway, his role as Uncle Remus was an acting gig of a lifetime.

Personal Life: Had a wife named Margaret to whom he was married to until his death.

Later Life: Couldn’t attend the Song of the South’s premiere in Atlanta due to racial segregation. Although his role in that film attracted controversy due to it portraying a racial stereotype, his acting was almost universally praised. Was in poor health during filming Song of the South due to suffering from diabetes. Had a heart attack shortly after the premiere and his health continued to decline that he was often absent from Amos an’ Andy during its 1947-1948 season. Died of a heart failure caused by diabetes at his Los Angeles home at 44. Was survived by his wife and his mother Elizabeth. Buried at Crown Hill Cemetery in Indianapolis, Indiana.

Trivia: Was awarded an Honorary Academy Award for his performance as Uncle Remus in 1948. Was the last adult actor to receive an honorary Oscar for a single performance.

22. Nick Stewart

Dates: 1910-2000

Early Life and Career: Born Horace Winifred Stewart in Harlem, New York City as the son of immigrants from Barbados. He began his show business career as a dancer at both the Cotton Club and the Hoofers Club. Later graduated onto Broadway shows, radio programs, film, and television.

Movies and Cartoons: Dumbo (1941) and Song of the South (1946). Also did the voice of Brer Bear for the Splash Mountain ride at Disneyland and Disney World.

Characters: Specks Crow and Brer Bear

Also Known For: Best known as “Lightnin’” Willie Jefferson from the radio show Amos n’ Andy. On Broadway, he created a character named “Nicodemus” and playing that role in various productions. Appeared in the 1954 film White Christmas. Was Willy-Willy on the TV show Ramar of the Jungle. Made numerous appearances in film and television mostly as a character actor. Wrote his own musical called Carnival Island.

Personal Life: Married his wife Edna in 1941 and had 3 children. Couple remained married until his death.

Later Life: In 1950, Stewart and his wife founded Los Angeles’ Ebony Showcase Theater, which provided a venue to performers of all races including Al Freeman Jr., Yuki Shimoda, William Schallert, Tom Ewell, John Amos, Nichelle Nichols, Isabel Sanford, B. B. King, Phil Collins, Eartha Kitt, Gladys Knight, and Chaka Khan. He would devote much of his life to this place filling the seats with quality productions and hosting his own variety show from there for a time. That at one point, he got fired from Amos n’ Andy shortly before its cancellation due to becoming too invested in his passion project. In 1973, he and his wife would be honored by the Los Angeles mayor Tom Bradley and the California Museum of Science and Industry’s advisory board for their work at the Ebony Theater Showcase. Unfortunately, the Stewarts lost title to the theater complex in 1992 due to financial problems caused by an LA law requiring all older brick buildings to meet earthquake standards. Yet, they were allowed to stay and operate the place. To secure a loan to save the theater, they used the two homes they owned to use as collateral but to no avail. While the buildings were later demolished after the Los Angeles Community Redevelopment Agency took possession through eminent domain. Died at his son’s Los Angeles home of natural causes in 2000 at 90. And a week after attending the groundbreaking ceremonies for the Performing Arts Center named for local politician Nate Holden, which was built on the very site where the Ebony Theater once stood. This allowed the Ebony Showcase to transform, adapt, and remain open. And today, it continues to provide entertainment, resources, and charitable services on the internet and the community.

Trivia: Founded the Ebony Showcase so black actors could have a place where they can play more roles beyond that of the servant type roles they were normally cast at the time. Friends with Milton Berle who was a frequent visitor to his theater. Received a Lifetime Achievement Award by the Beverly Hills/Hollywood NAACP and the Living Legend Award from the National Black Theatre Festival in 1995. Was one of the first inductees in the Academy of Television Arts and Science’s Archive of American Television.

23. Billy Bletcher

Dates: 1894-1979

Early Life and Career: Born William Bletcher in Lancaster, Pennsylvania. Made first film in 1916 after a year in vaudeville. Began his career for Disney in the 1930s.

Movies and Cartoons: Dumbo (1941), Sleeping Beauty (1959) and numerous shorts including “The Three Little Pigs.”

Characters: Pete, Big Bad Wolf, Clown, and Goon.

Also Known For: Appeared onscreen in films and television from the 1910s to the 1970s. Worked in over 450 films. Appeared with Our Gang, Three Stooges, Laurel and Hardy, and Marx Brothers comedies. Career took off in his films where he played opposite Billy Gilbert during his time with Hal Roach. Did voice work for other studio cartoons including Warner Bros and MGM. Occasionally provided the voice of Tom and Spike the Bulldog in the Tom and Jerry cartoons. Did munchkin voice work for The Wizard of Oz as mayor and as head of the Lollipop Guild. Also voiced the gas cloud during a WWII Private Snafu training film called Gas as well as the Captain in The Captain and the Kids cartoons.

Personal Life: Married Arlyn Roberts in 1915 and had a daughter named Barbara. Marriage lasted until his death.

Later Life: Died in Los Angeles in 1979 at 84.

Trivia: Auditioned to play one of the dwarfs in Snow White but was turned down due to his booming, baritone voice being too recognizable in the cartoon shorts.

24. Donald Dunagan

Dates: 1934-present

Early Life and Career: Born Donald Roan Dunagan in San Antonio, Texas but his family soon moved to Memphis, Tennessee where they struggled with poverty. At 3, he won a talent contest prize of $100. Spotted by a Hollywood talent scout not long after, the family moved to Hollywood where Dunagan made a series of films and soon became his family’s main breadwinner.

Movies and Cartoons: Bambi (1942)

Characters: Young Bambi

Also Known For: Also played Baron Frankenstein’s young son in Son of Frankenstein.

Personal Life: Currently resides in San Angelo, Texas with his wife Dana.

Later Life: Retired from acting after Bambi. It’s said that his parents divorced and his mother died, which resulted in Dunagan ending up in an orphanage. By 13, he lived in a boarding house and worked as a lathe operator after school. At 18, he enlisted in the US Marines where he reputedly became a drill instructor, served 3 tours in Vietnam where he was wounded several times, and retired with the rank of major in 1977. Received a Bronze Star and 3 Purple Hearts. In 2004, he was located and exhaustively interviewed by horror film historian Tom Weaver for a special of Video Watchdog magazine.

Trivia: As of 2025, he is among the last 3 surviving Bambi cast members along with Peter Behn (Young Thumper) and Stan Alexander (Young Thumper). Tried to keep his involvement with Bambi a secret from his fellow Marines but was outed shortly before his retirement. Said his work on Bambi made him forever unable to shoot an animal.

25. Sam Edwards

Dates: 1915-2004

Early Life and Career: Born in Macon, Georgia to a show business family with his debut playing a baby in his actress mother’s arms (her name was Edna Park Edwards and she has her own Wikipedia entry). Appeared in radio during the 1930s on Adventures of Sonny and Buddy, one of the first syndicated radio serials and later The Edwards Family, a fictionalization of life with his family. He was also an early cast member in One Man’s Family, one of the first radio soap operas.

Movies and Cartoons: Bambi (1942)

Characters: Young Adult Thumper. On LPs, he also voiced the Tin Man, the Cowardly Lion on the Oz series as well as Tigger, Owl, and the Heffalumps on the Winnie the Pooh albums. Also voiced Ollie the Owl opposite Burl Ives for the America Sings Disneyland attraction.

Also Known For: Best known as banker Bill Anderson from Little House on the Prairie. Appeared in movies like Twelve O’Clock High, Operation Pacific, Gangbusters, The Absent-Minded Professor, and Hello Dolly! In radio, he had starring roles in The First Hundred Years and Meet Corliss Archer. Also had roles on shows like Crime Classics, Father Knows Best, Guiding Light, For Laramie, and Dragnet. TV appearances include episodes of Dragnet, Gunsmoke, The George Burns and Gracie Allen Show, The Andy Griffith Show, Petticoat Junction, Green Acres, Mission: Impossible, The Streets of San Francisco, Adam-12, Happy Days, The Dukes of Hazzard, and Days of Our Lives.

Personal Life: Married a single mom of 3 named Beverly Motley in 1969. Marriage lasted until his death.

Later Life: Drafted into the Army shortly after working on Bambi, Edwards entertained troops in Africa, Italy, and Asia during his 3-year tour of service in World War II. Retired from acting in 1983. Died of a heart attack in Durango, Colorado in 2004 at 89.

Trivia: Brother of actor Jack Edwards Jr.

26. Will Wright

Dates: 1894-1962

Early Life and Career: Born William Henry Wright in San Francisco, California. Worked as a newspaperman before beginning his show business career in vaudeville, stage, and radio. Made his film debut in 1940.

Movies and Cartoons: Bambi (1942)

Characters: Friend Owl

Also Known For: Was frequently cast in Westerns and as a curmudgeonly and argumentative old man. Appeared in more than 200 films and TV roles as well as more than 5,000 radio programs. Radio programs include My Little Margie, Glamour Manor, The Amazing Mr. Tutt, The Charlotte Greenwood Show, and The Jack Benny Program. Films include Shadow of the Thin Man, The Major and the Minor, So Proudly We Hail!, Road to Utopia, Mother Wore Tights, Mr. Blandings Builds His Dream House, River of No Return, All the King’s Men, and The Man with the Golden Arm. TV appearances include I Love Lucy, Schlitz Playhouse of Stars, Our Miss Brooks, Father Knows Best, The Real McCoys, The Donna Reed Show, Tales of Wells Fargo, The Rough Riders, Leave It to Beaver, Riverboat, Bat Masterson, The Lone Ranger, December Bride, Maverick, Perry Mason, and Bonanza.

Personal Life: Married Nell Ida Peabody in 1917. Marriage produced 1 child and lasted until his death.

Later Life: Last screen appearance was in 1962. Died of cancer at Cedars of Lebanon Hospital in Los Angeles at 68.

Trivia: None

27. Cammie King

Dates: 1934-2010

Early Life and Career: Born Eleanore Cammack King in Los Angeles, California. Dad was a chemical plant manager. Mom was a schoolteacher. Older sister Diane was also a child actress. Parents divorced after Gone with the Wind. Mother remarried Herbert Kalmus, co-founder of Technicolor. Film career lasted only a few years. Was one of 250 girls who auditioned for the role of Bonnie Blue Butler, including her own sister.

Movies and Cartoons: Bambi (1942)

Characters: Young Faline

Also Known For: Best known as Bonnie Blue Butler in Gone with the Wind. However, she later worked as a production assistant on the CBS anthology series Climax! shortly after graduating from college.

Personal Life: Married twice. First to Walter “Ned” Pollock in 1957. They adopted 2 kids named Matthew and Katherine and remained together until his death from cancer in 1968. Second to Michael W. Conlon in 1971 who adopted her 2 kids. But they divorced in 1975. Former father-in-law from this marriage was Judd Conlon who arranged music for Alice in Wonderland and Peter Pan.

Later Life: Although cast in a third role during the early 1940s, King had to drop out due to breaking out with chicken pox. She never acted again. Studied at Marymount High School and graduated from the University of Southern California with a degree in communications. Moved to Northern California in 1980 and enjoyed a long public relations career as a marketing coordinator for the Fort-Bragg Medocino Coast Chamber of Commerce. Died from lung cancer at her Fort Bragg, California home at 76.

Trivia: Appeared as guest on To Tell the Truth with John O’Hurley in the early 2000s. Published a small book about her time on Gone with the Wind that she mainly sold to fans directly either in person or on the internet.

28. Perce Pearce

Dates: 1899-1955

Early Life and Career: Born Percival C. Pearce in Waukegan, Illinois to English immigrants. Started drawing at 10. By the time he was a freshman in high school, his work caught the attention of cartoonist J. Campbell Cory. After graduation, he decided to pursue a career as the cartoonist by attending Chicago’s Academy of Fine Arts. Upon US entry into World War I, Pearce worked as a cartoonist for The Chicago Herald and the Publicity Feature Bureau. Briefly enlisted in the US Navy before he was asked to work on a daily comic strip for the Great Lakes Bulletin, a military newspaper serving the Naval Station of the Great Lakes. Created “Seaman Si” series which was later published in 1917 as a soft cover book. At the same time, Pearce drew editorial cartoons and political caricatures for his news agency which were published in the New York Evening Post. In 1919, he moved to Colorado to work as a cartoonist for The Denver Post. Began his career at Disney in 1935 as an in-betweener.

Movies and Cartoons: Bambi (1942)

Characters: Mr. Mole

Also Known For: Pearce is better known for his work as a writer, producer, director, and animator. Was writer, sequence director, and live-action reference for Snow White and the Seven Dwarfs. Was animation director for “The Sorcerer’s Apprentice” segment in Fantasia. In addition to voicing Mr. Mole in Bambi, Pearce was also the film’s story director. Also served as story director in the Victory Through Air Power WWII propaganda documentary. After the war, he produced a series of live-action Disney films at its British studio in London throughout the late 1940s and 1950s. Also assisted in developing the Mickey Mouse Club.

Personal Life: Married June Herrig Swan in 1930. Couple had 2 daughters and remained married until his death. Daughter Anne was once the second wife of Stanley Kramer from 1950 to 1963.

Later Life: Pearce’s work at Disney and their establishment of a studio in London led him to reside there due to postwar currency restrictions. Died at his London home of a heart attack in 1955 at only 55.

Trivia: None.

29. Jimmy MacDonald

Dates: 1906-1991

Early Life and Career: Born John James MacDonald in Crewe, Cheshire, England. Family immigrated to the US when he was a month old traveling from the SS Haverford from Liverpool before landing in Pennsylvania. Began his career as a musician on the Dollar Steam Ship Lines, leading him to record music for a Disney cartoon in 1934. Went on to secure a permanent contact with Disney. Became the voice of Mickey Mouse from 1947 to 1976. Was also the original voice of Chip from Chip and Dale.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937), Fantasia (1940), Fun and Fancy Free (1947), Cinderella (1950), Alice in Wonderland (1951), The Jungle Book (1967), The Adventures of Winnie the Pooh (1977), Bedknobs and Broomsticks (1968), The Rescuers (1977), and The Fox and the Hound (1981) as well as numerous shorts.

Characters: Dopey (hiccupping and crying), Percussionist, Bongo, Lumpjaw, Chip and Dale, Mickey Mouse, Jaq, Gus, Bruno, Dormouse, Shere Khan and Bagheera (roars), Hyena, Bees, Evinrude, Brutus, Nero, and the Bear. Was also Humphrey the Bear on Chip n’ Dale Rescue Rangers.

Also Known For: In addition to voice acting, MacDonald also worked as a foley artist and was the original head of Disney’s sound effects department. Provided sound effects for Snow White and the Seven Dwarfs, Pinocchio, Dumbo, Bambi, Saludos Amigos, Victory Through Air Power, The Three Caballeros, Make Mine Music, Song of the South, Fun and Fancy Free, The Adventures of Ichabod and Mr. Toad, Cinderella, Alice in Wonderland, Peter Pan, Lady and the Tramp, Sleeping Beauty, One Hundred and One Dalmatians, The Sword in the Stone, Mary Poppins, The Jungle Book, The Aristocats, Bedknobs and Broomsticks, Robin Hood, The Many Adventures of Winnie the Pooh, The Rescuers, as well as numerous shorts. Was assistant conductor for Mary Poppins and Bedknobs and Broomsticks. Developed many original inventions and contraptions to achieve expressive sounds for characters like Casey Jr. circus train engine from Dumbo, Evinrude the Dragonfly from The Rescuers, the bees in Winnie the Pooh and the Honey Tree, and the bee Spike who gets the best of Donald Duck in 1950s shorts. Made sound effects for Tock the Crocodile from Peter Pan and Dragon Maleficent in Sleeping Beauty by using castanets. By the time of his death, MacDonald had been preparing to work on sounds of the Splash Mountain in Tokyo Disneyland and Walt Disney World. On the live action front, Did Kirk Douglas’ humming for “A Whale of a Tale” for 20,000 Leagues Under the Sea as well as performed sound effects for a series of Disney documentaries. Once estimated to have created 28,000 sound effects for 139 feature films and 335 shorts during his time at Disney.

Personal Life: Married Sarah Roberta Cullen in 1936. They remained married until his death.

Later Life: Retired from Disney in 1976 but did occasional projects for Disney until the end of his life like voicing Mickey for the 50th Academy Awards in 1978 and the opening of Star Tours in 1987. Died of heart failure at his Glendale, California home in 1991 at 84. Buried in Forest Lawn Memorial Park Cemetery.

Trivia: Majority of his sound effects are available on Cartoon Trax Volume 1 from The Hollywood Edge, which was released in 1992. Other effects show up in non-Disney sound libraries such as International Sound Effects Library, BBC Sound Effects Library and the Hanna-Barbera Sound Effects Library, both from Sound Ideas. Other releases containing MacDonald’s sound effects few specialty sound effect record releases from Disneyland Records, most notably Chilling, Thrilling Sounds of the Haunted House. Played drums in the Firehouse Five Plus Two jazz band from its inception in the 1950s to its disbandment in the 1970s.

30. J. Pat O’Malley

Dates: 1904-1985

Early Life and Career: Born James Rudolph O’Malley in Burnley, Lancashire, England to an Irish family. Sang with Jack Hylton and his orchestra from 1930 to 1935 under Pat O’Malley. At the end of 1935, O’Malley and Hylton came to US in order to record with a band composed of American musicians. Although the venture was short lived, O’Malley decided to stay and adopted his stage name that he’d use for the rest of his career.

Movies and Cartoons: The Adventures of Ichabod and Mr. Toad (1949), Alice in Wonderland (1951), One Hundred and One Dalmatians (1961) Mary Poppins (1964), and The Jungle Book (1967). In addition to films, he voiced the Pirates of the Caribbean attraction at Disneyland and Disney World.

Characters: Cyril Proudbottom, Tweedledee and Tweedledum, Mother Oyster, Walrus and Carpenter, Jasper Badun, Colonel, Mr. Simpkins, Mechanic, Bloodhound, Master of Hounds, Hunting Horse #2, Pearly Drummer, Pearly Tambourinist, Penguin Waiter, Photographer, Reporter #2, Colonel Hathi the Elephant, and Buzzie the Vulture.

Also Known For: Was a British actor and singer who appeared in many American films and TV shows from the 1940s to 1982. Was in Broadway productions of Ten Little Indians and Dial M for Murder. Films outside of Disney include Lassie Come Home, The White Cliffs of Dover, Witness for the Prosecution, The Long, Hot Summer, Hello Dolly!, and The Cheyenne Social Club. TV appearances include Playhouse 90, Peter Gunn, Gunsmoke, Perry Mason, The Twilight Zone, Tales of Wells Fargo, The Real McCoys, Bonanza, Alfred Hitchock Presents, The Andy Griffith Show, The Lucy Show, The Dick Van Dyke Show, Johnny Quest, The Man from U.N.C.L.E., Batman, Hogan’s Heroes, Green Acres, The Flying Nun, Maude, Barney Miller, The Rockford Files, Quincy M.E., Three’s Company, One Day at a Time, The Dukes of Hazzard, Fantasy Island, and Taxi. As a singer, he’s said to have recorded 400 songs in his native England.

Personal Life: Married his wife Margaret “Fay” Mullen in 1936. Marriage produced a son named Denis and a daughter named Sheila and lasted until his death.

Later Life: Died of cardiovascular disease at his San Juan Capistrano home in 1985 at 80.

Trivia: According to Dick Van Dyke, O’Malley also served as his dialect coach on Mary Poppins and attributed his infamous Cockney accent to him.

The Secret and Scandalous Lives of Disney Voice Actors – Volume I: Part 2 Pinocchio and Dumbo

Riding on the success of Snow White and the Seven Dwarfs, Walt Disney used the profits to finance a 51-acre complex in Burbank which the company would move into in 1940 and still serves as its headquarters to this day. Yet, before the film’s release, work began on Pinocchio and Bambi (which will take 5 years and be beset with delays). Pinocchio and Fantasia would both be released in 1940 but while they’d land critical acclaim, both performed poorly at the box office. Add to that with World War II affecting the international box office which is the least of the world’s concerns at this point. Then in 1941, Art Babbitt led 300 of his fellow Disney animators in a 5-week strike for unionization and higher pay. An event that Walt Disney took extremely poorly by firing many of them (including some of the studio’s best talent) and publicly accusing the strikers as part of a Communist conspiracy. Eventually federal mediators compelled the studio to recognize the Screen Cartoonists’ Guild, leaving the company with 694 employees. To offset from their financial losses, Disney rushed into production with Dumbo on a cheaper budget. Fortunately, Dumbo performed well at the box office and infused the studio with much needed cash.

Now both Pinocchio and Dumbo have become Disney classics since then as well as beloved films watched by generations. However, although both movies are fondly remembered, they both contain plenty of darker and problematic elements. Pinocchio just may be one of the darkest Disney movies of all time with its depiction on the dangers of childhood innocence, especially when it comes to manipulation, exploitation, and straight up child trafficking. The villains such as Honest John Worthington Foulfellow and Gideon, Stromboli, and the Coachman are far more realistic and despicable villains who should be better remembered. This especially goes for the Coachman who basically lures boys to Pleasure Island only to sell them off to the salt mines once they turn into donkeys. And while other Disney villains pay for their evil deeds, these guys don’t really suffer any consequences for their actions. Apart from Stromboli losing potential earnings with Pinocchio escaping his caravan. But that’s barely a punishment for trying to milk the wooden boy for all he’s worth, locking him in a bird cage, and threatening to turn him into firewood once he breaks down. With Lampwick’s transformation into one being one of the most horrifying things I’ve ever seen in a Disney movie and one that certainly gave me nightmares as a child. Hell, it might just be one of the most horrifying things I’ve ever seen in a film period. Whereas, Dumbo contains elements like the alcohol-induced “Pink Elephants on Parade” sequence, the “Roustabout” song, and the heavily black-stereotyped crows. Not to mention, the scene where Mrs. Jumbo gets chained after going apeshit over some teenage idiot harassing her son. All of which made me wonder why my parents let me watch this shit as a kid?  Although to be fair, it’s one I strongly think children need to watch that moment since it’s a perfectly realistic example on why you shouldn’t fuck around with animals. Anyway, in this post, we’re going to meet the some longtime Disney voice actors such as Clarence Nash, Thurl Ravenscroft, Sterling Holloway, and Verna Felton, all of which had long careers voicing a variety of characters in the House of Mouse. Not to mention, the voice actors behind Gepetto, Lampwick, Honest John, the Blue Fairy, Timothy Q. Mouse, and Deacon Crow.

11. Christian Rub

Dates: 1886-1956

Early Life and Career: Born in Graz, in then Austria-Hungary to actor parents. Had a sister Marianne who performed on radio. Worked as a comedian in Germany as a child. At 15, he performed in a French at Vienna’s Imperial Theater. At 17, he was in the Tyrolean Alps with a company “playing everything from very ancient grandpas to very young lovers.” First film appearance was in the 1919 The Belle of New York. Although he ventured into drama on stage in an Los Angeles production of Grand Hotel in the early 1930s. Although he’s best known as Gepetto, he wasn’t Walt’s original choice. Since he dismissed his predecessor for sounding too harsh.

Movies and Cartoons: Pinocchio (1940)

Characters: Gepetto

Also Known For: Provided voices for kindly old men in cartoons for MGM, Fox, and Warner Bros. alongside Disney. Still, he was more of a character actor often specializing in German or Scandinavian villagers, musicians, innkeepers, or valets. Best known roles outside Disney was of Mr. Schmidt from You Can’t Take It with You, Old Clement in Captains Courageous, Christian Jensen in Mr. Deeds Goes to Town, and Loti in All This, and Heaven, Too. Appeared in over 100 films.

Personal Life: During the filming of Pinocchio, Rub was notorious amongst the film’s animators for his open and frequent expression of admiration for Adolf Hitler. They eventually got even with him during the live-action shooting for the Monstro sequence. Said to be married to a woman named Amy.

Later Life: Last film was Something for the Birds in 1952. Died in Santa Barbara, California in 1956 just after his 70th birthday.

Trivia: None.

12. Clarence “Ducky” Nash

Dates: 1904-1985

Early Life and Career: Born in the rural community of Watonga, Oklahoma where he discovered his talent for impressions by imitating barnyard animals as a child. Nash first made a name for himself in the late 1920s as an impressionist for the Los Angeles KHJ radio show, The Merrymakers. Later secured a job at the Adohr Milk Company for publicity purposes. Dubbed, “Whistlin’ Clarence, the Adohr Bird Man,” Nash rode the streets with a mini horse team and gave treats to kids and entertained them with animal impressions. In 1932, Nash and his mini horse team happened by the Disney Studios and decided to leave a copy of his Adohr publicity sheet with the receptionist. As it turned out, Disney had become familiar with Nash’s performance in The Merrymakers and had been impressed by the young man’s vocal skills and asked him to make a vocal audition. One source stated that Nash auditioned before a casting director and did a voice impression of a billy goat that he started doing as a child in Watonga. Although he did a “nervous baby goat” voice during his vaudeville stint that was based on his childhood pet Mary. The casting director then allegedly reached for the intercom and told Walt, “I think we have found our duck.” A more likely version stated that Nash went through several of his voices and Walt Disney just happened to be around when he began doing impressions of a duck family. Disney then declared him to be perfect for the talking duck role in the animated short, The Wise Little Hen. This would be the first cartoon of Donald Duck, whom he’d voice for 51 years and in over 120 shorts and films as well as in promos, commercials, and other miscellaneous material.

Movies and Cartoons: Pinocchio (1940), Bambi (1942), The Three Caballeros (1944), Song of the South (1946), Fun and Fancy Free (1947), The Adventures of Ichabod and Mr. Toad (1949), Cinderella (1950), Alice in Wonderland (1951), One Hundred and One Dalmatians (1961), Mickey’s Christmas Carol (1983), as well as various shorts as Figaro the Cat, Donald Duck, his nephews, and his girlfriend (but his iteration of her didn’t last long).

Characters: Donald Duck, Figaro the Cat, Rough House Statue, Mr. Bluebird, Dinah, Ichabod’s horse and cat, Huey, Dewey, and Louie, Daisy Duck, as well as various animal sounds. Also voiced Jiminy Cricket for a time after Edwards’ death in 1971.

Also Known For: Supplied sounds in the Tiki Room at Disneyland. Also played Gracie Allen’s duck in the Burns and Allen radio show but he was only allowed to quack for that.

Personal Life: Married a woman named Margaret Seamans in 1930, to whom he’d be with for over 50 years. Had two daughters named Kay and Peggy.

Later Life: In early 1941, Nash began traveling on Disney-sponsored tours in order to show his unique voice as Donald Duck. During World War II, he’d travel with a ventriloquist puppet of Donald as a regular performer at USO bond rallies and other events supporting the war effort. Nash also used it for a 1944 promotional re-release of Snow White and the Seven Dwarfs. To keep Donald’s voice consistent and because it’s a difficult voice to achieve by most people, Nash voiced the character in all foreign language versions with the aid of a phonetic alphabet. In the late 1970s, Nash was known for taking walks around Glendale’s Fremont Elementary School where he’d entertain children with his Donald Duck voice. As he aged, he found the harsh voice increasingly straining on his throat and so limited his public performances to groups of kids. And during recording sessions, he’d take frequent water breaks to avoid overexerting himself. In one of his final performances, his Donald Duck became the only Disney character in Mickey’s Christmas Carol to be voiced by his original actor. Died of leukemia at Burbank’s Providence Saint Joseph Medical Center at 80. Buried in LA’s San Fernando Mission Hills Cemetery in Mission Hills California.

Trivia: Has a street named after him in his hometown of Watonga, Oklahoma. Became a posthumous Disney Legend in 1993 for his contributions to Disney films. Received an Inkpot Award in 1978. Tombstone he shares with his wife Margaret depicts a carving of Donald and Daisy Duck holding hands.

13. Walter Catlett

Dates: 1889-1960

Early Life and Career: Born in San Francisco, California. Started out on vaudeville, teaming up with Hobart Cavanaugh at some point with a detour into opera before going into acting. Made his stage debut in 1906 and his first appearance on Broadway by 1916. Made his first film in 1912 but then went back to the stage and didn’t return until 1929. Because he was mainly a verbal comic actor who often appeared in operettas and musicals, including the Gershwins’ 1924 Lady Be Good. In 1918, he starred in, stage managed and rewrote a Look Pleasant musical production at the Los Angeles Majestic Theater. While his antics in his 1922 London performance in Baby Bunting had King George V  laughing “uproariously.”  Although he made a handful of silent films in the 1920s, Catlett’s career didn’t catch on until the advent of talkies, allowing moviegoers to experience his full comic powers. Starred in a number of 2-reeler shorts in the 1930s, mostly for RKO.

Movies and Cartoons: Pinocchio (1940)

Characters: “Honest” John Worthington Foulfellow

Also Known For: Made a career as a character actor playing excitable, meddlesome, temperamental, and officious blowhards. Other famous roles include as a theater manager in Yankee Doodle Dandy, the local cop who throws the entire cast in jail in Bringing Up Baby, a drunken poet named Morrow in Mr. Deeds Goes to Town, and John Barsad in a 1935 production of A Tale of Two Cities. Appeared in over 140 films as well as did some TV work by appearing on shows like Climax, The Abbot and Costello Show, The Adventures of Huckleberry Finn and Walt Disney’s Wonderful World of Color.

Personal Life: Married 3 times. First to Zanetta Watrous from 1908 until their 1930 divorce. Second to Ruth Verney which also ended in divorce but also resulted in a child. Third was to actress Kathlene Winifred Martyn which likely lasted until his death.

Later Life: Last film was in 1957. Died of a stroke in Woodland Hills, California at 71. Buried in Culver City’s Holy Cross Cemetery.

Trivia: Said to be Katharine Hepburn’s comedy coach during Bringing Up Baby. Was inducted into the Hollywood Walk of Fame in 1960. Star is located on 1713 Vine Street.

14. Evelyn Venable

Dates: 1913-1993

Early Life and Career: Born in Cincinnati, Ohio where she graduated from Walnut Hills High School where her dad and grandfather, the educator and author William Henry Venable taught English. And where she played in several productions sponsored by her school’s drama club. Attended Vassar College before returning to the University of Cincinnati as well as performed in Walter Hampden’s touring productions. During a performance in Los Angeles, she was recognized and offered several film contracts. After turning down several, she signed on to Paramount with a contract stipulating that she didn’t have to cut her hair, pose for leg art, or perform bit parts. Although her lack of kissing scenes in her most memorable films gave rise to the story that her dad forbade her from engaging in them, this story is false. But the contract terms led her to play leads and second leads in a series of films in the 1930s.

Movies and Cartoons: Pinocchio (1940)

Characters: The Blue Fairy

Also Known For: Outside Disney, she’s best known for playing Grazia in the 1934 Death Takes a Holiday. Acted in around 2 dozen films during the 1930s and 1940s. Not to mention was suggested to be among a number of women to serve as a model for the personification of Columbia in the Columbia Pictures logo that was used from 1936 to 1976. But the studio never confirmed this and it’s likely false since she worked for Paramount.

Personal Life: Met her husband cinematographer Hal Mohr on the set of a the Will Rogers film David Harum. They argued over makeup on the first day on set, apologized to each other the next, and Mohr proposed marriage by the end of the week. But Venable insisted that they wait a year to get married so they could avoid a Hollywood divorce. Married in 1934 and remained so until Mohr’s death. Also were vegetarians and had 2 daughters named Dolores and Rosalia.

Later Life: Worked extensively for the Red Cross during World War II. In the late 1940s, Venable retired from acting, resumed her UCLA studies, and joined the university as a faculty member teaching Ancient Greek and Latin as well as organizing productions of Greek plays within the Classics department. Died of cancer in Coeur d’Alene, Idaho at 80.

Trivia: Has a star on the Hollywood Walk of Fame at 1500 Vine Street.

15. Frankie Darro

Dates: 1917-1976

Early Life and Career: Born Frank Johnson Jr. in Chicago, Illinois. Parents were known as The Flying Johnsons, an acrobatics and tightrope walking act with the Sells Foto Circus. Trained in circus acrobatics by his father who’s said to cure the boy’s fear of heights by having him walk on the length of a tightrope wire as he gradually raised the height until he mastered the trick. Unfortunately, his parents’ circus act ended in 1922 with their divorce in California. However, since the growing film industry had use for a boy who could do his own stunts so he’d appear as Frankie Darro in his first film at the age of 6. Appeared in many silent adventure, western, and serial pictures in the 1920s.

Movies and Cartoons: Pinocchio (1940)

Characters: Lampwick

Also Known For: Spent most of his life as an actor, stuntman, and voice over. Film roles range from lead to character as well as in westerns, drama, comedy, and adventure. Film appearances include William A. Wellman’s 1931 The Public Enemy, Mervyn LeRoy’s Three on a Match, Wild Boys on the Road, A Day at the Races, and Operation Petticoat. Was usually cast as a pint-sized tough guy but also played wholesome leads in mysteries and comedies. Was considered to be the best juvenile actor in Hollywood during the 1930s, sometimes earning as much as $5,000 a week for Burn Em’ Up Barnes. As he got older, his height of 5’3” basically limited him to the roles of jockeys and teenagers until the late 1940s. Joined Monogram Pictures in 1938 where he performed in action melodramas and had a successful series that served as haven for other actors whose own series had been discontinued. After World War II, he’d perform in a couple series such as the Bowery Boys and The Teen Agers. After his last film as lead in 1949, he’d play smaller roles and did stunt work for other actors. Most famous movie aside from Pinocchio was the 1956 Forbidden Planet in which he played Robbie the Robot. Or one of the actors because he got fired for going on a lunchtime bender. During the 1960s, he’d play a series of small parts on television.

Personal Life: Married 3 times. First to actress Aloha Wray from 1939 until their 1943 divorce. Second to Betty Marie Morrow from 1943 to their 1951 divorce which produced a child. Third was to Dorathy Carroll from 1951 to his death which also produced a child.

Later Life: Served in the US Navy Hospital Corps during World War II where he contracted malaria during his enlistment in the Pacific. His recurring malaria symptoms caused him to increase his alcohol intake for pain management which affected his career. As his TV roles dried up, Darro opened his own bar called “Try Later” after a response he received when asking for work at Central Casting. Yet, this new occupation proved unwise given his heavy drinking. Made last film in 1959. Died on Christmas in 1976 from a heart attack in Huntington Beach, California at 59.

Trivia: Was cinema’s first teenage action hero.

16. Thurl Ravenscroft

Dates: 1914-2005

Early Life and Career: Born in Norfolk, Nebraska. Left for California in 1933 to study at the Otis Art Institute. In 1939, he joined a singing group formed by tenor Bill Days called the Sportsmen, serving as backup vocalists to singer Marie Greene on the Okeh label. Later billed as the Four Merry Men, they appeared in 3-minute musical films produced in 1941 by the Featurettes Company for coin-operated jukeboxes. That same year, they left for the more successful Soundies Company and made more jukebox musicals as well as radio and nightclubs as The Four Sportsmen. In 1942, Ravenscroft left The Four Sportsmen to serve in the armed forces during World War II where he was a keeper navigator contracted to US Transport Command and spent 5 years flying courier missions across the Atlantic. Bob Hope and Winston Churchill were among his most famous passengers. When he returned from the service, he found himself replaced in his old group that he decided to form his own quartet called the Mellomen who contributed to various Disney movies as well as some doo-wop records.

Movies and Cartoons: Pinocchio (1940), Dumbo (1941), Saludos Amigos (1942), Melody Time (1948), Alice in Wonderland (1951), Peter Pan (1953), Lady and the Tramp (1955), Sleeping Beauty (1959), One Hundred and One Dalmatians (1961), The Sword in the Stone (1963), Mary Poppins (1964), The Jungle Book (1967), The Many Adventures of Winnie the Pooh (1977), The Aristocats (1970), Bedknobs and Broomsticks (1971) as well as various shorts, serials, records, and TV appearances. Did voice work for various Disneyland and Disney World attractions such as The Haunted Mansion, Country Bear Jamboree, Mark Twain Riverboat, Pirates of the Caribbean, Disneyland Railroad, and Walt Disney’s Enchanted Tiki Room

Characters: Monstro, Card Painter, Al the Alligator, Singing Pound Dogs, Captain the Horse, Sir Bart, and Billy Boss as well as part of ensembles with his fellow Mellomen members.

Also Known For: Was also a bass singer and original vocalist for the songs, “You’re a Mean One, Mr. Grinch” and “No Dogs Allowed,” as well as a founding member of the Mellomen.  Also was the original voice for Tony the Tiger and Geoffrey the Giraffe. Outside Disney, he did work for various Dr. Seuss cartoons, playing Thing One in The Cat and the Hat and a Wickersham Brother in Horton Hears a Who. But like he did in How the Grinch Stole Christmas, he was mostly hired as a singer. Performed in the “South American Getaway” song from Butch Cassidy and the Sundance Kid. Voiced Kirby in The Brave Little Toaster series. Sang bass backup vocals for various artists such as Rosemary Clooney, Ken Clark, the DeCastro Sisters, the Johnny Mann Singers, the Andrews Sisters, Bobby Vee, and Spike Jones. Also sang with various record companies, often in duets with little known female singers their attempts to turn him into a pop star. But did Ravenscroft really need to be a pop singer? No, he didn’t.

Personal Life: Was a devout Christian and even recorded a Christian album. Married June Seamans in 1946 and had 2 children. They remained married until her death in 1999. Died at his home from prostate cancer in 2005 at 91. Buried in the Memorial Gardens at the Crystal Cathedral in Garden Grove, California. Kellogg’s ran an advertisement commemorating him with the headline, “Behind every great character is an even greater man.”

Later Life: Continued voice acting and singing until his death. During the 1980s and 1990s as the narrator for the annual Pageant Masters art show at the Laguna Beach Festival of the Arts.

Trivia: Appeared as Darth Vader on the Donnie & Marie variety show Star Wars segment. Was named a Disney Legend in 1995. Received the Winsor McCay Award for lifetime achievement during the 2004 Annie Awards.

17. Edward Brophy

Dates: 1895-1960

Early Life and Career: Born in New York City and attended the University of Virginia. First film appearance was in 1920 but his breakthrough performance came with The Camerman in 1928 where he was originally hired as production manager at MGM. But Keaton hired him to play in front of the camera after the original actor failed to show up. Although he only appeared in one brief scene in the whole film, it was enough to attract attention for bigger and better roles. Mainly as some streetwise character from Brooklyn which got him cast as the mouse in Dumbo.

Movies and Cartoons: Dumbo (1941)

Characters: Timothy Q. Mouse

Also Known For: Was the fat guy in the bath house sequence in which he and Buster Keaton get their swimsuits mixed up while sharing a tiny changing room in The Cameraman. Specialized as a Brooklyn-accented, streetwise character, often portraying cops and gangsters. During the 1930s, he’d play comic foils in some Keaton features, the loyal fight manager in The Champ, a circus proprietor in Freaks, and as a hired gun in The Thin Man. Most of these roles were in lighter fare and was rarely called upon for taking a dramatic turn. Another role he’s famous for is playing the sidekick to The Falcon film series. Also, appeared in several John Ford films as well.

Personal Life: Married Norma Talmage’s secretary named Anne Slater in 1925 and remained with her until his death.

Later Life: Enjoyed steady work throughout the 1940s and 1950s. Died of a heart attack in Pacific Palisades, California during a production of Two Rode Together in 1960 at 65. One source said he died while watching boxing on TV.

Trivia: Was the inspiration for Doiby Dickles, the Green Lantern’s cab driving sidekick in the 1940s comic books. Him and his wife were godparents to one of Buster Keaton’s sons. Buried in Woodlawn Cemetery in Santa Monica, California.

18. Verna Felton

Dates: 1890-1966

Early Life and Career: Born in Salinas, California. Father was a doctor with a large practice in San Jose who died before Felton reached her ninth birthday. Things became worse when her mom looked over her husband’s accounts and discovered that he had no records of payments for patients’ treatments and no cash in the office. Thus, leaving his family flat broke. Fortunately shortly before her dad kicked it, Verna had performed in a local benefit to raise money for Galveston Flood victims. Her singing and dancing had attracted attention from a local roadshow manager who spoke to the girl’s mom and offered her a job. And since Dr. Felton’s passing put her family, Felton’s mother let her go. In 1900, she was billed in a newspaper ad for San Francisco’s Fischer’s Concert House as “Little Verna Felton, the Child Wonder.” By 1903, Felton had joined the Allen Stock Company which toured the US West Coast and performed in Canada’s British Columbia. By 1907, she had been playing leads and had a play written for her in 1910. In the late 1920s, Felton acted in stage plays at Vancouver’s Empress Theater, often playing leads in Goldfish, Stella Dallas, and The Second Mrs. Tanqueray. While it’s said that her future husband Lee Millar Sr. directed the band during these performances. First film was in 1917.

Movies and Cartoons: Dumbo (1941), Cinderella (1950), Alice in Wonderland (1951), Lady and the Tramp (1955), Sleeping Beauty (1959), and The Jungle Book (1967)

Characters: Elephant Matriarch, Mrs. Jumbo, the Fairy Godmother, the Queen of Hearts, Aunt Sarah, Flora, and Winifred.

Also Known For: Provided the voice of Wilma’s mother Pearl Slaghoople in The Flintstones as well as played Mrs. Day on The Jack Benny Program and Hilda Crocker on December Bride as well as its spin-off Pete and Gladys. The latter role which earned her 2 Emmy nominations for Best Supporting Actress. Also made guest appearances on various shows such as I Love Lucy, The George Burns and Gracie Allen Show, and Dennis the Menace. Had a prolific radio career from the 1930s to 1950s playing in virtually anything. Her radio characters were known for their husky voices and no-nonsense attitudes. Although despite having a warm motherly voice, she often played bombastic and snooty women. In addition to her work and TV, Felton was a noted character actress during the 1940s and 1950s. Notable fil appearances include Picnic, Don’t Bother to Knock, and The Gunfighter.

Personal Life: Married Lee Carson Millar Sr. in 1923. Marriage lasted until his death in 1941 and produced a son named Lee Carson Millar Jr. The younger Millar also became an actor as well.

Later Life: As an in demand character actress in both radio and TV, she was a “go-to” Disney actress from her Disney debut in Dumbo up to her death. In fact, during her time, only Sterling Holloway had a more prominent career at Disney than she did. And while most actresses’ careers usually peak and fade early, Felton’s later career was a notable exception. Especially when advances in technology let her to branch out into radio, film, and television. Even if she never got to play leads like she did in her stage career. Last movie was The Jungle Book. Died at her Los Angeles home of a stroke in 1966 at 76, a day before Walt Disney.

Trivia: Served as Honorary Mayor of North Hollywood for several years. Has a star on the Hollywood Walk of Fame.

19. Sterling Holloway

Dates: 1905-1992

Early Life and Career: Born in Cedartown, Georgia where his family owned a grocery store and his father served as mayor in 1912. Graduated from the Georgia Military Academy at only 15 in 1920 and moved to New York City to attend the American Academy of Dramatic Arts. In his late teens, Holloway toured with The Shepherd of the Hills stock company, performing one-nighters across the American West. He then returned to New York where he appeared on small walk-on parts from the Theater Guild and a Rogers and Hart revue The Garrick Gaieties during the mid-1920s. Moved to Hollywood in 1926 and appeared in his first film.

Movies and Cartoons: Dumbo (1941), Bambi (1942), The Three Caballeros (1944), Make Mine Music (1946), Alice in Wonderland (1951), Ben and Me (1953), The Jungle Book (1967), The Aristocats (1970), The Many Adventures of Winnie the Pooh (1977), and various cartoon shorts and records.

Characters: Winnie the Pooh, Mr. Stork, Adult Flower, Professor Holloway, Cheshire Cat, Amos Mouse, Kaa, and Roquefort the Mouse.

Also Known For: Character actor who appeared in over 100 films and 40 television shows over a 50-year career. Appeared in movies with stars such as Fred MacMurray, Barbara Stanwyck, Clark Gable, Lon Chaney Jr., Joan Crawford, Bing Crosby, Gene Autry, Gary Cooper, and John Carradine. With his red hair and distinctive foggy voice, he mostly appeared in comedies such as Blonde Venus and Meet John Doe. Although he played a dramatic role as a reluctant soldier in the 1945 A Walk in the Sun to good reviews. Shows he appeared on were The Adventures of Superman, The Untouchables, Pete and Gladys, The Twilight Zone, Gilligan’s Island, Peter Gunn, The Andy Griffith Show, F Troop, and Moonlighting. Was in a few live-action educational films for The Bell System Science Series. Also appeared on many radio shows The Railroad Hour, The United States Steel Hour, Suspense, Lux Radio Theater, Fibber McGee and Molly, and The Shadow. Did an ad for Purina Puppy Chow and Libby’s baked beans. Provided the voice for Woodsy Owl for the US Forest Service during the 1970s and 1980s. In addition to his work onscreen, he was also a talented singer with hits like “Manhattan” and “Mountain Greenery.”

Personal Life: Never married but adopted a boy named Richard. Was an avid art collector, supported careers of local Los Angeles artists, and built a house at Laguna Beach to serve as a gallery to display his collection. Unfortunately, his art collection was sold off piecemeal prior to his death due to his failing health.

Later Life: In 1942, Holloway enlisted in the US Army where he was assigned to Special Services. There, he developed a show called “Hey Rookie,” which ran for 9 months and raised $350,000 for the Army Relief Fund. Made last film in 1977. Last television appearance was in 1986. Although he had the chance to do more Winnie the Pooh cartoons in the 1980s, he had to decline due to failing health. Died of cardiac arrest at LA’s Good Samaritan Hospital in 1992 at 87. Was cremated and had his ashes scattered in the Pacific Ocean.

Trivia: Got the name “Sterling” from Confederate General Sterling “Pap” Price. Had a younger brother named Boothby. Was friends with Spencer Tracy whom he met in acting school. Honored as a Disney Legend in 1991. Auditioned for the role of Garfield but lost to Lorenzo Music. Was also considered for the voice of Sleepy but lost to Pinto Colvig. Was said to turn down an MGM contract with Louis B. Mayer because he didn’t want to be a star (but became a star anyway). Has a street named after him in his hometown of Cedartown, Georgia.

20. Hall Johnson

Dates: 1888-1970

Early Life and Career: Born Francis Hall Johnson in Athens, Georgia as the fourth of 6 children. Parents were former slaves. Father was a bishop of the AME Church. Was taught piano by his older sister. Taught himself to play violin after hearing a violin recital by Joseph Henry Douglass, grandson of the great Frederick Douglass. Attended the private all-black Knox Institute. Earned a degree from Allen University in Columbia, South Carolina. Also attended Atlanta University, the Juilliard School, Hahn School of Music, and the University of Pennsylvania. Debuted as a professional violinist at a New York concert in 1910. Performed in various orchestras for musicals over the next several years playing both the violin and viola. In 1918, he was part of Will Marion Cook’s Southern Syncopated Orchestra, which toured the country performing African American folk music, blues, syncopated songs, and standard popular tunes. In 1921, he was part of an orchestra for a Broadway musical called Shuffle Along and its sequel. While he was a violinist in the Negro String Quartet in 1923. However, in time, Johnson developed an interest in choral music, leading him to form the Hall Johnson Negro Choir in 1925. They made their debut at the Pythian Temple in 1926. Johnson’s choir would become renowned for their participation in musicals, radio, and movies as well as one of the most impressive groups during the Harlem Renaissance.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937), Dumbo (1941), and Song of the South (1946)

Characters: Deacon Crow

Also Known For: Was better known as a musician, singer, composer and arranger of African American spiritual music and founded the Hall Johnson Negro Choir that would enjoy a successful run for roughly 30 years as well as other groups. Instruments were piano, viola, and violin. The Hall Johnson Negro Choir would appear on soundtracks on more than 30 films and numerous short cartoons. Wrote a folk opera that premiered in 1933 called Run, Little Chillun. Wrote an Easter cantata called Son of Man in 1946 that premiered at the Festival Negro Choir of New York. Arrangements and spirituals have been recorded by some of the world’s finest artists. Coached hundreds of musicians including Marian Anderson and Harry Belafonte.

Personal Life: Married a woman from his hometown named Celeste Corpening in 1912.

Later Life: In 1951, the Hall Johnson Negro Choir was selected by the US Department of State to represent the US at the International Festival of Arts held in Berlin, Germany. In 1965, Johnson published an essay titled “Notes on the Negro Spiritual,” which he explained the importance of this uniquely African American art form. Died of burns he received during a fire at his New York apartment in 1970 at 82.

Trivia: Posthumously elected to the Black Filmmakers Hall of Fame in 1975. Had a bust of him carved by Minna Harkavy in 1931 that was shown at an exhibition in the Moscow Museum of Western Art and was later bought by the Pushkin Museum. Was awarded an honorary doctorate by the Philadelphia Academy of Music in 1934. A 1960 photograph of him taken by Sidney Cowell is included in the US National Portrait Gallery. In 2020, the Athens Cultural Affairs Commission included Johnson as among the first 10 inductees of the Athens Walk of Fame. A sidewalk-mounted plaque and a mobile app beacon in the town’s downtown area honor Johnson’s career. Was fluent in German and French.

The Secret and Scandalous Lives Disney Voice Actors – Volume I: Part 1 Snow White and the Seven Dwarfs

When it comes to the world of entertainment within our childhoods, almost none have had the staying power with audiences as the characters in our favorite Disney movies that have delighted generations of children and adults since its origins during the 1920s. While classic movies may often find appreciation among film classes and film geeks like me who often binged on Turner Classic Movies during my college years, most Disney movies are often watched again and again by each passing generation. For instance, Disney’s first feature animation film Snow White and the Seven Dwarfs came out in 1937, making it nearly 90 years old. And yet, millions of people can still name the characters, sing the songs, and recall the plot. Even among little kids. You can’t really say that much about other movies that came out around the same time except maybe The Wizard of Oz. Hell, you can still even find these characters on merchandise. Although no one lives forever, to voice a character on a Disney movie seems like the closest an actor can get to career immortality. Yet, while these performances we see on the screen have been remembered for generations, many of the actors who voiced them are often not. In fact, most Disney actors don’t usually enjoy the movie star treatment and often don’t become household names. And if they are, they’re often not known for that Disney performance, even when it’s a role of a lifetime. Thus, in this omnibus of a series, I will delve into the colorful lives of the actors behind the voices of our beloved Disney characters. Of course, I have some guidelines on which actors I do. But spending months compiling research on these people via Wikipedia and Imdb, I found stories of many amazing people, a lot of whom never really received the movie star recognition they deserve. All because they act within a recording booth in a studio while their faces are never seen in the finished product. And yet, despite most people never really knowing their names, their unforgettable performances still loom large in our collective imagination. Sure, many of them would be major celebrities, but this series isn’t really about them. But about the actors you may not know much about such as character actors, has-beens, and behind the scenes people.

              As a millennial whose childhood was dominated by the films of the Disney Renaissance, I am accustomed to seeing Disney as a major conglomerate that owns so much of the American media landscape as well as several different properties such as the Muppets, Marvel, 20th Century Fox, ABC, ESPN, Fox, and Lucasfilm. I also know Disney as having theme parks like Disney World and Disneyland. Thus, to me, The Walt Disney Company is a major force in entertainment that can be very litigious regarding its properties that it seems to acquire with each passing decade. That it comes as a complete shock to me that the Walt Disney Company we know today bears very little resemblance to the Disney back in the 1920s and 1930s. That if you told Walt Disney that his small animation studio company would soon become a vast media empire that would soon buy at least one of the major studios, he’d think you’re absolutely insane. Back in its beginnings during the 1920s, Disney was just a small animation studio in Los Angeles founded by brothers Roy O. and Walt Disney, which specialized in producing cartoon shorts such as the Alice Comedies and Oswald the Lucky Rabbit, both of which were distributed by other companies like Winkler Pictures and Universal Pictures. Anyway, when Walt Disney and Winkler’s Mintz had their contract dispute over the Oswald the Rabbit shorts in 1928, Disney discovered that Universal owned the intellectual rights to Oswald and Mintz threatened to produce shorts without him if he didn’t accept the payment reduction. Because he was asking for a larger fee, Disney refused and signed 4 of Walt Disney Studio’s animators to start his own studio with Ub Iwerks being the only top animator remaining. If you want to know why Disney tends to be very protective of their intellectual property these days, well, the Oswald debacle and how it nearly ended the Disney venture before it really took off. Hell, if Iwerks left with the other animators instead of sticking with the Disney brothers, who knows what would’ve happened. Anyway, Walt Disney and Iwerks replaced Oswald with a mouse originally named Mortimer. Until Walt’s wife insisted to change his name to Mickey. The studio did 3 Mickey shorts that year such as Plane Crazy, The Gallopin’ Gaucho, and Steamboat Willie, the latter made using synchronized sound using Pat Powers’ Cinephone system, which was the Lee de Forest’s Phonofilm system. Distributed by Powers’ company, Steamboat Willie was an instant hit and the company re-released the other 2 shorts with synchronized sound the next year. While Mickey Mouse became an immensely popular character and a franchise was born with fan clubs, a comic strip, and merchandise galore.

However, little did the public know that Walt Disney was just getting started. In 1933, Walt got the idea of making his first feature-length film when his studio mainly focused on making animated short films such as the trippy Silly Symphonies series. Although the audience loved them, Walt thought the shorts didn’t bring enough money to further the studio’s growth. Also, he saw the full-length film as a way to expand “storytelling possibilities.” He and his team spent the year searching for stories that would be an ideal fit include ideas that would become later films such as Bambi, Alice in Wonderland, Cinderella, The Jungle Book, and Beauty and the Beast. By the next spring of 1934, Walt settled on the 1812 Grimm fairy tale, “Snow White” since he was familiar with the story as a teenager, having seen a silent version of the tale in 1916. In June 1934, he announced a feature-length film, Snow White and the Seven Dwarfs. It was to be the first cel animated feature and the first animated feature film produced in the United States. At the time, its novelty made it a risky venture. That his brother Roy and wife Lillian had tried to talk Walt out of making this film, arguing that it could basically bankrupt the studio. And while the public greatly anticipated this movie, some critics called it “Disney’s Folly.” Although the studio staff was excited about the project, they were unsure if a full-length cartoon could sustain audience’s attention spans. Ward Kimball claimed that they were told by moguls that “it was OK, six-seven minutes, like the shorts, but an hour and a half, no way! Big reason was that you run out of funny things to do, you had to have a laugh-a-minute. And the bright colors would hurt your eyes, everybody would get up and walk out … Walt, of course, plugged ahead, he didn’t believe that. He felt that if you had a solid story, not only laughs in it, but tragedy, it would go.” The film would take 3 years to make and ultimately costing $1.5 million that Walt had to mortgage his house in order to secure a $250,000 loan to finish the film midway through production. But in the end, what was initially called “Disney’s Folly” proved to become a tremendous critical and box office success in 1937 with numbers that will only be surpassed 2 years later with the release of Gone with the Wind. Not bad for a film that had the potential to put Disney out of business. Today, Snow White and the Seven Dwarfs is hailed as one of the greatest animated films every made and Snow White is the only Disney Princess to have a star on the Hollywood Walk of Fame. In this post, we’ll meet 8 of the members from that iconic cast including Snow White, the Wicked Queen, the Huntsman, the Magic Mirror, and a few of the dwarfs. We’ll also meet a couple of cast members from Pinocchio as well, a movie which I’ll talk about in my next post.

  1. Adriana Caselotti

Dates: 1916-1997

Early Life and Career: Born in Bridgeport, Connecticut to Italian immigrants comprising of a music teacher and vocal coach father who served as an organist on the weekends and a mother who sang at the Royal Opera Theater of Rome. Also had an older sister, Louise who also sang opera and gave voice lessons, particularly to some girl named Maria Callas (you may have heard of her from some Angelina Jolie movie). From the ages of 7-10, she lived and was educated in an Italian convent school for 3 years while her mother toured with a company. When her family returned to the States, they settled in New York, where she re-learned English and studied singing with her dad. In 1934, she attended Hollywood High School where she sang in the senior class Girls’ Glee Club and played the lead role in the school’s musical, The Belle of New York. After a short stint as a sessions singer and chorus girl at MGM, Walt Disney hired her to be cast as Snow White. She was only 18 years old.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937)

Characters: Snow White

Also Known For: There’s really not much else that she’s known for.

Personal Life: Married four times. First was to a local ticket broker at a local theater named Robert James Chard, whom she divorced sometime after marrying him in 1945. Second was to an actor named Norval Weir Mitchell in 1952. He retired after their marriage and died in 1972. Third was to a podiatrist named Joseph Dana Costigan whom she married not long after his predecessor was in the ground. He died in 1982. While her last husband was a retired postal worker named Florian St. Pierre whom she married in 1989. Like her first marriage, this one also ended in divorce not long after.

Later Life: Caselotti was paid a total of $970 to voice Snow White ($20,559 in today’s money) and received no credit for the role. She later sued Disney for a bigger piece of the film’s profits but lost. Although she had several more jobs such as a role in The Wizard of Oz and a singer at Martini’s bar in It’s a Wonderful Life, she had trouble finding roles later in life. When Jack Benny asked Walt Disney to use her on his radio show, he was told, “I’m sorry, but that voice can’t be used anywhere. I don’t want to spoil the illusion of Snow White.” Even though Caselotti did sing opera and performed in a production of Rigoletto at some point. Also invested in real estate and the stock market. Nonetheless, she appeared in several promotional spots for Snow White and the Seven Dwarfs and signed memorabilia during events. Later she wrote a book titled: Do You Like to Sing? Died of lung cancer at her Los Angeles home at the age of 80.

Trivia: Named a Disney Legend in 1994, first female voice artist to achieve this honor. Was said to be the first woman to wear a bikini in public (which I find sketchy if you ask me). Last home in Beverly Hills was filled with every kind of Snow White memorabilia imaginable (mostly sent from fans), ranging from giant figurines to a wishing well in her front yard. Greeted many of her visitors’ kids by singing Snow White songs in her Snow White voice. Answering machine carried her recording of “I’m Wishing.”

2. Lucille La Verne

Dates: c. 1869 or 1872-1945

Early Life and Career: Born Lucille La Verne Mitchum near Nashville, Tennessee, she began her career as a child actress in local summer stock with her first performance being a child extra in the play Centennial at the age of 3. She then graduated to small touring theater troupes as a teenager. At 14, she played Juliet and Lady Macbeth back to back, showing her ability to play practically anything and attracting attention from more prolific companies. After making her Broadway debut at 16 in 1888, she became a leading lady with some of the best American stock companies, scoring triumphs in Boston, San Francisco, and other cities. Eventually, she ran her own successful stock company. Gave over 3,000 performances on her Broadway, US, and European tours. In addition to acting, she also worked as a playwright and director. Made her movie debut in the 1915 Over Night. Had small roles in Polly and the Circus and Orphans of the Storm. In 1932, she was seriously injured in a car accident when she ran into a telephone pole while trying to avoid a swerving car. This resulted in her dislocating 5 vertebrae. In 1934, she experienced a life-threatening medical emergency and needed a reconstruction of the muscles along her rib cage, which she recovered. In fact, this would be her first brush with the lung cancer that would later claim her life. Her role Queen Grimhilde would be her most famous and last performance on film.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937)

Characters: Queen Grimhilde and her Witch disguise

Also Known For: Broadway hits include Uncle Tom’s Cabin, Seven Days, and Way Down East. Biggest stage triumph was in the role of Widow Caggle in a 1923 performance of Sun Up. In fact, she was her generation’s equivalent to Meryl Streep.

Personal Life: We don’t know much about her family. Married a guy named Waide Scott in 1912 and had a daughter named Frederika. Marriage ended in divorce after 8 years. Was estranged from her daughter for several years but reconciled in 1933 when Frederika got married and had a baby, making La Verne a grandmother at 60.

Later Life: Retired from acting after her performance in Snow White and the Seven Dwarfs due to her cancer resurfacing. Spent her retirement owning a successful nightclub. Died in Culver City of lung cancer in 1945 at the age of 72.

Trivia: Was buried in an unmarked grave in Inglewood Park Cemetery for 7 decades until a GoFundMe for a headstone was set up for her in 2020. Received Woman of the Year Award from the Virginia Women’s Society in 1901. Has been nominated several times for induction to the Theater Hall of Fame but has yet to make the cut due to the overwhelming number of nominees each year. Was one of the first Broadway actors to return to stock and regional theaters on occasion to act and direct.

3. Roy Atwell

Dates: 1878-1962

Early Life and Career: Born in Syracuse, New York to a man named Joseph Addison Atwell. Educated at the Sargent School of Acting. Began on Broadway with the intention of becoming a serious actor. But when his cue came in one of his early performances, he massively flubbed the line that the audience erupted in uproarious laughter that he was congratulated and asked to repeat the error the next night. This success led Atwell to switch to comedy.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937)

Characters: Doc

Also Known For: Often known for playing characters that mis-deliver lines or stammer of which Doc was one of them. Appeared in 34 films from 1914 to 1947. Notable Broadway appearances include The Little Missus, The Mimic World, Oh, My Dear!, The Firefly, Apple Blossoms, and How’s Your Health?

Personal Life: Married 3 times. First wife was Blanche Wear in 1907. Marriage ended in divorce at some unknown date. Second wife was Dorothy Young to whom he was married to from 1913 to their 1916 divorce. Third wife was to Ethel Smith from 1916 to their divorce in 1936. This marriage produced a daughter named June Carol Atwell born in 1930.

Later Life: Retired from acting in 1947 to focus on real estate ventures. Joined ASCAP in 1957 and later become its chairman. Was also a member of Fortune Gallo’s San Carlo Opera Company and sang in its choir. And served on the council of the Episcopal Actors Guild. Composed a popular song “Some Little Bug is Going to Find You” and wrote the lyrics to a song called “When a Piece of Toast Climbs Your Bedpost with a Cigar.”

Trivia: Was a direct descendant of a Revolutionary War veteran who bought land in a military tract in New York and built a house called “Atwell’s Corners.” Today it’s known as Pompey Hollow, south of Syracuse near a town named Cazenovia.

4. Pinto Colvig

Dates: 1892-1967

Early Life and Career: Born as Vance DeBar Colvig in Jacksonville, Oregon as the youngest of 7 children to a William “Judge” Colvig and his wife Adelaide. Father was a pioneer, attorney, and distinguished Oregonian but never actually a judge. According to him, Colvig acquired his nickname of “Pinto the Village Clown” from the age of 7 due to his abundance of freckles and his goofy antics. He would use the name of “Pinto” as his professional identity from then on. Was a high school dropout who attended Oregon State University sporadically from 1910 to 1913 where he took art classes, played clarinet in the band, as well as drew cartoons for the yearbook and the Oregon Agricultural Barometer newspaper. After a brief 1913 stint in the Pantages Theatre Circuit, he joined the Al G. Barnes Circus as a clarinetist for part of the season. In 1914, he became a cartoonist in Reno and Carson City before returning to his clarinetist gig at the Al G. Barnes Circus for part of the 1915 season. Also, performed chalk talks on vaudeville. In 1916, Colvig worked for the at the Animation Film Corporation in San Francisco, which produced animated cartoons years before Walt Disney and the oldest known animation studio on the West Coast. That same year, he produced Creation that’s said to be the world’s first feature-length cartoon of which only 35 minutes of it survive. It is today housed in the Southern Oregon Historical Society. Yet, Colvig’s time there would be cut short because the Animated Film Corporation ended with the US entry into World War I. In 1919, he produced “Pinto’s Prizma Comedy Revue,” which was said to be the first color cartoon but is now considered a lost film and published in the San Francisco Bulletin from May 1919 to February 1920, the “Bulletin Boob” column, and photographs. In 1922, Colvig created a newspaper cartoon panel called “Life on the Radio Wave” for the San Francisco Chronicle which ran for 3 or 4 days a week on the newspaper’s radio page and was nationally syndicated and last for 6 months. Later that year, Colvig and his family moved to Hollywood where he worked as an animator, title writer, and comedian in silent comedies and sound cartoons, starting with Max Sennett. In the late 1920s, Colvig became associated with Walter Lantz with whom he attempted to establish his own studio, creating a character named “Bolivar, the Talking Ostrich,” which may have appeared in sound shorts. When Lantz became producer of Universal’s Oswald, the Lucky Rabbit cartoons in 1929, Colvig came on as an animator, story man, and voice artist, briefly voicing Oswald. In 1930, he signed an 8-year contract with Walt Disney Productions as a writer and provided sound effects for Pluto’s barks. In 1931, he began voicing Goofy. In 1937, he’d direct the Mickey Mouse short Mickey’s Amateurs.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937), Fun and Fancy Free (1947), Alice in Wonderland (1951) Sleeping Beauty (1959), and various short cartoons.

Characters: Grumpy, Sleepy, and some noises for Dopey, the Flamingos, as well as provided the original voice of Goofy and Pluto. Was also the Practical Pig in the “Three Little Pigs” as well as for voice work in “Flowers and Trees.” Also played Aracuan in the Three Caballeros. Later Disney work includes playing a flamingo in Alice in Wonderland and one of Maleficent’s goons in  Sleeping Beauty.

Also Known For: Also provided the voice of Bluto from the Popeye cartoons and Bozo the Clown. Also played as the town crier, Gaby in the 1939 Gulliver’s Travels and on a spinoff series as well. Worked as a voice actor, cartoonist, and circus and vaudeville performer whose schtick was playing the clarinet off-key while mugging.

Personal Life: Married Margaret Bourke Slavin in 1916. Marriage produced 5 sons including Vance Colvig Jr. who also portrayed Bozo the Clown on live TV. Also lasted until his wife’s death in 1950. A lifelong smoker, Colvig was also a pioneer in advocating warning labels about cancer risk on cigarette packages in the US. Married his second wife Peggy Bernice Allaire in 1952. They remained together until his death.

Later Life: After Snow White and the Seven Dwarfs, Colvig had a falling out with Disney in 1937 and would never work for the Disney studio again until 1940. During this interim time, he moved to Fleisher Studios who wanted to do a feature-length animated film in the wake of Snow White’s success and spent a year in Miami. While Goofy remained voiceless for some time save for a few selected shorts in which Jack Bailey Jr. provided a soundalike impression. Colvig also worked in radio providing voices and sound effects, including the sounds of Jack Benny’s Maxwell in the Jack Benny Program, which was later provided by voice legend Mel Blanc. He returned to California in 1939 to devote himself to acting and voice work for Warner Brothers cartoons and MGM where he voiced a Munchkin in the 1939 The Wizard of Oz. In 1946, he was cast as Bozo the Clown at Capitol Records and played the role for a decade, which also included TV portrayals as well. During this period, he also recorded the “Filbert the Frog” song which featured his virtuoso use of the glottal stop as a musical instrument in itself. Last known performance of Goofy was for the Telephone Pavillion at Expo 67 with dialogue recorded 6 months before his death of lung cancer in 1967 at 75.

Trivia: Mother’s maiden name was Birdseye. Made a posthumous Disney Legend in 1993 for his contributions to Walt Disney films including Snow White and the Seven Dwarfs and Fun and Fancy Free. Inducted into the International Clown Hall of Fame in 2004. Buried with his first wife at a grave in Holy Cross Cemetery which remained unmarked until his descendants placed a headstone that his great-granddaughter designed in 2020. Nicknamed, “The Dean of Hollywood Voicemen.”

5. Otis Harlan

Dates: 1865-1940

Early Life and Career: Born in Zanesville, Ohio. As child, he was reported to entertain his classmates by standing on the teacher’s desk and singing songs during recess. Made his acting debut in Victor Herbert’s The Magic Knight in 1893. Starred in the Broadway play Little Boy Blue in 1911 and was playing in vaudeville shows by then, appearing in Irving Berlin’s ragtime musicals. Made his film debut in 1915. Snow White and the Seven Dwarfs would be one of his last movies.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937)

Characters: Happy

Also Known For: Played the role of Cap’n Andy in the first part-talkie version of Showboat in 1929 as well as the Master of Ceremonies in the sound prologue that accompanied the film. Also appeared in the classic silent, The Student Prince of Old Heidelberg. Played the role of Starveling in Max Reinhardt’s 1935 film version of Shakespeare’s A Midsummer Night’s Dream.  In the same year as Snow White, he appeared in the Our Gang short Roamin’ Holiday. Usually played nervous, mild-mannered characters.

Personal Life: Married a woman named Nellie Harvey and had a daughter named Marion. Marriage lasted until his death. Daughter also became an actress. Uncle of silent era leading man, Kenneth Harlan.

Later Life: Worked until his death from stroke in Martinsville, Indiana at 74.

Trivia: The fact Harlan was born right after the American Civil War makes him the earliest born actor to feature in a Disney movie and one of the earliest born American voice actors.

6. Billy Gilbert

Dates: 1894-1971

Early Life and Career: Born in Louisville, Kentucky to a couple of singers from the Metropolitan Opera. In fact, he was said to be born inside the Hopkins Opera House dressing room. Lived in San Francisco as a child but left school in order to be part of a troupe of singing children. Made his debut on vaudeville at 12. Early work also included a female impersonation act, professional boxing in which he allegedly became a middleweight prizefighter, and burlesque on Columbia and Mutual wheels. During his show Sensations of 1929, an audience member and legendary comedian Stan Laurel was so impressed with his performance that he went backstage and introduced Gilbert to comedy producer Hal Roach. Gilbert would later be employed as a gag writer, actor, director, and appeared in his first film in 1929 at the age of 35. Broke into comedy short subjects with the Vitaphone studio in 1930 where his burly frame and gruff voice made him a good comic villain and would work consistently with Roach within a year. Appeared in support of comedy stars Our Gang, Laurel and Hardy, and Thelma Todd. Outside of Roach’s company, Gilbert appeared in RKO shorts and the early comedies of the Three Stooges at Columbia. In one of his standard routines, Gilbert would either get progressively nervous or excited about something that his speech would break down into facial spasms which culminated in big, loud sneeze. And he used this routine so often that Walt Disney immediately thought of him when casting him in the role of Sneezy.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937) Also played Willie the Giant in Fun and Fancy Free (1947).

Characters: Sneezy

Also Known For: Was a character actor known for comic sneeze routines and appeared in over 200 feature films, shorts, and TV shows. In his Roach days, he often played blustery tough guys but also portrayed fey courtiers, pompous radio announcers, and roaring drunks. Even got his own series of off-beat musical shorts with Billy Bletcher as the Dutch comic “Schmaltz Brothers” as well regularly starred in a short series called The Taxi Boys. By 1934, he was the most recognizable faces on the screen and often used dialects. Although he was probably one of “those guys” whom you’ve seen in plenty of movies but can’t really name off the top of your head. Most famous role outside Disney was as Charlie Chaplin’s often put-upon war minister Herring, in the 1940, The Great Dictator, a parody of Nazi official Herman Goering. However, he also danced with Betty Grable and Alice Faye in Tin Pan Alley, stole scenes as a dim-witted process server in His Girl Friday, served pop to Freddie Bartholomew in Captains Courageous, played an Italian character opposite singer Gloria Jean in Under Pup and A Little Bit of Heaven, and was featured alongside John Wayne and Marlene Dietrich in Seven Sinners. All of these were choice roles showing how prolific and talented he was. In 1943, he headlined a series of 2-reel comedies for Columbia Pictures. That same year, Monogram Pictures teamed him up with stand up pioneer and Barbara Stanwyck’s notorious shithead of an ex-husband, Frank Fay for a comedy series. But Fay left after the first entry. So he asked Shemp Howard to fill in. TV work include a memorable pantomime sketch with Buster Keaton on You Asked for It, a children’s show with Andy Devine called Andy’s Gang, and a starring role as a giant in the Producers Showcase Jack and the Beanstalk episode alongside Celeste Holm and Joel Grey.

Personal Life: Married actress Ella Baxter McKenzie in 1938 that lasted until his death. Since she was an Ulster Scot whose family moved to Oregon when her dad was 9 years old, the two appeared together in a USO show for US Marines stationed in the Northern Irish city of Derry in 1943. Adopted a boy named Barry who died in a 1943 shooting incident (Imdb says he committed suicide after his grandmother scolded him for releasing his pet parrot at 13 but I have strong doubts on this).

Later Life: In 1944, Gilbert signed with the William Morris agency which led him to starring roles and prominent supporting roles in numerous films. During the late 1940s and 1950s, Gilbert worked on Broadway in several productions as an actor, writer, and director. In the 1950s, he appeared frequently on TV. Retired from acting in 1962. Died in North Hollywood from a stroke in 1971 at 77.

Trivia: Was friends with Shemp Howard of the Three Stooges. Has a star on the Hollywood Walk of Fame for his contributions to the motion picture industry at 6263 Hollywood Boulevard. Buried at Odd Fellows Cemetery.

7. Moroni Olsen

Dates: 1889-1954

Early Life and Career: Born in Ogden, Utah to Norwegian Mormon parents who named him after the Moroni in The Book of Mormon (not the musical created by the South Park guys). Father was a Mormon Bishop in Ogden’s Fourth Ward. Studied at what is now Weber State University and the University of Utah as a drama major where one of his teachers was the trailblazing Maude May Babcock. Sold war bonds for the US Navy during World War I as well as studied and performed in the eastern US around this time. In 1920, he taught drama at what is now Cornish College of the Arts in Seattle, Washington. In 1923, he organized the “Moroni Olsen Players” that he based in Ogden which performed at both Ogden’s Orpheum Theater and at various other locations between Seattle and Salt Lake City. Made his film debut in 1935 after working on and off Broadway since 1920.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937)

Characters: Slave in the Magic Mirror

Also Known For: He was a prolific character actor who often portrayed corrupt villains, dogged inspectors, no-nonsense doctors, barnstorming preachers, powerful attorneys and other men of distinction. Was the voice of the senior angel in It’s a Wonderful Life, a Secret Service agent in Notorious, and Elizabeth Taylor’s father-in-law in the 1950 Father of the Bride and the 1951 Father’s Little Dividend.

Personal Life: Was an active member of the Church of Latter-Day Saints and taught youth in Hollywood’s ward. Also directed the Pilgrimage Play in Hollywood for several years. Never married.

Later Life: Died of a heart attack in Los Angeles in 1954 at 65.

Trivia: Buried in the Ogden City Cemetery.

8. Stuart Buchanan

Dates: 1894-1979

Early Life and Career: Born Paul Stuart Buchanan in Endora, Iowa. Dad was a Presbyterian minister stationed in Wooster, Ohio where he graduated from the College of Wooster before receiving his Ph.D. from Harvard University. Although he also served as a US Army officer during World War I from 1917 to 1919. Taught poetry and drama at the University of Florida and West Virginia University where he directed little theater productions. And while at the former, he helped launched the college’s radio station. In 1930, he became program director at station KHJ in Los Angeles where he directed episodes of radio programs Hollywood Hotel and Lux Radio Theater. Also, worked for ABC radio as program supervisor and as script department head. On stage, he toured in a production of Mister Antonio, acted in a Denver summer stock theater, as well as acted and directed in the Pasadena Playhouse. At Walt Disney Studios, he was a dialogue and casting director who was in charge of all foreign Disney productions.

Movies and Cartoons: Snow White and the Seven Dwarfs (1937) Also voiced Goofy in Mickey Mouse Theater of the Air (1938), a flight attendant in Saludos Amigos (1943), and a carnival barker in Pinocchio (1940).

Characters: Humbert the Huntsman

Also Known For: Was co-creator of The Ohio Story that ran from 1947 to 1955 on radio and from 1953 to 1961 on TV at a Cleveland-based sponsored film studio. 1,300 radio episodes and 175 episodes were produced.

Personal Life: Married to Anna Hall Hilditch and Rita Whearty. First marriage ended in divorce. Second marriage lasted until his death. Had five children comprising of 3 sons and 2 daughters.

Later Life: During the 1940s, Buchanan served as head of script department and program supervision for ABC in New York before taking a job directing the radio and television department at the Cleveland-based McCann-Erickson advertising agency in 1947. He’d remain in Cleveland for the rest of his life. Died in 1974 in Shaker Heights, Ohio at 79.

Trivia: Buried in Wooster, Ohio.

9. Dick Jones

Dates: 1927-2014

Early Life and Career: Born Richard Percy Jones in Snyder, Texas. Father was a newspaper editor. Learned how to ride a horse almost as soon as he learned to walk. That by the time he was 4, he was billed as the “World’s Youngest Trick Rider and Trick Roper.” By 6, he was performing riding and lariat tricks in western star Hoot Gibson’s rodeo. Gibson later convinced the boy’s parents that he should come to Hollywood. When Jones and his mom moved there, Gibson arranged small parts for the boy whose good looks, energy, and pleasant voice landed him more and bigger parts both in the low budget westerns that he’d specialize in and more substantial productions. Made his film debut in 1934 at the age of just 7. He’d later recall that he’d beat out about 200 other boys auditioning for the role of Pinocchio.

Movies and Cartoons: Pinocchio (1940)

Characters: Pinocchio and Alexander

Also Known For: Played Artimer “Artie” Peters in the Hopalong Cassidy film The Frontiersman. Specialized in a film career of B-movie westerns. Additional roles include bit parts in Our Gang shorts, a Senate page in Mr. Smith Goes to Washington, and Henry Aldrich in a radio show called The Aldrich Family, a role he assumed at 15. Was a regular guest star on The Gene Autry Show in the early 1950s. Appeared in various episodes in western shows and had a regular role as the titular hero’s sidekick Dick West in the 1951 series The Range Rider, which ran for 76 episodes. Also starred in his own series during the mid-1950s called Buffalo Bill, Jr. that ran for 42 episodes from 1955. Last role was of Cliff Fletcher in the 1965 film Requiem for a Gunfighter.

Personal Life: Married his wife Betty Ann Bacon in 1948 and had 4 children: Rick, Jenifer, Jeffrey, and Melody. They remained married until his death.

Later Life: Attended Hollywood High School and learned carpentry to increase his income with jobs in that field. Even had a membership in the Carpenter’s Union. Served in the US Army within the Alaskan Territory during the final months of World War II. Quit acting in 1965 in order to pursue a career in banking and real estate. Died of a fall at his Northridge, California home in 2014 at 87 years old.

Trivia: Was the last surviving cast member of Pinocchio at the time of his death. Named a Disney Legend in 2000.

10. Cliff Edwards

Dates: 1895-1971

Early Life and Career: Born in Hannibal, Missouri, Edwards dropped out of school at 14 and soon moved to St. Louis and Saint Charles Missouri where he entertained as a singer in saloons. Since many saloons had pianos in bad shape or none at all, Edwards taught himself to play ukulele to serve as his own accompanist (choosing it because it was the cheapest instrument at the music shop). Got his first break in 1918 at Chicago’s Arsonia Café where he performed “Ja-Da” a song written by the club’s pianist, Bob Carleton. The two men made it a hit on the vaudeville circuit. Later Vaudeville headliner Joe Frisco hired Edwards as part of his act which was featured in New York’s Palace, the most prestigious vaudeville theater of its time and later in the Ziegfield Follies. Made his first phonograph records in 1919 which include early examples of jazz scat singing in 1922. After signing a contract with Pathe Records, Edwards went on to become one of the most popular singers of the 1920s. He’d appear in several Broadway shows, including the George and Ira Gershwin musical Lady Be Good alongside Fred and Adele Astaire at the Palace in 1924. While performing at LA’s Orpheum Theater in 1929, Edwards caught the attention of MGM director-producer Irving Thalberg whose company hired him to appear in early sound movies. In The Hollywood Revue of 1929, Edwards was one of these stars, doing comic bits and singing some numbers including his hit single, “Singin’ in the Rain.” Although he was at the pinnacle of success at this time, his popularity had been fading from the early 1930s as public taste shifted to crooners such as Russ Columbo, Rudy Vallee, and Bing Crosby.

Movies and Cartoons: Pinocchio (1940), Fun and Fancy Free (1947), Dumbo (1941), the Disney Christmas spectacular From All of Us to All of You (1958), as well as various shorts as Jiminy Cricket

Characters: Jiminy Cricket and Dandy (Jim) Crow

Also Known For: Nicknamed “Ukulele Ike,” by a club owner who couldn’t remember his name, Edwards enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop tunes and novelty songs. In 1929, he achieved a number one hit with his rendition of “Singin’ in the Rain.” Although the success he achieved with this song would pale compared to his recording of “When You Wish Upon a Star.” Other hits include “California, Here I Come”, “Hard Hearted Hannah”, “Yes Sir, That’s My Baby”, “I Can’t Give You Anything But Love,” and “I’ll See You in My Dreams”. He also wrote his own compositions as well but they’re not as well known as well as recorded some off-color novelty songs for some under-the-counter sales. Was responsible for the soaring popularity of the ukulele resulting in millions of those instruments sold during the decade as well as Tin Pan Alley publishers adding ukulele chords and sheet music. Appeared in a total of 33 films for MGM through 1933. In addition to his work at MGM, Edwards was also an occasional supporting player in shorts and feature films at Warner Bros. and RKO often playing comic sidekicks in B-westerns. Appeared in the darkly sardonic western comedy The Bad Man of Brimstone in 1937, played a guy named “Endicott” in His Girl Friday, and voiced an off-screen Confederate soldier in Gone with the Wind. In a 1940 short, he led a cowboy chorus in Cliff Edwards and His Buckaroos. In 1932, he had his first national radio show on CBS and would continue hosting radio shows until 1946. Was also an early arrival on television, starring in the 1949 The Cliff Edwards Show which aired on Monday, Wednesday, and Friday evenings as a variety program on CBS as well as made appearances on The Mickey Mouse Club during the 1950s and 1960s.

Personal Life: Like a highly successful singer and musician in a music biopic, Edwards’ personal life was a complete dumpster fire that would eventually destroy him. Married 3 times. First to Gertrude (Benson) Ryrholm in 1917, which ended in divorce 4 years later. Second to Irene Wylie in 1923 which ended in their 1931 divorce. And third to actress Judith Barrett which ended in divorce in 1936. Despite his success in the 1920s, Edwards was careless with the money he made, always trying to sustain his expensive habits and lifestyle. Although he continued working during the Great Depression, he never again enjoyed his former prosperity from his 1920s heyday or any prosperity he should’ve been able to achieve with the career he had (especially with all the stuff he did for Disney). Most of his income went to alimony for his 3 ex-wives and declared bankruptcy 4 times during the 1930s and early 1940s. Was also a lifelong heavy tobacco smoker, alcoholic, drug addict, and gambler for much of his life.

Later Life: Enjoyed a small resurgence of popularity with Arthur Godfrey’s use of the ukulele. Made his last film in 1965. Continued to record music until his death in 1971 with his last album Ukulele Ike being released posthumously on the independent Glendale label. This album reprised many of his 1920s hits with his failing health evident in these recordings. In his later years, Edwards lived in a home for indigent actors and often spent his time at Walt Disney Studios to be available for voice work at any time. Sometimes he befriended animators who’d take him to lunch and he’d entertain them with stories of his vaudeville days. While Walt Disney Productions quietly paid many of his medical expenses. Died of cardiac arrest in 1971 at 76. At the time, he was a penniless charity patient at Hollywood’s Virgil Convalescent Hospital. His body went unclaimed and was donated to the University of California, Los Angeles medical school. When Walt Disney Productions discovered this, they offered to buy his remains and pay for his burial. However, the Actors’ Fund of America that had been supporting Edwards and the Motion Picture and Television Relief Fund did the honors instead. While Disney paid for his grave marker.

Trivia: Used a small soprano ukulele in his early career and switch from the larger tenor ukulele from the 1930s on. Had a friendly relationship with Buster Keaton with whom he’d work with in 3 films. Between takes, the two men would have casual jam sessions one of these got captured for the 1930 film Doughboys that depicts Edwards and Keaton scat-singing their way though “You Never Did That Before”. Became a Disney Legend for voice-acting in 2000. In 2002, Edwards’ 1940 recording of “When You Wish Upon a Star” was inducted into the Grammy Hall of Fame. Inducted in the Ukulele Hall of Fame Museum in 2000.

The Art of the Blog: 3 Ways to Reach Your Audience

              Like all writers on the internet, I struggle with appealing to an audience and attracting readers willing to set aside several minutes of their time. As someone who’s kept up a blog for seven years, I too, struggle to find ideas for posts that may captivate readers, which can prove challenging when there are no big holidays or major events going on in one’s area.

              According to Digital Nomad Wannabe, bloggers need to do a lot more than just write and post good articles in order to increase traffic. Rather, they advocate a marketing strategy that is a combination of planning, keyword SEO, and social media promotion. In addition, they advocate emailing blog subscribers and followers as well as building a community around one’s blog. All strategies that have not changed very much since when I got started back in the 2010s. https://www.digitalnomadwannabe.com/increased-blog-traffic-from-0-to-100000/

That is not to say that content is not important either. According to Polly Clover Writes, one has to write with an audience in mind, publish enough articles, utilize creativity, use visuals, and give the reader a good user experience. They also state that blogging is a long game and attracting traffic can take from six months to a year of consisting posting to increase traffic. https://www.pollycloverwrites.com/blog/why-isnt-my-blog-getting-traffic

              Nonetheless, in my blogging experience, I have three key tips to create content in order to reach an audience to generate traffic on one’s blog:

  • Write about local events and holidays: When I consistently posted on my blog, I often did list posts on holidays and special events in my local area. Many of these attracted readers and followers on social media and often generated traffic that it became a thing I often did every year.
  • Include visuals: Blog posts that include pictures often get traffic. When I look on my WordPress stats, most of the views come from posts with plenty of pictures on them.
  • When writing a series, try to make it about popular topics: As a blogger, I often enjoy writing series about things that I enjoy. But I also keep in mind that what I write must be receptive to an audience. Topics of use might include popular TV shows and movies. Currently I’m working on a series of Disney voice actors.

In any case, if you are a writer with a blog, you must understand that even if you do the things I recommend, always remember that you will not become a success overnight. The blogosphere is a highly competitive world and building a blog takes time and consistency. But if you can keep at it, chances are you will hit your traffic targets eventually.

About the author: I am a writer who seeks to understand life and the world around her. I have written blog posts relating to politics, culture, mythology, history, art, movies, nature, literature, and humor. Yet, whatever I write about, I write what I please whether people like it or not for it is a passion of mine since I was a young girl. I call my blog The Lone Girl in a Crowd because I find myself as part of my world but never belonging to and never seeking to conform to it.

The Magnificent Judgment at Nuremberg

Out of all the classic movies I watched growing up and in college, there are plenty of underrated gems out there that many have never heard of but should definitely watch. This goes especially for movies with very dark themes like A Face in the Crowd, Ace in the Hole, Sweet Smell of Success, Paths of Glory, and so many others. Although they may not have been box office sensations, a lot of have gained relevance over each passing generation. A Face in the Crowd examines the power of TV publicity with a disturbing but brilliant performance by Andy Griffith as “Lonesome Rhodes” whose demagoguery and wicked ways will certainly horrify Boomers. Ace in the Hole revolves around a sleazy reporter who delays rescuing efforts on a guy trapped in a canyon so he can take full advantage of the media sensation surrounding it, to perilous results. Paths of Glory examines injustice within the military when infantry soldiers pay the price for generals’ incompetence and failure to take responsibility for their blunders. Especially when soldiers defy orders and sensibly flee from battle to save their own skin. While Sweet Smell of Success is about a sleazy columnist willing to destroy a young musician’s reputation because he’s not at all happy about him dating his sister.

But the granddaddy of all these dark but underappreciated classic films has to go to the 1961 seminal Judgment at Nuremberg, as its relevance only gains stature since I first saw it in high school. Although it’s over two hours long, I highly recommend everyone watch it and that it will blow your freaking mind with a cast of A-List sensations and Golden Age luminaries like Spencer Tracy, Richard Widmark, Burt Lancaster, Marlene Dietrich, Judy Garland, and Montgomery Clift, along with up-and-coming talents like Maximilian Schell and William Shatner. Based on a teleplay by Abby Mann, the movie is a courtroom drama centered on a judges’ trial for crimes against humanity and their complicity in the Holocaust. Given the subject matter, you might expect a trigger warning as akin to most Holocaust films. However, the graphic Nazi concentration camp footage in Judgment at Nuremberg will probably be the least disturbing thing you see in the whole film. Because this isn’t your run of the mill Holocaust movie like Schindler’s List (although I do believe such films serve a purpose). Instead, the film mainly explores on how a society and relatively decent people could enable such an atrocity like the Holocaust happen, which Hollywood rarely asks in movies depicting Nazi war crimes. And yet, if we want to understand the Holocaust and make sure nothing like it happens again, it’s an absolutely critical aspect people really need to address.

Although Judgment at Nuremberg lacks much of the graphic horror show content of today’s Holocaust movies, it can be a far more unsettling film to watch because of the message it conveys: you can’t always count on wokeness, social progress, and innovation to shield your neck of the woods from committing widescale atrocities. And that being a decent and well-meaning human being won’t always save you from complicity with evil. When I first watched this movie, I found listening to many of the characters’ speeches far more frightening to hear than watching the entirety of Schindler’s List. Not because they were filled with graphic violent descriptions (they weren’t), but because of how it profoundly shatters most people’s perceptions of the Holocaust, especially in Hollywood movies. We’re often taught that no matter how awful it was and how many millions were killed, it was something that could only be carried out by depraved, fanatical, and vicious psychopaths within the military ranks of a totalitarian regime like the Third Reich. Yes, these are hard to watch but they depict the Holocaust as something that can only happen under bad people in some faraway place within a backward time in history. While only the victims and their protectors are only given a shred of humanity.

On the other hand, Judgement at Nuremberg tells us to throw this perception out the window and gives us a far more horrifying portrait of the Holocaust that most people aren’t comfortable with but is more in line with the historical reality. While the young, fiery defense attorney Hans Rolfe and the dignified accused judge Ernst Janning agree that the Holocaust was a very terrible thing, their speeches offer some very disturbing insights into the genocide. Rolfe states that Germany was no more unique than any other western country in committing human rights atrocities, that other countries also played a role in the Third Reich’s rise, and that Nazi ideas like eugenics and anti-Semitism were seen as perfectly acceptable within establishments worldwide (and sometimes put into policy). Ernst Janning is depicted as a fundamentally decent man who did horrible things for the Nazi regime in the name of patriotism. He knows what he did was wrong and is truly sorry for his loathsome actions. While his testimony shows how easily a democratic country with decent people like the distressed Weimar Germany can be so vulnerable to nationalistic and white supremacist propaganda that could sweep a totalitarian regime into power. And how even good people can casually excuse heinous state-sponsored atrocities for the so-called good of the country. Sure, Janning doesn’t conform to what most people see in a Nuremberg defendant. But we must acknowledge that he’s far from an anomaly. And if it weren’t for people like him, there would be no Holocaust. Yes, there were a lot of sicko perpetrators and Nazi diehards. But most of the people involved in killing over 6 million Jews and millions of others were no more like ourselves. If Ernst Janning can be complicit in state-sponsored mass murder, so can you.

Both Rolfe and Janning’s testimonies teach us a very chilling but nonetheless important lesson that a lot of Holocaust movies seem to ignore. Or at least not teach us in such an effective in powerful way. Most Holocaust films asks us to see ourselves as the hapless victims or the heroes. Judgment at Nuremberg asks us to see ourselves as not just the slaughtered masses or those who defied the Third Reich, but also the bystander German people and the enablers who carried out the heinous Nazi agenda. Sure, you can teach schoolchildren the Holocaust all you want by showing as many starved concentration camp inmates, piled naked corpses in mass graves, gas chambers, and other sick scenes. But unless we also teach how the Holocaust could’ve happened in your country and how you can be swept into supporting anti-democratic regimes and committing these atrocities, no amount of footage from Auschwitz will make any difference in preventing another genocide. Yes, victim perspectives are important and the film certainly shows this (namely with a physically wrecked Montgomery Clift and a broken Judy Garland). But we also must see that the bystanders, enablers, and perpetrators were also human beings no different from us. And that we can be just as easily manipulated in enabling and participating in the mass slaughter of millions of people just as we can be among the millions slaughtered. While Judgment at Nuremberg greatly succeeds in conveying this essential lesson, most Holocaust films fail to even acknowledge it. Because as in history, nobody wants to see themselves as the bad guy, even a sympathetic one who hated knowingly sending innocent people to their deaths under the Nazis like Ernst Janning.

Nevertheless, Judgement at Nuremberg also teaches that just because the Holocaust wouldn’t be possible without the ordinary Germans’ complicity and participation in the state-sponsored genocide, that doesn’t excuse their crimes regardless of their motivations. Sure, Rolfe and Janning’s testimonies are essential in understanding the mass-killings of millions under the Nazi regime. Yet, Judge Haywood still rules the four judges as guilty and that knowingly passing death sentences on innocent people is inexcusable. Doesn’t matter if it’s for love of country. Nor if you’re doing it under a tyrannical Nazi regime or under Nazi orders. Judge Haywood’s verdict speech highlights that true love of country doesn’t mean conveniently ditching your moral principles after a bunch of white supremacist thugs overthrow your democracy. Or to ignore or cooperate with whatever terrible things happening within your own nation. If you have to participate in crimes against humanity to ensure your country’s survival, then what does your nation stand for anymore? As Haywood notes, “A country isn’t a rock. It’s not an extension of one’s self. It’s what it stands for. It’s what it stands for when standing for something is the most difficult!” Thus, if you see your country committing some great evil, excuses and complicity aren’t the answer. Active resistance against that evil is, especially if when it’s most difficult. Otherwise, what’s the point of national survival if you don’t stick up for what your country is supposed to stand for?

And Yet They Stay Silent 

Now that Donald Trump is no longer president, I often don’t feel the need to pay as much close attention to him as I once did during those nightmare four years in office. Although he has announced his candidacy for the 2024 presidential election, I still remain wary. Since I still remember how we all underestimated him during the 2016 election campaign to our great detriment. If there’s one thing I don’t want to see in my life, it’s seeing another Trump presidency. Even though their disastrous showing in the 2022 midterm elections have led the Republican Party to reevaluate their relationship with Trump, we must not rejoice that they’ve turned away from their cult leader completely. Even if the GOP establishment has, the fact I still see Trump signs within my area shows that he still has his loyal fans and still has influence. Besides, whenever Trump says or does something that hurts the GOP’s image, most Republican politicians will do this dance where they’ll openly condemn Trump for his inexcusable conduct or try to distance themselves from him. Only to keep crawling back to him once they believe the scandal has gone away. And if Trump does well enough to win the GOP primary in 2024, I can guarantee that the Republicans will have his back. 

On Saturday, December 3, 2022, Donald Trump for the termination of the US Constitution to overturn the 2020 election and reinstate him to power. Writing on his personal bully pulpit Truth Social, Trump said, “Do you throw the Presidential Election Results of 2020 OUT and declare the RIGHTFUL WINNER, or do you have a NEW ELECTION? A Massive Fraud of this type and magnitude allows for the termination of all rules, regulations, and articles, even those found in the Constitution. Our great ‘Founders’ did not want, and would not condone, False & Fraudulent Elections!” According to CNN, Trump’s post came after a release of internal Twitter emails showing deliberation in 2020 over a New York Post story about material found on Hunter Biden’s laptop. But really, who gives a shit about Hunter Biden’s laptop besides right wing news outlets and their viewers? For God’s sake the only thing about Hunter Biden’s laptop that I care about is when I’ll stop hearing about it. Nevertheless, when a public figure calls to do away with foundational blueprint to our democracy, we absolutely need to take that person seriously. Particularly if that figure is a former president who once swore to preserve, protect, and defend that very document. Especially if that former president has been willing to pander to white supremacists, undermine decades of political precedents and democratic norms while in office, refused to accept the results of a presidential election two years ago that he’s still bitching about, constantly pushes conspiracy theories to his cadre of cult followers who’d believe anything he says, and incited violent insurrection at the US Capitol in an attempt to overthrow the federal government. Not to mention, stole thousands of classified documents away to Mar-a-Lago, which spurred an FBI raid on the resort this summer. And certainly if that former president still has supporters to make Republican politicians hesitant to take a cue from Liz Cheney on January 6 and ditch Trump for good.  

I am not surprised that Donald Trump believes in ditching the US Constitution in order to overturn the 2020 presidential election and have his own power reinstated. The man is a textbook, narcissistic psychopath who believes he’s above the law as well as not bound to the same rules and norms as everyone else. Not to mention, sees the world as his personal playground where he can do whatever the fuck he wants and profit from it. Nor does he believe that he should be held accountable for his very egregious actions. Besides, back in 2016, I wrote a blog post on why you shouldn’t vote for Trump. Among the reasons I listed were that he has no respect for America, its values, or its people. Not to mention, linked to US enemies and dictators and had his campaign tamper with the political process. Nor does he have any respect for American democracy or the rule of law. You might think I might’ve sounded alarmist at the time. However, what has transpired since Trump won the presidency during that dark November of 2016 has unfortunately confirmed that I was absolutely right. When Trump solemnly swore to preserve, protect, and defend the US Constitution during his inauguration, I knew that was all a sham. Because Trump is a man with no conscience who will always put his own interests first, including that of the country’s. Always was. Always will be. Now that he’s subject to multiple criminal investigations, the January 6 Committee has convened, the FBI has raided Mar-a-Lago, and Congress can now look into his tax returns, Trump is trying to use his influence over the Republican rank-and-file to evade facing accountability for his egregious actions. Especially since the Trump Organization has been found guilty of all counts of tax fraud and financial crimes. And the fact he’s willing to do away with the very foundation to our national government in order to be president again and do whatever the hell he wants with no consequence. 

Nonetheless, covering Donald Trump when he spouts such fascist rants like this is a double-edged sword. On one hand, it gives him more time airtime in the news media which will only boost his notoriety and possibly support among voters. The last thing we need right now is another major Trump media circus just so he can spend more time in the spotlight. Especially since he’s still a clear and present danger to our American democracy as well as still has his cult of deplorables and the Republican Party behind him. On the other hand, Trump is such a powerful and destructive influence in our politics and our country that we can’t just turn a blind eye towards all the egregious shit he says and does. Especially when public knowledge of all the horrible stuff he’s said and done will usually be the only lasting consequence he’ll ever receive. Given that he’s a rich psychopath who never learns his lessons or doesn’t care about anyone or anything but himself. While he’ll often use all the power and privileges his wealth gives him to escape from any consequences that come his way. And especially if his words and actions have inflicted very real damage on our democracy, our public discourse, and our way of life. To ignore him only enables him to get away with his shit and at the American people’s expense.  

Fortunately, the Biden White House treated such incendiary comments with a quick and decisive response. On that very day, White House spokesman Andrew Bates stated:  

“The American Constitution is a sacrosanct document that for over 200 years has guaranteed that freedom and the rule of law prevail in our great country. The Constitution brings the American people together – regardless of party – and elected leaders swear to uphold it. It’s the ultimate monument to all of the Americans who have given their lives to defeat self-serving despots that abused their power and trampled on fundamental rights. Attacking the Constitution and all it stands for is anathema to the soul of our nation and should be universally condemned. You cannot only love America when you win.”  

In other words, to call for the termination of something so sacred and foundational to what our nation is nothing short of a national heresy. Do away with the US Constitution, then you might as well do away with everything America stands for.  If not, then America itself. And such a statement deserves nothing less than universal condemnation regardless of what side you’re on. Or whether you win an election or not. 

Democratic leaders were also quick to condemn Donald Trump’s remarks. Senate Majority leader Chuck Schumer told reporters, “If America doesn’t extricate itself from Donald Trump and his MAGA ideology, it will undercut our American way of life.” Meaning that as long as support for Trump and Trumpism is deemed acceptable within American society, the cancer of Trump and Trumpism will continue to undermine American democracy and the public discourse. As someone who’s had to put up with people in her life and community who support this fucking piece of shit, I couldn’t agree more. In many respects, to support Donald Trump is to accept the unacceptable, the excuse the inexcusable, to defend the indefensible, to believe the unbelievable, and to deny the undeniable. That was true back in 2016. And it remains true to this day. Since Trump became the GOP’s standard bearer, he has made it a party without basic principles aside from white supremacy, unfettered capitalism, unchecked dominance by corporations and the 1%, gutting social programs, unionbusting and eroding workers’ rights, and the ever-empty pursuit of retaining and expanding political power. Their allegiance to Trump has rotted GOP standards of acceptable behavior from politicians, empowered some of the worst elements of our society, and has allowed deeply repugnant notions spread to the mainstream. And even when Trump says or does something beyond the pale, Republicans might rebuke him and hope the matter quietly goes away so they can silently crawl back to him.  

However, when it came to Republican politicians, only Wyoming Representative Liz Cheney issued a statement, tweeting, “Donald Trump believes we should terminate ‘all rules, regulations and articles, even those found in the Constitution’ to overturn the 2020 election. That was his view on 1/6 and remains his view today. No honest person can now deny that Trump is an enemy of the Constitution.” Now I may not support Cheney’s politics, but I think it’s a shame that she’s seen as a hero. Instead of a normal politician who’s fulfilling basic expectations relating to her job. Sure, Cheney’s willingness to denounce Trump after the January 6 insurrection on the US Capitol was certainly brave. But it shouldn’t have been. Nor should her vote to impeach Trump a second time and her vice chairmanship of the January 6 Committee. And none of what she’s done since January 6 should’ve alienated her from her party’s establishment and cost her a congressional seat to a primary challenger. Because when a president incites an attempted coup on the US government, a politician is supposed to break with that leader and put their country first. Doesn’t matter if that president leads their own party. Nor how popular and influential he is within your party’s ranks. A politician’s foremost duty is to the Constitution and the American people. Not their party establishment and not their voters. And yet, Cheney’s considered a hero mainly because most of her Republican colleagues haven’t done the same. In fact, most have done what they could to ensure that Trump won’t be held accountable for his actions on January 6, the exact opposite of what they should. All because they want to retain and expand their political power.  

The only other sharp condemnation comes from Illinois Representative Adam Kinzinger, tweeting, “With the former President calling to throw aside the constitution, not a single conservative can legitimately support him, and not a single supporter can be called a conservative. This is insane. Trump hates the Constitution.” Although he hasn’t been primaried like fellow January 6 committee member Liz Cheney, he’s retiring from Congress. Because his stance against Donald Trump over January 6 has pissed of his own constituents who’d almost certainly replace him with a primary challenger if he ran for reelection. And he’s closer to my age than hers. Had it not been for Trump and January 6, he would’ve had a long promising political career ahead of him. Instead, his political career’s been cut short in his prime, which is a damn shame. All because he put his country over his own party. All because he opposes Trump. Still, Kinzinger is absolutely right.  Although to fair, Trump has always hated the Constitution whenever it doesn’t let him get his way. Also, his affinity for dictators makes it pretty clear that he’s a fascist authoritarian who dreams about being an autocratic president who do whatever the hell he likes without question or consequence. Especially if it means crushing political opposition with an iron fist. And yet, other Republicans remain silent. 

Incoming Democratic House leader Hakeem Jeffries told George Stephanopoulos on This Week, “The Republicans are gonna have to work out their issues with the former president and decide whether they’re gonna break from him and return to some semblance of reasonableness or continue to lean into the extremism, not just of Trump, but of Trumpism. Suspending the Constitution is an extraordinary step, but we’re used to extraordinary statements being made by the former president.” Unfortunately, his statement proves to be just prophetic. While many of the Republicans have and will issue mild condemnations for fear of Donald Trump’s political clout and retaliation from his most violent supporters. For many of them speaking against Trump will only incur the wrath of the conservative constituents who’ll rally behind a Trump-supporting primary challenger. Sure, Republicans blame Trump for their 2022 lackluster performance in the mid-terms, but he’s still the party’s central figure. And many people in my area still have their Trump signs out on their lawns in full display. So don’t tell me that the Republican establishment has finally turned their backs on him for good. Because once you think they have, they keep crawling back They may condemn Trump for inciting January 6. But don’t be surprised if you see Representative Kevin McCarthy pictured with the guy at Mar-a-Lago only a month later.  

Aside from Cheney and Kinzinger, the toughest Republican response came from Ohio Congressman Mike Turner who “There is a political process that has to go forward before anybody is a frontrunner or anybody is even the candidate for the party. I believe people certainly are going to take into consideration a statement like this as they evaluate a candidate.” Although Turner suggests Republicans will take Trump’s incendiary fascist remarks into consideration and throw their support behind an alternative candidate. Unfortunately, guess who else had the naïve idea that voters wouldn’t seriously vote for Trump for the presidency? This girl back in 2016. Also, even though Trump’s popularity may not be what it used to be in the Republican Party, he’s got millions of supporters still willing to vote for him. But a more typical response comes from Ohio Congressman David Joyce whose answers frustrated George Stephanopoulos to no end. When Stephanopoulos pressed Joyce to disavow someone who openly wants to overthrow the US Constitution, he told him not to worry about it. “He says a lot of things,” the congressman said of Trump. “But that doesn’t mean that it’s ever going to happen. So you got to [separate] fact from fantasy—and fantasy is that we’re going to suspend the Constitution and go backward.” Uh, didn’t he incite an insurrection on the US Capitol in order to overturn the 2020 presidential election results? What makes you think that he won’t at least try to suspend the US Constitution? Although I agree there are times we shouldn’t take Trump’s words too seriously, whenever he suggests a possible overthrow of the US government isn’t one of them. Because he’s tried that before on January 6. And when Stephanopoulos asked Joyce the ever-famous question of whether he’d support Trump in 2024, he replied “I will support whoever the Republican nominee is.” Unfortunately, Trump is the current front-runner and from how he campaigns, he’s likely to remain so.  

And yet, incoming House Speaker Kevin McCarthy remains silent. Mainly because disavowing Donald Trump might cost him his party’s leadership position in the House. Bad enough that five of those Republicans in the incoming majority said they won’t vote for McCarthy because he doesn’t kiss Trump’s ass enough. Even though I’d consider showing up at Mar-a-Lago within a few weeks after condemning the January 6 insurrection as Trumpish enough. That may be enough to deny the overall majority he needs. Also, during the GOP leadership balloting 31 other Republicans voted against McCarthy’s candidacy. All were Trumpers. The fact that so many Republicans don’t want McCarthy as their leader because he doesn’t love Trump enough says all you need to know about the Republican Party’s relationship with that fucking piece of shit. Not only that, but a recent poll by Marquette Law School shows that 32% of Americans view him favorably.  

Nonetheless, the fact Republicans and a sizeable contingent of the American public still stick with Donald Trump despite all the things he’s said and done is deeply damaging to our country. It’s one thing to just turn a blind eye to Trump’s incendiary rhetoric suggesting to overthrow the government. But it’s another to continuously obstruct efforts to investigate and bring justice to what happened on January 6, 2021. All just to stay in Trump’s base’s good graces and remain in power. Even more infuriating is that thanks to Trump’s influence on the GOP, just merely stating that this fucking piece of shit is responsible for January 6 will absolutely ruin any Thanksgiving dinner. Which is a shame because a terrorist attack on the US Capitol should’ve been able to unite the country against Trump. And even though Republicans are starting realize that their cult leader is a political liability after the 2022 midterms, don’t expect the GOP to bolt just yet. Sure, they may not be thrilled that he’s running for president for a third time. But he’s the current front-runner and we must not expect him to lose the GOP’s full support if he should remain if he should become their party’s nominee. Still, the fact that the GOP by and large has chosen what they believe what’s best for themselves over what’s best for the country is a national shame. And it doesn’t help there are currently January 6 insurrectionists holding elected office or were even allowed to stand in the midterms like Doug Mastriano. Now Trump calls for another coup and yet, Republicans remain silent.  

Now I may not live in the most liberal area in Pennsylvania. Far from it, in fact. However, my own feelings toward Donald Trump and his loyalists have only intensified. I understand this is a free country. However, the fact people still support this fucking piece of shit despite his presidency being a living nightmare, his role inciting the January 6 insurrection at the US Capitol, and his calls to terminate the US Constitution only makes me deeply appalled. Especially if they believe the Big Lie or embrace any batshit Qanon conspiracy theories. As much as I want to give them the benefit of the doubt, their continued support for their cult leader has only inspired me to look upon them with disdain and disrespect. Apparently, after all what Trump has said and done, I can no longer be sure whether anyone supporting this either understands what siding with the guy entails or simply doesn’t care. Nonetheless, the fact people in my community still support this fucking piece of shit, some even passionately, makes me want to storm onto a podium in front of a large crowd of MAGAts and scream into the microphone:  

“What the fuck is wrong with you? Do you have any idea of what this fucking piece of shit has said and done since 2016? Do you know what supporting this unrespectable man says about you? May not mean that you’re willing to storm the US Capitol. But that even inciting an attempted coup of the US government isn’t enough to convince you that he nowhere near the flag-hugging patriot he portrays himself to be. And you still side with this traitor who called for this attack on our nation’s lawmakers and representatives all in order to overturn an election that he didn’t win. And yet, you still support him, sometimes believing his brazen lies and manipulations. Well, if you still stick with him despite his clear disdain for American democracy when it turns against him, either your patriotism is just as much a sham or you’re a fool to his myriad of political con games. Either way, I’ve had enough of you seeing this narcistic psychopath as your hero while the United States suffers for his sins. And if you can’t see your dear leader as the clear and present danger to America he is, then you have no right to question my patriotism. Especially if your allegiance to him above all else makes me question yours.” 

Let Us Not Vote for Those Involved in Treason 

With the 2022 mid-term elections in full-swing, we must take heart the lessons of the 2016 and 2020 elections that what you and others decide at the ballot box lead to policies that have an impact on your life. While most of the races are for US Congress, Senate, and state legislatures, there are plenty of races for other state and local offices as well. In my home state of Pennsylvania, there is a race to decide the state’s next governor between current state attorney general Josh Shapiro and State Senator Doug Mastriano. Now I’m all in for the Democratic nominee, Shapiro given his illustrious term where he released the infamous Grand Jury Report on sex abuse within the Catholic Church as well as issued a report on the state government’s complicity in siding with natural gas companies that I used in my post promoting my novel, The Trouble at Deacon Hill. However, even if you don’t care for this guy, I strongly urge all of my fellow Pennsylvanians to vote for Shapiro because at least he’s not his opponent, GOP gubernatorial nominee, Doug Mastriano. 

I may identify as a progressive Catholic SJW who thinks politicians opposing universal healthcare shouldn’t hold political office and thus will be voting for Democratic candidates until the day I die. I may also disagree with Doug Mastriano on practically everything. However, if my beef with this guy was just over his positions on issues I cared about, I wouldn’t be writing this urging everyone in my state to vote for Josh Shapiro. In fact, Shapiro could be the sleaziest and most incompetent state attorney general we ever had and I’d still think he was the better candidate than Mastriano. Mainly because my issues with Mastriano as a liberal Catholic considerably pale in comparison to mine as an American citizen of this great state that throughout my life, I have called my home. 

Pardon my liberal bias but my main issue with Doug Mastriano has everything to do with his support of the Big Lie and his involvement in the January 6 insurrection at the US Capitol. Now when a candidate loses, the also-ran gracefully concedes, congratulates the victor for a well-run race, and encourages their supporters to accept the results before everyone moves on. But because Donald Trump is a narcissistic psychopath who can’t accept the reality of his defeat, he spouted conspiracy theories and false allegations that the 2020 election was rigged for Joe Biden. In fact, he still insists the election is rigged to this day. During the last months of his presidency, he did practically everything he could to try and overturn the results of an election he clearly lost fair and square. Yes, he threw Twitter tantrums and held rallies rallying his most devoted cultists to “stop the steal.”  But he also had plenty of political allies in both houses of Congress and throughout the country who tried to undermine the results in his favor. One of these people is Pennsylvania State Senator Doug Mastriano. 

From November 5, 2020, Doug Mastriano has led state efforts to overturn the 2020 election in Pennsylvania, a state that proved crucial in securing Joe Biden’s victory over Donald Trump. On November 27, he and three other state senators announced they’d introduce a resolution to permit the General Assembly to appoint delegates to the Electoral College instead of following the presidential vote results in the state. As circulated in a memo seeking additional co-sponsorships, this proposal claimed that, “officials in the Executive and Judicial Branches of the Commonwealth infringed upon the General Assembly’s authority by unlawfully changing the rules governing the November 3, 2020 election in the Commonwealth” and declares that “based on the facts and evidence presented and our own Board of Elections data, that the Presidential election held on November 3, 2020, in Pennsylvania is irredeemably corrupted.” Keep in mind that Pennsylvania’s General Assembly has a Republican majority mainly because the legislature’s usually in charge with redistricting state’s map which is heavily gerrymandered to favor them. And if you think US Congressional map was so gerrymandered to be struck down and redrawn. Well, it has nothing with what the state legislature map looks like. Anyway, this is just something to keep in mind with how well the PA legislature represents the interests of the state’s people. Even so, you can clearly see this as Mastriano wanting to use the legislature to surpass the will of the people in regards to deciding a presidential election. All because Pennsylvania voters chose electors for a candidate that Mastriano really didn’t want to win. 

On December 2, 2020, the York-Dispatch‘s editorial board wrote an article describing the state senator as a guy who “regularly spouts his love of freedom” but has a relationship to Donald Trump that had been “exposed as nothing more than a vassal doing his master’s bidding.” They also state his action were that of a “craven oligarch” making “a shocking call for tyranny” in a “campaign to undercut democracy itself for a generation.” Nine days later, Doug Mastriano published an op-ed in the York Daily Record accusing Governor Tom Wolf, PA Secretary of State Kathy Boockvar, and PA’s Supreme Court of taking advantage of the Covid 19 pandemic to abuse and contravene 2019’s Pennsylvania Act 77, claiming they “have been making up rules on the fly and unconstitutionally rewrote the law, which compromised our election.” He also stated that he joined two lawsuits seeking to overturn the 2020 election results, which were both struck down due to lack of standing. It’s one thing when a politician takes positions on issues and supports candidates that you don’t like. But it’s a far more serious matter when a politician is willing to undermine the whole system in order to overturn election when he doesn’t like the results. The fact Mastriano tried to this in 2020 should deeply disturb any Pennsylvanian who believes in American democracy.  

Of course, if you’ve been paying attention, Donald Trump’s efforts to overturn the results of the 2020 presidential election would eventually culminate in the events of Wednesday, January 6, 2021. On a day when a joint session of Congress was set to certify the results 2020 presidential election and formalize Joe Biden’s victory, a violent mob of 2,000-2,500 Trump supporters stormed the US Capitol Building in order to overturn his defeat. In the days leading up to the insurrection, Donald Trump called his supporters into action by stating that the 2020 election had been “stolen by emboldened radical-left Democrats” and to demand that then Vice-President Mike Pence and Congress reject Biden’s victory. Starting at noon at a “Save America” rally on the Ellipse, Trump repeated his lies on election irregularities and stated “If you don’t fight like hell, you’re not going to have a country anymore.” During his speech as Congress began the vote count, more than 2,000 people broke into the building, occupying, vandalizing, and looting it, assaulting reporters and Capitol Police officers, and attempting to locate lawmakers with intent to capture and harm. West of the Capitol, insurrectionists erected a gallows where they chanted, “Hang Mike Pence” after he rejected Trump’s and others lies that he could overturn the election results. Rioters looted and vandalized various congressional offices, most notably House Speaker Nancy Pelosi’s. With building security breached, Capitol Police evacuated and locked down both chambers and several Capitol Complex buildings. While rioters occupied the empty Senate chamber, federal law enforcement officers defended the evacuated House floor. There were pipe bombs found at both Democratic and Republican National Committee and a Molotov cocktail in a vehicle near the complex. At the White House, Trump resisted sending the National Guard to quell the mob. Later that afternoon in a Twitter video, he reasserted that the election was “fraudulent” but told his supporters to “go in peace.”

Doug Mastriano helped organize bus rides to Washington D.C. for 130 Trump supporters to the rally that would culminate into the insurrection. During the protest, he claimed that he and his wife left the rally area when it turned violent, which he called “unacceptable.” However, a crowdsourced video analysis from May 2021 later identified Mastriano and his wife watching a rioter tear a Capitol Police barricade before passing through it. Thus, contradicting his previous claims that he wasn’t with the rioters. Mastriano said he was following police directions and dismissed the accusations as the work of “angry partisans” who were “foot soldiers of the ruling elite.” The video evidence doesn’t support this. He then went on stating that he was in the “second row, watching the Trump rally,” hoping that Congress would legally stop the election’s certification. “Once I realized all the speaking events were off we left and that’s a darn shame… I was there to cheer on Congress, the House and the Senate, not to disrupt it.” Sure, whatever you say (sarcasm). Still, despite receiving calls to resign from his Democratic colleagues, Mastriano has experienced no negative consequences for his actions. Aside from submitting rented bus receipts and tickets for the 130 who went with him to Washington D.C. for the whole thing to the January 6 Committee nearly a year and a half later. 

Now that he’s won the 2022 Republican gubernatorial primary in Pennsylvania, it’s very possible that this guy who tried to undermine democracy in my state and participated in an attempt to overturn the federal government might be the next governor of Pennsylvania. Based on what he’s done to hurt American democracy in both my state and beyond, it’s bad enough that he’s able to keep his job and run for governor in the first place. When Pennsylvania’s General Assembly should’ve expelled him for his role in the insurrection and be faced with criminal charges, like 725 of his fellow seditionists as of June 2022. Possibly serving jail time. It’s equally disgraceful that Doug Mastriano used his actions in trying to overturn the 2020 election and undermine democracy in order to raise his profile so he could run for governor. However, it’s very scary that Pennsylvanian Republicans saw nothing wrong with his candidacy and voted to make him their nominee. Sure, Josh Shapiro ran ads against him beefing his wacko far-right views and Christian nationalism in hopes that Mastriano’s nomination would give him an easy race. But Mastriano was frontrunner before he did this. While Pennsylvania’s Republican Party isn’t too happy that he’s their guy now.  

Nonetheless, even though Josh Shapiro thinks he’s in a good place, he needs to know the lessons of the 2016 presidential election. Although Shapiro is in a better position to win against Mastriano than Hillary Clinton was over Donald Trump, he must remember that the nomination of an extremist opponent doesn’t always guarantee one a sure victory. When Trump received the GOP presidential nomination, the RNC wasn’t happy about it. But they eventually got behind him by convention time. I expect the PA GOP to do the same in regard to Mastriano. And like many of my fellow liberals, I thought that many of my fellow Americans would come to their senses and vote for Hillary over Trump, regardless of how unlikeable she was. Unfortunately, I was wrong and heartbreakingly so. Now that I see Mastriano signs go up in people’s yards in my area, I’m reminded of the catastrophe of 2016 and the fucked-up mess those four years of Trump left behind. Because of Mastriano’s election denialism and role in the January 6 insurrection, to elect him as the next governor of Pennsylvania would be a statewide disaster for the next four years. Even worse, given Republican control of the legislature, it’s likely that with Mastriano in the governor’s chair, it’s even more of a possibility that he’ll get a lot of his ideas on the 2020 election passed. Not to mention, be more likely to cooperate with Trump’s team should he run again in 2024. And keep in mind that Pennsylvania is a critical swing state, which helped secure Biden’s victory in 2020. Regardless of your political views, would you want this guy in charge of Pennsylvania in the next presidential election?  

Tragically, the worst part about speaking against Doug Mastriano’s nomination for governor of Pennsylvania is that I shouldn’t have to come off as a liberal partisan. Although I don’t deny myself as a bleeding-heart liberal, I also strongly think that trying to overturn an election and participating in an attempted coup should be enough to disqualify a candidate from public office. And I shouldn’t have to sound like a partisan hack to get this point across. And it’s not just Mastriano either. Various state legislators all over the country participated in the attack on January 6, 2021. While US Congressmen such as Marjorie Taylor Greene, Mo Brooks, Lauren Boebert, Paul Gosar, Louie Gohmert, and Madison Cawthorn were said to participate in “dozens of briefings” and were involved in efforts to overturn the 2020 election. None of them have been expelled for their actions. While Cawthorn has lost to his primary challenger due to some unrelated incidents, almost all of them are slated to remain in office after this election. Some may even run unopposed. Then there are Senators Ted Cruz and Josh Hawley who were all too happy to repeat the Big Lie more than their colleagues. Hawley even made a fist showing his support for the rioters. Neither one has yet to face any consequences. To have these people still in power after they dishonored their sacred oaths to the Constitution is absolutely sickening. If we want to prevent another January 6, we need to hold the political figures involved accountable for their actions regarding the riot itself and the events leading up to it. To let them keep their seats or seek a higher office is nothing worse than dishonorable to our democracy.  

Since Donald Trump’s presidential candidacy began in 2015, the Republican Party has shown itself to be significantly less invested in the preserving the democratic process. Especially if that process doesn’t give them the results they like in order to preserve their power. Now I’m not going to say this about every Republican. However, reports about red states using REDMAP gerrymandering, passing voter suppression laws, and enacting anti-protest measures show that this is a systemic problem within the party. Even worse, the Republican Party seems to have no interest in holding its own members accountable for their actions regarding January 6. In fact, since January 6, the Republican Party establishment still remains firmly behind Trump as its leader to this day, which deeply disgusts me on so many levels. As of June 2022, to my knowledge, no politician has faced any consequences for helping to incite or participating in the attack on the US Capitol. When Donald Trump was impeached for inciting the insurrection on January 6, he evaded consequences because almost every GOP US Senator voted to acquit him despite obvious evidence that he was responsible. When the measure to create a 9/11-style Commission for the January 6 insurrection, Republicans blocked it. When the January 6 Committee formed, only Liz Cheney and Adam Kinzinger are the only Republicans on it. Mainly because both put their country over their party when it mattered. While right-wing media outlets either try to spin the incident for something other than what it was or try to pretend that it never happened. Despite the fact that Fox News hosts like Tucker Carlson and Sean Hannity were responsible for encouraging the violence. Still, the fact one major political party has been resisted efforts to bring justice for January 6 should really distress anyone who believes in the sanctity of American democracy. Is anyone surprised why Fox News refused air the January 6 hearings on prime time while going commercial free? 

Things get worse in the state houses. In Pennsylvania, The Penn-Capital Star reported that 40 of its Republican state legislators are part of far-right Facebook groups. I suppose Doug Mastriano is one of these guys, given that he’s a far-right Christian Nationalist. Nationwide, it’s 1 out of 5. These far-right groups range from white supremacists, QAnon, Covid 19 conspiracy theorists, and others promoting Donald Trump’s Big Lie. Across the country many of these far-right legislators have been at the forefront of pushing anti-democracy and anti-human rights bills. These includes measures like attacks on women’s reproductive rights, attacks on immigrant rights, attacks on LGBTQ+ rights, “Don’t Say Gay” bills, CRT bans, anti-protest bills, and the ever classic, voter suppression. The rate of sponsorship on these bills among this group of right-wing nutjobs was particularly high. In Idaho, Amon Bundy’s running to become the state’s governor. For those who remember my post about how the media covers terrorism, I basically have him as the epitome of white privilege in regards of covering terror. I mean this guy and his pals stage an armed takeover of an Oregon wildlife refuge for 3 weeks and face no long term consequences. He also served time in prison for an unrelated incident. Nonetheless, the last thing we should do with anyone who’s involved in treasonous activities is to let them run for office. But somehow, as long as they’re able to remain in power and pass their measures that will make life in the US a draconian hellscape for the rest of us, Republicans don’t seem to care.  

Regardless of office, when an elected official begins their term, they always swear to uphold the US Constitution. But when an elected official helps incite or participates in an insurrection attempting to overthrow the federal government they swear to protect, they break that oath and betray the American people’s trust placed on them. I don’t care if it was over an election where their candidate didn’t win. Nonetheless, the attack on the US Capitol of January 6 should’ve united the American people like 9/11 or Pearl Harbor. Let us not forget that this was a terrorist attack on a major national symbol of the US government as well as an attempted coup. Even though Donald Trump was obviously behind it all from the start, his supporters should’ve been able to turn their backs to him and anyone else involved in the insurrection. Both parties should’ve gotten behind investigating the insurrection. Both parties should’ve backed prosecuting anyone responsible for what happened that fateful day. The fact that all of this didn’t is a national tragedy. Because if a politician is behind staging a coup, it shouldn’t matter whether you like them, whether you voted for them, or whether you agree with them on certain issues. The fact Trump was behind inciting the January 6 insurrection should be enough to denounce him. Same goes for any other politician involved, even if within your own political party. Because any politician involved in encouraging or participating in the attack should be removed from office and face criminal charges. The fact none of them is a great stain on our democracy. Make no mistake, those involved in the January 6 insurrection weren’t taking their country back. They were staging a coup to overthrow the federal government. The fact that our country has to be divided over investigating the whole incident is a national disgrace.

That Doug Mastriano is able to run for governor of my state instead of facing legislative expulsion and criminal charges shows how short we’ve fallen as a country to hold people like him accountable for their actions on that horrible day. Especially because Donald Trump continues to be the GOP’s undisputed leader and the party wants to quickly move past it so you won’t see the blood on his hands. Mitt Romney, Adam Kinzinger, and Liz Cheney shouldn’t be heroes for putting their country over their party but somehow, they are. While their colleagues in the House and Senate who are responsible for encouraging the attack remain unpunished thanks to the Republican Party’s protection. Same goes for all the state legislators and elected officials who participated in the January 6 insurrection, including Mastriano. That Mastriano can seek higher office after committing treason is a national disgrace that no good Pennsylvanian should tolerate. As he has absolutely no business in leading Pennsylvania if he’s willing to overthrow the federal government over unfavorable election results. Because no politician should be willing to do that. And who knows the damage he might inflict on the state once he’s in the governor’s chair? In the name of our country and what it stands for, please don’t cast a vote for Doug Mastriano or any other politician associated with January 6.  

The Marcellus Shale and the Fracking Myth 

Disclaimer: This essay contains spoilers from The Trouble at Deacon Hill

My recently published novel The Trouble at Deacon Hill revolves around a reporter and blogger investigating a natural gas company following a well explosion on a farm in Southwestern Pennsylvania. At first, you’d think it’s a freak accident that eventually got out of hand. However, as Pittsburgh Clarion Call reporter Marie Franco and blogger Claudia Cruces dig deeper into the disaster and Padraic Resources, they gradually discover how much messed up the state natural gas industry in Pennsylvania is.  

Now not all of what I say in Deacon Hill is true. For instance, gas companies don’t hire security contractors to kill off people to silence them, preferring legal bullying tactics instead. Nor would a gas company be based in Greensburg skyscraper as no such building exists. As most are based out of state, particularly in places like Texas. But a lot of what I wrote about the gas industry in the novel does and has happened. The Mallowvitch case was based on the stories of Stephanie Hallowich and her neighbor Ron Gullah. The Harnett case was based on few cases relating to farms that I combined. Gallagher’s Crossing’s debacle took inspiration from Range Resources’ clash with the town of Mount Pleasant (within Washington County, PA for those close to me to avoid confusion with the one in Westmoreland County). While I based the Highland Town pipeline blast on one that happened in 2016 in Salem Township while I was writing the book. The PSYOPs stuff is also based on Range Resources doing just that.  

What inspired me to write Deacon Hill was my experience with the gas industry in my neighborhood. Although nothing catastrophic happened aside from a creek bridge collapse on my road that nearly shut it down for over a year, no one got rich on it. In fact, the money was only a trickle from what the natural gas industry said it would be. The gas boom didn’t create many jobs. As of June 2021, most of the gas wells in my neck of the woods have ceased operation. And yet, during that time, I could remember Range Resources really selling the scheme that fracking’s safe, will bring money landowners, and much needed jobs to our state and region. Despite that I knew the image they convey in these TV ad spots was pure bullshit. Sure, the natural gas industry might’ve brought some benefit to Pennsylvania. But not a high cost to our infrastructure and environment that natural gas drilling may not be worth it. In addition to partly basing my novel on my gas land experiences while both in high school and college, I also conducted extensive research on fracking, leasing, royalties, working conditions, accidents, and politics. It’s very clear that PA’s natural gas industry wasn’t nearly as rosy as what Range Resources conveyed in its commercials. 

Since 2014, hydraulically fractured horizontal wells have accounted for the majority of new oil and natural gas wells developed in the United States, surpassing all drilling techniques. By 2016, nearly 70% of the country’s 977,000 producing oil and gas wells were horizontally drilled and fracked. The fracking boom that started during my high school and college days, is largely credited with making the US a top natural gas and crude oil producer in the world. And as fracking becomes more efficient (with fewer rigs generating greater output) and enable access to more of the country’s fossil fuel reserves, the trend’s expected to continue. With approximately 3/5 of the state atop the Marcellus Shale play, Pennsylvania is only second to Texas in producing natural gas, generating nearly 1/5 of US supply in 2017. In 2018, the Delaware River Basin (watershed spanning parts of Pennsylvania, New York, New Jersey, and Delaware) was marked off-limits to fracking. Although threats to drinking water and the environment still remain since some proposed regulations would still allow disposal of fracking wastewater in the watershed. Meanwhile, statewide concern about fracking hazards has mounted in recent years. According to a 2018 poll, 55% of Pennsylvanians believe fracking’s potential environmental risks outweigh its potential economic benefits. And in some cases, like in Deacon Hill, Pennsylvania has already seen fracking’s risks play out with drinking water contamination and air pollution. 

*** 

During the 2020 presidential election, due to Pennsylvania’s status as a critical swing state, a series of pro-Trump ads tried to scare people into thinking Joe Biden would ban fracking. Although it’s not true, a fracking ban wouldn’t be catastrophic for Pennsylvania. And no, the state wouldn’t lose over 600,000 jobs over it. However, what got me about these ads wasn’t just the message, but how fracking advocates keep selling a fantasy. Despite any benefit fracking has for the state, the natural gas industry is nowhere near the godsend fracking advocates claim. In some cases, whether through fracking, inadequate infrastructure, disasters, politics, and so much more, the natural gas industry has become the bane of a community’s existence. 

In these pro-Trump fracking ads from 2020, working the gas fields is just another day at the office. Gas workers get up, get ready, kiss and wife and kids goodbye, work an 8-hour shift, and return to their quaint single-family homes by dinner time. Sure, it’s a nice portrait but that’s not a typical day for most gas workers. Far from it. For one, as 2019, that natural gas industry has created 24,000 to 40,000 jobs. Secondly, as in most extractive economy despite what nostalgia might tell us about the bygone industrial days in the Rust Belt, natural gas isn’t a stable industry. Rather, it creates boom and bust cycles while producers often can’t survive without state money. Third, most gas workers in PA come from out of state and most don’t plan to stay. They don’t buy houses. They don’t bring their families. Thus, a gas worker residing in a single-family home is way less likely than say, a nearby hotel or an on-site trailer with a few other guys. Maybe even a shipping container. Nor do they always work at the same site beyond a few weeks or months. Once their work is done, they leave for the next project. Thus, rendering the prospect of any permanent residence moot.  

Most importantly, while fracking jobs may pay up to $50,000 a year, gas workers’ lives absolutely suck. Weeks and months away from their families aside, life in the gas fields isn’t worth the paycheck. While gas workers are supposed to work 8-hours days on paper, they’re usually the exception than the norm in practice. Most work beyond that, sometimes non-stop for over 24 hours, which doesn’t do favors in regards to sleep. Not to mention, many gas companies don’t pay overtime for those extra hours, an issue many legal websites explain in great detail. Considering that such work involves operating and fixing heavy machinery, contending with slippery surfaces, working on multiple platforms, and a high-pressure work environment, it’s a set up for disaster. In addition, many gas workers are young and inexperienced with such site equipment because their employers don’t take the time to properly train them. It’s no wonder gas pads are often ripe for routine workplace accidents consisting of slips and falls, machinery malfunctions and human error, explosions and fires, falling objects causing death or injury, and exposure to hazardous chemicals. Such incidents can cause serious injuries like broken bones, skull fractures, brain injuries, amputations, burns, and even death. Gas companies have a reputation in covering many of these accidents up. In addition, it’s not uncommon for a single drill pad to have workers from multiple companies, adding to difficulties in coordination. Oh, and given that they often can’t unionize, gas workers can’t address their grievances to the boss without the risk of getting fired. 

*** 

Of course, there’s fracking, which receives the most attention in regards to natural gas drilling as it’s been the most contentious. Short for hydraulic fracturing, fracking comprises of blasting chemicals and massive amounts of water into a drilling borehole at high enough pressures crack into the seemingly impenetrable rock formations. Such blasting is supposed to open the fissures and allow the trapped gas to flow up to the surface. The most contentious part of this process is in the fluid, namely, what’s in it. According to the NRDC, this consists of 97% water, along with chemical additives and proppants (small, solid particles used to keep fractures open in the rock after the injection pressure subsides). Most states with oil and gas production have rules requiring chemical disclosure in regards to fracking. However, those rules often contain exclusions for “confidential business information (CBI), which gas companies can use to shield chemical identities considered trade secrets. When the EPA examined more than 39,000 chemical disclosure forms submitted to FracFocus from January 2011 to February 2013, more than 70% of them listed at one CBI chemical. While 11% of all fracking chemicals were labeled as such. 

So what chemicals are used in fracking? Well, they use different chemicals for different purposes according to rock type and other fracking site specifics. Acids dissolve minerals to help fossil fuels flow more easily. Biocides kill bacteria. Gelling agents help proppants into fractures. Corrosion inhibitors prevent the well’s steel parts from fracking fluid damage. The EPA has identified 1,084 chemicals used in fracking formulas between 2005 and 2013. Many of them are considered hazardous to human health. While the potential human health impacts on most of them are simply unknown as of June 2021. As California scientists could only find complete information about environmental and health risks available for one-third of fracking chemicals used in their state drilling operations. As for proppants, sand is the fracking industry’s favorite, particularly “frac sand” containing high purity quartz with its round shape, uniform size, and crush resistance. A single frack operation can truck thousands of tons of this stuff with 70% of this stuff coming from the Great Lakes region, particularly in Wisconsin and Minnesota which doubled their sand mines between 2005 and 2013. 

As fracking charged ahead between the mid to late 2000s to the early Tens, research into how safe it is for human health and the environment hasn’t kept pace. Many questions remain about the process’ dangers. While mounting evidence raises serious red flags about fracking’s impact on drinking water, air pollution, and our climate. In any drilling operation, anywhere from 1.5 to 16 million gallons of water can be used to frack a single well, depending on the type of well and rock formation. Water used in fracking is typical fresh water taken from ground and surface water resources. Although there are increasing efforts to use nonpotable water, some of these sources also supply drinking water. Even at this rate, US frack water consumption is still considered “negligible” compared to other industrial water uses (like cooling coal-fired power plants). And yet, fracking operations can strain resources in areas where freshwater supplies for drinking, irrigation, and aquatic ecosystems are scarce (often becoming scarcer thanks to climate change). Without extensive treatment, water used in fracking is too contaminated to return to its source. So, it’s typically removed from the freshwater cycle and disposed deep underground. 

Because I live in Pennsylvania where it rains all the time during the summer, I didn’t get into the water supply depletion in Deacon Hill. But it’s a key point to consider if you live out in the West where fracking might lead to water shortages and rationing within many communities. And I’m sure the infrastructure to treat the frack water is often nonexistent or inadequate. Nonetheless, water amounts used in frack jobs has grown over time, exacerbating fracking’s effect on water supplies. A Duke University analysis found that while US producers scaled back on installing new wells between 2011 and 2016, frack water usage has surged. For instance, within the already drought-ridden Permian Basin region in West Texas, frack water usage during those years increased by as much as 770%. While the amount of wastewater generated during a well’s first production year increased by as much as 1,440% during the study period. The authors even predicted that some regions could expect local fracking operations’ water footprint to increase by up to 50-fold by 2030. And if you live in the West Texas Permian Basin region, the average fracking job in 2016 used 10.5 million gallons of water. That’s enough to fill about 16 Olympic-sized swimming pools.  

Not only do fracking operations strain water resources, but also risk polluting them as well. Although a 2016 EPA analysis found that while large data gaps and uncertainties make it difficult to fully assess fracking’s impact on drinking water, fracking operations can and do affect water quality. Activities posing the biggest threats include spills, fracking fluid leaks, injecting fluids into inadequately built wells, and poor wastewater management practices. 

Spills and leaks can occur throughout the fracking process, whether during transport of concentrated chemical additives, mixing and pumping fracking fluids along with storage, and transportation and disposal of used fracking fluid and wastewater. Both human error and equipment failure can cause these. According to the EPA, some spills are known to reach surface water resources. An analysis from the agency on 11 state spill reports revealed 151 fracking fluid spills between 2006 and 2012, with nearly 10% of them (ranging from 28 to 7,350 gallons) winding up in creeks, streams, or other bodies of water. For many reasons, it’s difficult to measure the full impact, particularly since the spilled fracking fluid’s chemical makeup may be unknown or poorly described. While the spill’s fracking fluid and impacts aren’t typically studied. We should also keep in mind that natural gas and oil companies are known to cover up many of their accidents so the EPA’s going on the spills the states know about, which may only be a fraction of how many of these happen. 

In any natural gas fracking operation, gas wells must be properly constructed to withstand intense temperature and pressure fluctuations. Otherwise, a well may be damaged, which can possibly result in a gas or fracking fluid leak. For instance, the EPA faulted burst casings (steel pipes used to construct wells) in a 2010 fracking fluid leakage into wells used to monitor water quality in Killdeer, North Dakota. A study of 133 suspected drinking water contamination cases in Pennsylvania and Texas pointed to faulty well construction as the likely reason behind some methane pollution cases. Also, when Atlas and Chevron drilled in my neighborhood, I can remember the drill sites being active for 24/7 during the whole operation. In addition, we should keep in mind that the workers might be poorly trained, probably haven’t slept for hours, and may have to deal with people from different companies. I’m sure faulty well construction happens far more often than most people think.  

Fractured rock formations are another issue as operators can’t control where they occur. When a fracture extends further than intended, it can link up with a naturally occurring fault, other natural and manmade fractures, or other wells. Then it might carry fluids to other geological formations, including potentially, drinking water supplies. A larger concern, according to the EPA, is the lack of data on how close induced fractures are to underground aquifers. Thus, in its 2016 assessment, the EPA couldn’t 100% determine whether fractures could reach underground drinking water resources. Although most fracked rock formations are often thousands of feet away from aquifers, in some cases, fracking can occur within a drinking water resources’ vicinity. While drinking water’s generally shallower than gas underground, there are no geological barriers separating the two. Some private drinking water wells have experienced contamination from methane and other chemicals escaping from surface pits used to store wastewater or from improperly constructed wells. Although it’s difficult to determine the contamination source. 

Each year, fracking operations within the oil and gas industry generates billions of gallons of wastewater, a potentially hazardous mixture of flowback (used fracking fluid), produced water (naturally occurring water released with oil and gas), and any number of naturally occurring contaminants ranging from heavy metals, salts, toxic hydrocarbons like benzene to radioactive metals like uranium. In addition to gas wells, I also live near a toxic waste dump (although that’s further out near Yukon). During the gas boom, the dump stopped taking fracking waste on account of it being too radioactive. Still, this wastewater can enter and contaminate the environment in a variety of ways. This can happen when transported such as in 2015 North Dakota pipeline break that spilled about 3 million gallons of contaminants into a nearby creek. In addition, in Deacon Hill, I point to how wastewater’s stored in aboveground pits that can spill, leak, and emit air pollution. While wastewater treatment facilities don’t have the means to properly handle pollutants found in fracking waste, which can release contaminants into surface water. This was the case in Monongahela. Even recycling wastewater poses a threat, generating concentrated waste products including a by-product called TENFORM (technologically enhanced naturally occurring radioactive material), which must be properly managed. There also must be proper treatment for recycled wastewater for its intended end use. When gas companies don’t fully disclose all chemical contents, this is a challenging process. 

But water contamination isn’t the only thing to worry about in regards to fracking. Air pollution is also a serious problem threatening nearby communities’ health. Significant sources of air pollution are flaring (a controlled burn used for testing, safety, and waste-management purposes), venting (the direct release of gas into the atmosphere), leaking, combustion, and release of contaminants throughout natural gas production, processing, transmission, and distribution. Natural gas mostly consists of a potent greenhouse gas called methane that traps 80 times as much heat as climate change poster boy, carbon dioxide. When gas is flared, vented, or accidentally leaked, it accelerates costly health impacts of climate change. Oil and gas operations like fracking also release numerous toxic air pollutants like benzene, toluene, ethylbenzene, and xylene; fine particulate matter (PM2.5); hydrogen sulfide; silica dust; and nitrogen oxides and volatile organic compounds. When combined, these all produce smog. In rural northeastern Utah, researchers estimated that the amount of smog-forming compounds coming from oil and gas production each year was equivalent to 100 million car emissions. Exposure to these air pollutants can result in a broad range of health effects ranging from mild to severe respiratory and neurological problems, cardiovascular damage, endocrine disruption, birth defects, cancer, and premature mortality. Meanwhile, oil and gas workers face even greater risks from on-site exposure to toxic chemicals and other airborne materials including silica in frack sand, which can lead to lung disease and cancer when inhaled. 

As with other oil and gas operations, fracking involves intense industrial development. With well pads, access roads, pipelines, and utility corridors, you also get intense, round-the-clock noise, nighttime floodlights, and truck traffic. In addition to potentially polluting local water and air resources, this vast web of infrastructure can fragment forests and rural landscapes while degrading important wildlife habitats. Fish die when fracking fluid contaminates streams and rivers. Chemicals in wastewater ponds poison birds. While the intense industrial development accompanying fracking pushes imperiled animals out of wild areas they need to survive. In more arid regions like the west, fracking could mean less water for fish and wildlife as well. Not to mention, fracking can also lead to further disintegration of our already degrading infrastructure. Too many tanker trucks can lead to a small bridge collapse. While most water treatment facilities aren’t adequately equipped to treat fracking wastewater.  

*** 

And yet, working conditions and fracking are only part of the shady shit going on within the natural gas industry within the Marcellus Shale in Pennsylvania. Another facet that has more relevance in my neighborhood is the royalties. When they started drilling, people thought that leasing with Atlas (later Chevron) on the impression the royalty payments would enrich landowners and lift rural economies in the state. But none of that happened while many landowners saw significantly smaller royalty checks than they thought were promised. Sometimes nothing at all. Since 1982, federal law has established that landowners who lease their mineral rights to oil and gas companies are entitled to no less than 12.5% of the royalties from sales. However, a 2013 Pro Publica investigation found that oil and gas companies kept billions of dollars out of the hands of private and government landowners through cost and data manipulation. Their analysis of lease agreements, government documents, and thousands of pages of court records show that underpayment was widespread.  

Much of the controversy surrounding royalty money boils down to post-production costs. These are expenses of moving and treating gas through pipeline networks. To cover the costs, drillers may take deductions from royalty checks. Some landowners agree to this. Others negotiate a lease forbidding it. Many sign leases that don’t address it at all. While some leases have vague leases leaving room for gas companies to take deductions, even if the owner objects. And it’s clear many landowners signed leases without fully understanding their implications like you sign the terms of conditions on anything. 

However, some companies deduct expenses for transporting and processing gas. Even when leases have clauses specifically forbidding such deductions. In other cases, they withhold money without explanation for other, unauthorized expenses, and without telling landowners the money’s being withheld. When significant amounts of fuel aren’t sold at all, companies could use it themselves to power the gas processing equipment, sometimes at facilities far away from the land it was drilled from. To keep royalties low, companies may set up subsidiaries or limited partnerships selling oil and gas at reduced prices. Only to recoup the full value when their subsidiary resells it. While the royalty payments are based on the initial transaction. And according to Oklahoma court documents, it’s perfectly legal despite the companies clearly ripping off the landowner. In other cases, companies barter for services off the books, hiding the full resource value to the landowners.  

Making matters more complicated, the gas rights frequently get split into shares, sometimes among as many as a half-dozen companies and get frequently traded. Once they produce the gas, a host of opaque transactions influence how they’ll account for sales and allocate proceeds to everyone entitled to a slice. Chain of custody and share division can be so complex that even America’s finest forensic accountants struggle to make sense of these energy companies’ books. 

The federal government has a whole arsenal to combat royalty underpayment with Department of Interior rules on allowable deductions and employs an auditing agency that’s uncovered more than a dozen instances of gas companies willfully deceiving them on royalty payments since 2011, recouping more than $4 billion in unpaid fees. Unfortunately, private landowners don’t have many protective mechanisms, and often enter into agreements without regulatory oversight. This leaves them with only two options. Either pay to audit or challenge energy companies out of their own pockets. Although Pennsylvania has passed laws requiring the amount of deductions be listed on royalty payments, as of 2013, it has no laws dictating at what point a sale price must be set and what constitutes as legitimate expenses. In dozens of class action lawsuits ProPublica’s reviewed, landowners claimed they can’t make sense from the expenses deducted from their payments or that companies hide charges. While publicly traded oil and gas companies also have disclosed settlements and judgements in royalty disputes that collectively add up to billions of dollars. Since individual lease language can vary widely while some can date back nearly 100 years, many deduction disagreements boil down to differing interpretations related to the contract’s language. 

Should a landowner in Pennsylvania decide to sue the gas company over royalties, proceed with caution and aim low. As of 2013, courts have set few precedents for how leases should be read and substantial obstacles stand in litigating landowners’ way. Attorneys say that many of their clients’ leases don’t let landowners audit gas companies to verify their accounting. Those allowed must shell out thousands of dollars to do so. When audits reveal discrepancies, many Pennsylvania leases require landowners to submit to arbitration, another exhaustive process also costing up to thousands of dollars. If you’re familiar with workplace abuse and sexual harassment, you probably know that arbitration clauses can also make it more difficult for the lesser party (like the landowners) to band together into a class action lawsuit in order to gain the leverage to take on the more powerful behemoth (like the gas industry). Tunkhannock attorney Aaron Hovan told ProPublica, “They basically are daring you to sue them. And you need to have a really good case to go through all of that, and then you could definitely lose.” Worse, landowners must clear all these obstacles within Pennsylvania’s 4-year statute of limitations. So, if a landowner realizes the company’s ripping them off too late or inherit a lease from an ailing relative who didn’t do their homework, well, they’re shit out of luck. In addition, even if the court finds the gas company liable for underpaying royalties in the state, it has little to fear. Since they’d only owe what they should’ve paid in the first place. Unlike states like Oklahoma, Pennsylvania doesn’t allow for any additional interest on unpaid royalties and sets a very high bar for winning punitive penalties.  

*** 

But what about the economic benefits? Hasn’t natural gas drilling in the Marcellus Shale been a game changer in Pennsylvania? From my experience, I’d say barely because I didn’t see anyone get rich. Nor I know many people who worked in the gas fields. Besides, an NPR article from this year states that over the last decade, natural gas extraction has had little economic impact in the 8 most active drilling counties in Pennsylvania. In fact, economic growth sharply lagged state and local rates (at 1.7% vs. 10%) despite a sharp GDP rise that exceeded both (55%). Despite gas industry promises of local economies flourishing thanks to fracking, communities largely failed to reap the benefits. Why? Partly because gas companies sourced their labor, materials, and equipment elsewhere. According to a report from the Ohio River Valley Institute, “This extreme disconnect between economic output and local prosperity raises the question of whether the Appalachian natural gas industry is capable of generating or even contributing to broadly shared wellbeing.  And, if it is not, should it continue to be the focus of local and regional economic development efforts?” 

Former DEP secretary John Quigley said the Ohio River Valley Institute report is one of the first to show that the natural gas industry’s investments, like aggregate economic growth, doesn’t always mean more jobs for communities or increased personal income, especially if out-of-staters take many local jobs. He told NPR, “The impact of this industry on local economies has been vastly overstated. It’s been oversold and used as an excuse not to adequately regulate or enforce environmental and public health regulations.” And given how not much economically changed for the better in my own community during the gas rush, I’d have to agree. Despite witnessing wells drilled in my own neighborhood, I hardly know anyone who’s worked on a drilling pad. Nor did many landowners receive much money either. Add the fact I’m quite pissed off that the state doesn’t have an extraction tax and it’s very clear where the gas money’s going. And given where much of these companies are based in, I’m sure it’s Texas. 

*** 

Nonetheless, the natural gas industry remains a very powerful force in politics within Pennsylvania. Between 2007 and 2018, the natural gas industry have spent $3 million in political contributions to candidates for statewide office and $69.6 million in lobbying costs. Energy companies have given generously to politicians from both parties which has profoundly influenced state policy and not for the better. It’s not uncommon in the state for regulators and politicians to work for natural gas companies after their jobs are done and vice versa. Marcellus Shale drillers enjoy steadfast support from the state’s Republican-controlled General Assembly, making passage of any legislative measures to rein in them obviously futile. As Republican state legislators have made growth and nurture of the gas industry a priority. They even blocked Governor Tom Wolf’s proposal for a severance tax on gas production and to this day Pennsylvania is the only state in the Marcellus Shale region without such a tax. Although the state does collect a separate impact fee tied to each new well’s development, but that doesn’t exactly cut it.   

 According to state attorney general Josh Shapiro’s grand jury report (no, not that one), state regulators and elected officials have consistently placed the natural gas industry over Pennsylvanians’ well-being throughout most of the first-generation development within the Marcellus Shale region. Shapiro told Penn Live, “It’s David and Goliath. It’s a rural family living next to a huge industry backed by billions of dollars and out-of-state investors, by bought science, by lobbyists and former officials who have amassed so much power that they act as though they are unaccountable.” His report chastised the state DEP over the shale boom’s history for failing to conduct water quality tests in response to citizen complaints, often failing to enforce a “presumption” that oil and gas activity within a certain distance of a home where contamination was proven, and showing long-term bias against issuing violations.  

One case I used in Deacon Hill to illustrate the natural gas industry’s influence in politics and public life is the case of Range Resources and the citizens of Mount Pleasant Township, Pennsylvania (no, not the one where we had Quiz Bowl matches at, of which I need to remind myself). Now out of all the oil and gas companies involved in the Marcellus Shale drilling rush, Range Resources was one of the earliest and best-known contenders and still remains the largest driller in the state. Yet, while EQT can safely put their name on a Pittsburgh Pridefest float and no one would bat an eye (save environmentalists, of course); Range couldn’t get away with that. Probably because it has one of the worst reputations, especially if you’re familiar with its activities in Washington County, particularly in regards to fracking contamination. I mean these people had a judge place lifetime gag orders over discussing fracking on seven- and ten-year-old kids in the Hallowich case. Anyway, Range Resources had drilled some of its first wells in Mount Pleasant Township under permit use zoning, giving them free rein to drill wherever they wanted. Fast forward to 2011, Mount Pleasant wants to adopt conditional use zoning, in which a planning commission and the board of supervisors must approve drilling of all new wells. All because residents complained of wells being near their houses, schools, or medical establishments, places where you don’t want people drilling for gas. Besides, most of neighboring municipalities already used conditional use ordinances to regulate drilling.  

Obviously, Range Resources didn’t like this and threatened to discontinue local operations or sue the Mount Pleasant Township if they didn’t get their way. As decision day approached for the board of supervisors to approve the new ordinance, Range unleashed an all-out PSYOPs-style propaganda campaign through two letters sent to over 300 Mount Pleasant Township leaseholders in a divide-and-conquer strategy to intimidate local officials. As resident Dencil Bachus told the Pittsburgh Post-Gazette, “We are outraged. This is an effort by Range Resources to divide a community on the eve of a decision on an ordinance that affects them directly. It’s an attempt by the company to get what they want rather than operate within the [township government] process. It’s a divide-and-conquer public relations strategy.” Another Mount Pleasant resident told DeSmog Blog, “What’s going on here, it’s kinda like Love Canal. The intimidation from these corporations is astounding to me. I don’t know how they’re allowed to get away with it. I’d like to see them get nailed.” Mount Pleasant Township was far from the only municipality to find itself on the receiving end of Range’s wrath once it decided to assert itself in where the company can or cannot drill within its jurisdiction. And they’ve sued other townships who’ve followed Mount Pleasant’s lead. 

Then there’s the Act 13 debacle. Passed by the General Assembly during Governor Tom Corbett’s term in the early Tens, this was a love letter to the gas industry overhauling oil and gas regulation in their favor. And often at the public’s expense. Act 13 established the following: 

  • Gave the Pennsylvania Public Utility Commission power to review local ordinances. This allows energy companies to legally challenge local ordinances that they don’t like through the PAPUC. This process allows state rules supersede local ordinances in regards to zoning. Not to mention, allow municipalities to permit oil and gas development across all zoning areas.  
  • Allowed private corporations engaged in natural gas storage and transportation use of eminent domain on a person’s remaining property without proper compensation (what the fuck?). That is, if the company has a right to the majority of the land. 
  • Instilled a “physician’s gag rule” that prohibited medical professionals from revealing information on fracking chemicals they receive from drilling companies. Thus, this allows doctors to research but if fracking had anything to do with what’s wrong with their patient, they couldn’t tell them.  

From 2012 to 2016, Pennsylvania’s Supreme Court would overturn much of the law for various reasons. In 2013, the Court invalidated most of the zoning rules on grounds of violating the state constitution’s Environmental Rights Amendment assuring clean air and water for residents.  In 2016, the Court struck down the other two provisions because they’re utterly ridiculous to put in the books anyway. For a doctor has a right to tell their patient what the hell’s making them sick, fracking or not. 

Even more disturbing is how natural gas companies have cracked down on anti-fracking activists. In Pennsylvania, there’s an organization called the Marcellus Shale Operators’ Crime Committee that allows the gas industry to swap information with local, state, and federal law enforcement about activists, protests, and potential threats. We shouldn’t be surprised since energy companies have a history of suppressing dissent whether over public health concerns, environmental impact, or workers’ rights (looking at you, West Virginia coal companies). Although reports of pipe bombs, charred debris, and gunshots fired at gas sites exist, very few anti-fracking activists have resorted to crime. While most are just law-abiding citizens. And yet, many have been subject to being branded as “ecoterrorists” as well as subject to law enforcement surveillance probes (with assistance by private security firms). One Lycoming County woman had a state trooper stop by her house over her anti-fracking activities. Luckily, she got off with a warning. That same trooper then crossed state lines into New York to accuse another activist of trespassing a gas compressor station site. Nonetheless, law enforcement’s connection to the natural gas industry raises troubling questions on police conduct and civil liberties. Should police use information obtained by private security firms, it can pose a threat to basic constitutional rights and make one ask why law enforcement’s devoting limited resources to tracking environmentalists. Seriously, don’t police have better things to do like track down actual criminals?  

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Thus, my dear reader, the benefits and promised prosperity natural gas companies touted in order to drill into the Marcellus Shale turned out to be the stuff that dreams are made of. In other words, even if it did create jobs or benefit the region, those rewards weren’t as great as originally advertised. At least when you consider the high risks involved along with the gas companies’ lack of transparency and public dishonesty. The drilling process isn’t safe for workers as well as the surrounding community and environment. The royalty leases and contracts may not always give the landowner a fair deal. While their influence and campaign contributions make them a powerful force in government and law enforcement regardless of how much they contribute to the local economies, which is nonetheless extremely troubling. And whenever challenged, they will strike through almost any means at their disposal. Take it from me, you can’t trust these gas companies to regulate themselves.